THE AMAZING @yue-s-n MANAGED TO RECORD THE ENTIRE CONCERT SO IF YOU MISSED IT, HERE IT IS!! ♥♥♥
Not all heroes wear capes. If you missed it or wanna rewatch, enjoy!

PR's Tumblrdome
art blog(derogatory)
No title available

祝日 / Permanent Vacation

Love Begins

Kiana Khansmith
Xuebing Du
wallacepolsom
sheepfilms
Keni

No title available
trying on a metaphor
Monterey Bay Aquarium
DEAR READER

❣ Chile in a Photography ❣
Stranger Things
$LAYYYTER

tannertan36
taylor price
No title available
seen from United States

seen from Malaysia

seen from China

seen from United States
seen from United Kingdom
seen from Türkiye

seen from Canada
seen from United States
seen from Türkiye

seen from United States

seen from Brazil

seen from United States
seen from Canada

seen from United States

seen from United Kingdom
seen from Slovakia
seen from United States
seen from Tunisia
seen from Singapore
seen from Pakistan
@dyasday
THE AMAZING @yue-s-n MANAGED TO RECORD THE ENTIRE CONCERT SO IF YOU MISSED IT, HERE IT IS!! ♥♥♥
Not all heroes wear capes. If you missed it or wanna rewatch, enjoy!
Isao Takahata 高畑 勲 29 October 1935 – 5 April 2018
Very sad news Studio Ghibli co-founder and legendary anime film director Isao Takahata has passed away. Mr. Takahata passed away at a hospital in Tokyo on March 05, 2018. According to sources, the director’s health began to decline in the summer of last year, and he was frequently hospitalized for conditions related to his heart. Mr. Takahata was 82 years old. He is most famously known for his emotional and poignant film version of semi-autobiographical war novel Grave of the Fireflies, received an academy award nomination for his last film The Tale of Princess Kaguya and more recently collaborated on Michaël Dudok de Wit on his film The Red Turtle.
Takahata’s works regularly broke the anime mould with their choice of story and alternative animation styles which were artistically significant to the creation of the genius that is Studio Ghibli. He will be sadly missed by anyone who knew his works and the film world will be less rich without him. Rest in peace.
“Rather than paintings that declare ‘I am the real thing’, I prefer paintings that say ‘As you can see, I am not the real thing, but please use me as a means to imagine or remember in a vivid way the real thing that is behind me’. My intent was to have the viewers be there at the moment when the sketches were being drawn and to have them share in the emotions. I want to make sure that we don’t forget the great power of paintings drawn by lines on paper to stir our imaginations and memories.”
- Isao Takahata, on the iconic, symbolic power of visual art in animation.
Isao Takahata 高畑 勲 29 October 1935 – 5 April 2018
Very sad news Studio Ghibli co-founder and legendary anime film director Isao Takahata has passed away. Mr. Takahata passed away at a hospital in Tokyo on March 05, 2018. According to sources, the director’s health began to decline in the summer of last year, and he was frequently hospitalized for conditions related to his heart. Mr. Takahata was 82 years old. He is most famously known for his emotional and poignant film version of semi-autobiographical war novel Grave of the Fireflies, received an academy award nomination for his last film The Tale of Princess Kaguya and more recently collaborated on Michaël Dudok de Wit on his film The Red Turtle.
Takahata’s works regularly broke the anime mould with their choice of story and alternative animation styles which were artistically significant to the creation of the genius that is Studio Ghibli. He will be sadly missed by anyone who knew his works and the film world will be less rich without him. Rest in peace.
“Rather than paintings that declare ‘I am the real thing’, I prefer paintings that say ‘As you can see, I am not the real thing, but please use me as a means to imagine or remember in a vivid way the real thing that is behind me’. My intent was to have the viewers be there at the moment when the sketches were being drawn and to have them share in the emotions. I want to make sure that we don’t forget the great power of paintings drawn by lines on paper to stir our imaginations and memories.”
- Isao Takahata, on the iconic, symbolic power of visual art in animation.
YOI Ep 12 and Victor’s Love
First off: Victor is still staying on as Yuuri’s coach? He outright says as much in the episode.
There are so many posts about how Yuuri is going to be coached when Victor is competing, but Victor outright says he’s still coaching him.
It is going to be difficult for Victor to try to juggle both, yes. But it’s so Victor, and so Victor for Yuuri, that it’s not surprising. And as much as Yuuri will lean on Victor, I’m sure Victor will lean on Yuuri.
I also got the impression that this season isn’t as much about the results as Victor, as it is the love of the sport. Sure he’s competitive, but hell Yuuri’s got to get that five time world champion streak started as soon as possible or he’ll have to retire before he can complete it.
