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How do I explain Plato's allegory of the cave to my cat?
gato’s allegory of the fishtank
Finally finished this piece about the toxic beauty standards imposed by my parents while growing up. Painting all those eyes felt both meditating and drove me insane.
TW: child abuse
I included some of the comments my family has made about my appearance over the years, some of which are contradicting, just to show how impossible it was to please their toxic beauty standards. To them, I was always too skinny and too fat at 115lb. And being 5'6 was too short.
My mom told me to get plastic surgery for my monolid eyes, because only double lidded eyes are considered beautiful by Chinese standards. She pointed to her friend's daughter, who did get plastic surgery for her entire face, and said how much better the girl looked, how I should be like that.
My dad commented on my flat chest, asking how come my mom has boobs while I don't. My stepmom pointed out the frown lines around my lips, saying I don't smile enough. My stepmom always bullied me to the point of crying (by calling my mom a whore and such), so she knows exactly why I don't smile enough. My stepdad said my personality is too horrible to get a normal job, so I would have to prostitute myself, but that I'm too ugly to get clients so I would starve. When I told my mom what he said, she told me to stop lying.
After a lot of therapy for my CPTSD, I can look back and realize that they were the ugly ones, in all sense of the word. But for so long I had such little self-esteem, I would avoid photos. At my first artist alley over a decade ago, fans of my art wanted photos with me but I was too ashamed of myself to accept. I've improved a lot and no longer fear being photographed. I still struggle with other aspects of my childhood abuse (a story for a different day), but with each passing year I feel like I'm regaining bits of myself.
___
A peek of the painting process, the full hours long videos will be DMed on my Patreon on Sep 5th
This is Money Marge. Reblog for a miracle of finances to come to you
🙏🏾💰💵
Please money marge, send me a job callback
THE GREEN KNIGHT (2021) dir. David Lowery
THE GREEN KNIGHT (2021) dir. David Lowery
picture in my mind 1
by @jakeromanoart
i knew this all along
More of @jakeromanoart's impressive art can be found here on @artistalley, on their Tumblr, or in their store.
What do you all study when you're doing art studies??
Heeeeeyyy, I love me a good fucking STUDY
for environments:
shot deck is a massive database of film shots searchable by grading, tod, shot type, characters and content! Studying from films really helps improve your values and composition as the shots are usually very carefully constructed! It helps you find ways to maintain realism while still packing mood and narrative into your work!
master paintings! I recommend the orientalists like Jean Leon Gerome in particular their environments had great compositions and throw around a ton of colour and light! I like the modern artists Craig Mullins and Richard Schmid also, as there is so much impressionist lost detail and simplicity yet the environments feel so real.
The 1960s era disney background artists like eyvind earle are a masterclass in stylisation and simplification and make a wonderful choice for studies. (That being said modern disney visdev artists like Nathan Fowkes are just as fantastic to study for the same reason)
architectural photography can be a great resource too- I love to look for work by urbEX people!
thumbnailing and comp studies- trying to break down a photo into as few values as possible and still have it be readable- this really helps train your brain in the relationship between light exposure and local value.
Im begging you if doing it in colour is too hard to start with just do it in black and white!!!!! Greyscale painting is an essential step in learning to paint and understand lighting scenarios!! Colour is hard!!!
there is no substitute for going outside and doing some plein air painting- really looking first hand at how the light effects different materials and objects, how it bounces around, what edges your eye naturally loses in certain lighting scenarios. Just go outside and draw and try to notice stuff.
for characters:
figure studies!!!! from life if you can but if you cant there are a ton of great resources out there- personally I love croquis cafe and posespace, but if you can afford it (and are interested in intense anatomy study) then scott eaton has a site called bodies in motion which is fantaaaastic. I think by now everyone knows nyx and senshistock, I also use a lot of grafit studio photorefs to study more complicated poses!!
Master studies (again). I particularly like to study the work of John Singer Sargent, Joaquin Sorolla, Edwin Austin Abbey, Alphonse Mucha (his le pater compositions are out of this world), any of the New Rochelle artists (e.g rockwell, tom lovell, those 1950s illustrators REALLY knew their shit).
I literally have a resin skull on my desk that I've used to do quick studies with different lighting, just 10 mins a day back when I was doing it and it levelled up my skill a lot!.
Material studies are essential to leveling up your character painting!!! Look at fur, look at metal, look at the way something embroidered reflects light vs tooled leather!!
gesture studies! Look at a dynamic pose and see how you can exaggerate the motion in away that captures the sense of movement. This is tricky to start with but its really worthwhile especially when you combine it with other exercises. Mixamo is a cool library to look into for this kind of thing as you can pause and rotate the models in the middle of their actions!
breakdown the work of artists you admire- it's ok to study other living artists (and try to reverse engineer how they are making their decisions) it's a very effective learning tool! Really figure out what it is about that persons workflow you like, and how you might incorporate that element into your own. Obviously, dont post studies of living artists work!
The most important thing is that when you do a study you go into it knowing what you want to learn. Dont try to do everything at once! It's ok to focus on the muscle structure and not give a damn about the gesture. It's ok to focus on the texture of the fur and completely ignore the characters face.
The best way to keep doing studies is to find refs you like- things you are interested in and that capture your imagination! Follow your curiosity and remember that just a tiny little bit a day makes a huge difference.
Gunna take a sec to recommend the tutorials of Devin Korwin. He talks about how to study and how to breakdown art fundamentals in a way that is at once both very advanced but also digestible. I highly recommend his pdfs!
Winter Captures the Night by Eran Fowler
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Untitled © Peter Solarz
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Dark academia moodboard // Chetham’s Library & John Ryland library, Manchester (2018)
Photography by Xuebing Du
Instagram: xuebing.du
红月 / Red Moon (Detail) - Huang Guangjian
photography by aleksandra_dark.art