e aeolian

[elanormcinerney]

Malcolm Harris | Mom’s Invisible Hand

Nina Power | The Political is Personal: Thinking about Feminism and Work with Selma James and Silvia Federici | A Solid Injury to the Knees

Malcolm Harris | Mom’s Invisible Hand

Nina Power | The Political is Personal: Thinking about Feminism and Work with Selma James and Silvia Federici | A Solid Injury to the Knees

Ingeborg Bachmann | The Book of Franza

Journal extract from 19 May 1958, quoted in Jacqueline Rose | The Haunting of Sylvia Plath

Joanna Russ | Magic Mommas, Trembling Sisters, Puritans & Perverts

Nina Power | The Political is Personal: Thinking about Feminism and Work with Selma James and Silvia Federici | A Solid Injury to the Knees

Alice Notley | The Brain Is a Toy but Loyalty’s Metaphysical | Mysteries of Small Houses

[lisalerkenfeldt]

Poetry & Noise co-curated by Autumn Royal and Lisa Lerkenfeldt.

[poeticresearch]

Area Sneaks Sheets #6

Chris Sylvester

POEMS ABT ‘INTERN’ AND ‘PHIL’ THE INTERN

2016

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[wenchyfloozymoo]

[staleobjectsdepress]

SOd/folder[limited edition]

[eaeolian-blog]

[whenkidswerekings]

[eaeolian-blog]

Sex as Cultural Form: The Antinomies of Sexual Discourse

by Chris Chitty Tomorrow will mark the first anniversary of Chris Chitty’s death. Chris was a radical thinker, committed activist and scholar, and a cherished comrade. As a queer Marxist and prolif…

[afieryflyingroule]

http://incivility.org/?p=150

[eaeolian-blog]

Bernadette Mayer’s “Memory” as an “Everyday-Life Project”

For the past six weeks, Bernadette Mayer’s important early multimedia work Memory has been on display at the Poetry Foundation in Chicago (the exhibition closes on April 27). In conjunction …

[harder-than-you-think]

Kate and her llama jumper, late 70’s.

[christineshanshanhou]

gigantic collage on paper 8.05 x 10.5 inches

[eaeolian-blog]

The poem is the speech of citizenship. The poem distributes itself according to the necessity of subjects to begin, to begin speaking to anybody, simply because of the perception of continuous co-embodiment as the condition of language. This shaped speaking carries the breath of multiple temporalities into the present, not to protect or to sanctify the edifice of tradition, but to vulnerably figure historicity as an embodied stance, an address, the poem’s most important gift to politics.

Lisa Robertson, Nilling

[nikkilipstick]

[eaeolian-blog]

[afrodesiacworldwide]

artxman

[bradwalrond]

#kendricklamar #kendrick #grammys #afrofuturism #thankyou #everywherealien