Okay so the real meat of this post. I’m going to talk a lot about Victor’s love for Yuuri and how it manifests in this episode, and also a little bit about Yurio’s love for Yuuri.
Keep reading
Viktor is 27. Viktor is 27 and successful but he’s decided to change his career anyway. He’s 27, nearly 28 now since he’s been working with Yuuri for months already, and he has no idea what he’s doing with his new career. He’s 27 and he’s making mistakes in a brand new career. He’s 27 and people are doubting his new career and telling him to go back to doing what he’s good at and telling him he’ll fail if he changes what he’s doing. He’s 27 and he’s making mistakes and struggling and being unsuccessful in many different ways. He’s 27 and he’s figuring out his life like it’s usually expected from a teenager or college student. He’s 27 and he has no idea about what he wants to do with the rest of his life.
It’s so important that YoI is portraying this, because it’s a struggle most athletes go through at the tail end of their careers, but it’s something no one talks about. Athletes have short careers and they don’t just snap out of it when they’re done and figure out their lives immediately. Many of them have no other work skills. Many of them picked their careers over college. Many of them never considered anything else, or life After sports. Most of them aren’t even successful enough to have enough money to be set for life. They end their careers, voluntarily or otherwise, and then struggle just like everyone else, and they’re usually adults when it happens.
It’s okay if you don’t have your life figured out as an adult. It’s okay to change your career as an adult, even if you’re doing fine in your old career. It’s okay to not be happy with what most people would qualify as success, as an adult. It’s okay to try something new as an adult. It’s okay to learn something new as an adult. It’s okay to fail as an adult, and make mistakes. You’re not too old to change your career. You’re not too old to still be a mess.
The Reasoning Behind Underscoring
First off, this post was ¾ deleted by a power surge right when I was about to Copy+Paste it to a doc and save the draft here, so I’m recreating it. And the wording probably isn’t as polished as before, but I’m trying my best through these salty tears.
—————
I was summoned on the IRC chat to help people understand what was up with Yuuri’s low scores, and now I’m taking that and expanding it into a full-fledged post.
It seems most people have understood that his low scores were due in part to his lack of channeling Eros fully, and you’re not wrong, but PCS (Program Component Score)is a little complicated, so here’s an explanation to clarify what happened. This also includes a little about the jump changes.
PCS has 5 components to it. (stuff in parenthesis are definitions in my own words to help you understand what this looks like, because the textbook definitions can be hard to visualize):
Skating Skills (fancy footwork, skating one one foot, using edges to gain speed with minimum movement, “floating across the ice”), Transitions (these are the little steps or movements that lead into jumps or spins, they make the program look less disjointed), Performance (how well can you sell the program? Are the emotions expressed well? This is facial expressions, arm movements, personality, etc.) Composition (this is choreography. It’s how all the pieces make a story or image. It tends to blend with Interpretation), Interpretation (normally called “music interpretation” - interpreting the rhythm of the song, placing jumps and spins and movements with the beat)
So with this Eros performance there was A LOT different.
1. Victor and Yuuri changed the jump layout a bit.
They move the solo jump to the end and bring the combo earlier.
This means little things, like timing it to the music, change.
(Interpretation)
Although, since the quad is the same (4S), the transitions and timing leading into the take-off of the new 4S+3T should be the same. It’s just the transitions and timing OUT of the jump that will look different.
2. The jumps are different He went from a 4T+3T to a 4S+3T Remember that Yuuri was having difficulty with the 4S earlier in the season.
For the 4T+3T he probably consistently gets +2 or +3 GOE
For the 4S+3T he has a chance of getting lower GOE since his 4S isn’t as steady as his 4T.
It’s a bit of a risk, but if he lands it well, it would be worth it.
Plus, the rhythm won’t be too thrown-off since he was already doing a 4S. (Rhythm of a jump is also something judges look for, for GOE and PCS-Skating Skills)
Next, he switched the solo jump from a 4S to a 4F.
The 4S is an edge jump while the 4F is a toe jump. All you need to know here is that this would change the entry into the jump – which changes the look of the program a tiny bit.
Yuuri’s success rate was apparently pretty low in practice,
there are probably more times he lands it with a shaky edge, than there are times he lands it with +3GOE quality.
but the difference is about 2 points just in base value (4S= 10.5 points 4F=12.3 points), then add the 10% bonus because it’s in the second half of the program. If he lands well, it would be a HUGE score.
as Yuuri said to Victor at Ice Castle, if he could land a +3GOE worthy jump, the impact would also be great ( “don’t you want to see it?”)
( “Hey, Judge! Look at this 4F!” = Performance)
He DOESN’T land well this time: the jump automatically has -1GOE for the hand down (which is -1.2 points), but it looked messy and I’m sure there were some -2GOEs given by the judges. The triplets said it looked round, so we don’t have to worry about underrotation, but it almost looks double-footed.
At any rate, that’s about 5 points he left on the table there. He was counting on the potential 16.53 points (+3GOE). If the judges were generous and only gave -1GOE, he got 12.33 points. If they were harsh, he may have gotten anywhere from 11.53 points(-2GOE) to just 8.3 points(-3GOE).
A messed-up jump also affects the way that the judges view the program. Because it affects the presentation aspect So even more points are lost on PCS.
(points aren’t really “lost” in PCS, so much as you don’t gain the points you would usually receive)
The PCS tends to follow a “point corridor.” If one component falls, judges tend to detract from ALL the other components. You don’t really see high (8.0~10.0) Skating Skills points and low (5.0~6.0)Presentation points, or high Music Interpretation points and low Transitions points. The points across all 5 components will be more-or-less in the same range. It’s sometimes silly, but it’s a thing that happens in most cases.
Additionally, if a skater is consistent over the years, judges are more likely to give them the benefit of the doubt. It’s because they KNOW this skater. The judges know what this skater’s skills are, and won’t bring the scores down as much as they would for an inexperienced or inconsistent skater. You could call this the “human sympathy” factor - when a performance was so striking or courageous that even if the skater makes some mistakes, you reward them by not penalizing them TOO much.
(In the worst of cases, this becomes favoritism. You’ll see the slang term “Chanflation” used in some places, but it’s not… the most diplomatic term, since it references a certain skater’s last name.)
This kind of help only really happens if the skater valiantly skates. What helps salvage PCS is if a skater really SELLS a program.
In which case, the presentation score would stay up, even if the skating skills or transitions or choreography goes down.
But well, we saw that Yuuri wasn’t fully into the Eros mindset.
So to sum it all up:
Gamble with the jumps could net higher points, but the gamble fails.
Change in the layout affects choreo, transitions, and music interpretation - if he can sell it, then it can all work out
He didn’t manage to channel Eros to its fullest extent.
———-
I only briefly mentioned Transitions up there, but they’re pretty important.
Having transitions also increases what GOE you’ll get for an element. It’s not just about doing a jump (take off, rotate, land) – it’s about doing a jump and being beautiful (good position, nice posture) while making it difficult to enter and exit the jump (transitions). Anything that would make a jump more difficult to execute than normal will help the skater get +GOE. Transitions are like the glue that connects all the jumps, spins, and the step sequence smoothly together. When jumps are switched, the footwork will also slightly change to help the skater do the jump.
So in a way, GOE and PCS are linked - if you have a lot of difficult transitions, you can increase PCS and check off a few of the boxes that judges look for when awarding +2 and +3GOE.
It’s not like changing a program layout is ridiculous. It’s just that, if the layout is changed, it’s usually done at one of the two assigned GPSeries competitions and not the GPFinal itself. This is so the skater and coach have a chance to see how the program will work in competition. Then they can make any necessary adjustments.
—————-
For the record, I do feel that Yuuri should have gotten a couple more points, but the 97.83 isn’t outrageously low. It just means the judges were a little strict in PCS, and he might have missed some levels on spins/step sequence. From a figure skating fan’s perspective, I would be super excited to see Yuuri take this new SP layout and skate a clean program at Worlds.
Too bad the anime is only one season and we won’t get to see that. (Come on OVA/Movie/Season 2, I NEED you.)
Miyano Mamoru no RADIO SMILE #139 (2016.12.03) - ENG SUB
Mamo-chan talks about Yuri!!! on ICE and his character JJ.
In the name of the moon 🌙 ✨ JJ STYLE 👆👆
Please take my translations with a grain of salt.
Ocean and Beach Posts
Ocean and Beach Posts
Ocean and Beach Posts
Ocean and Beach Posts
Ocean and Beach Posts
( ╯▽╰) || FTPanda [pixiv] ※Permission to upload this was given by the artist **Please, rate and/or bookmark her works on Pixiv too** [Please do not repost, edit or remove credits]
next episode is gonna be interesting!
150723 いただきハイジャンプ Hey! Say! JUMP
伊野尾 慧 知念 侑李 髙木 雄也 山田 涼介
TV Station No.11
Well, I would be that kind of teacher as well I guess.. :D