I miss my friend

Love Begins
NASA
almost home
wallacepolsom

ellievsbear
Lint Roller? I Barely Know Her
cherry valley forever

@theartofmadeline
2025 on Tumblr: Trends That Defined the Year
tumblr dot com

pixel skylines
let's talk about Bridgerton tea, my ask is open
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"
🪼
Stranger Things
No title available
One Nice Bug Per Day

Kiana Khansmith
No title available

seen from United Kingdom

seen from Malaysia

seen from United States

seen from Taiwan
seen from Germany
seen from Maldives

seen from Malaysia
seen from United States

seen from Canada
seen from United Kingdom

seen from Argentina

seen from Malaysia
seen from United States

seen from Romania
seen from United Arab Emirates
seen from United States

seen from Singapore
seen from South Africa
seen from United Kingdom

seen from Estonia
@notwavingdrowning
I miss my friend
My desired aesthetic
“I Like Hanging Out With Guys Because There’s Less Drama.”
Translation: whenever I spend time with my female friends, we always end up doing an unabridged reading of Hamlet, and I’m salty because they always make me play Polonius.
‘Disrupting Songlines’: Some Thoughts About the Triple J Hottest 100, by Hannah Donnelly
Photo by Kevin Trotman. Reproduced under the Creative Commons Attribution 2.0 Generic License
All quiet on the colonial front.
Every January when the Triple J Hottest 100 is announced on Invasion Day, I’m violently repelled by ‘Aussie music culture’. Segregation runs through this music culture like a current, it censors our people’s stories.
The Hottest 100 music poll is open to votes in the weeks leading up to January 26, then people have a BBQ and get turnt up to the countdown on a day of mourning for those we lost in massacres and those we continue to lose while we remain in your possession. Our history and our music is confined to our own community radio stations, and only let in to your broadcasts when the segment suits.
PULL QUOTE: Our history and our music is confined to our own community radio stations, and only let in to your broadcasts when the segment suits.
Last year, I wrote a blog post on Aboriginal musicians in the 2014 Hottest 100. Ten Aboriginal artists had made the shortlist and they were mob and deadz and deserved our votes and always will. Still, I was curious why these songs weren’t really given much airplay in the lead-up to the Hottest 100 being announced besides the token, “It’s NAIDOC week, we should play an Aboriginal artist,” or the occasional play due to pangs of guilt.
This year I suss the mob that are shortlisted for the Hottest 100. Again, ten Aboriginal artists are up for votes. Shep brother Briggs is shortlisted for his track “The Children Came Back ft. Gurrumul and Dewayne Everettsmith” which really did get some airplay and is true gawd the best film clip of the year, one that raises up our heroes and our ancestors. (Not to mention the clip features Princess Samarah.)
Yanuwa, Wardaman and Bardi brother Jimblah is on the shortlist with the anthem of the year, “Treaty ft. Nooky, Ellie Lovegrove, Zachariiah Feilding”.
Palawa electronic folk singer DENNI brings her intriguing vocals to the track “Blink ft. Aphir”, as well as on her collab with seventeen-year-old heartbreak bro Kuren.
Kuren has another track shortlisted, “It Still Hurts”, off his fresh Love Lost EP.
And speaking the truth on that future looking vibe, Waanyi, Mitakoodi, Ringa Ringa and Kalkadoon rapper Lucky Luke made it with the song “1 Day” off his first album Whichway. (You can find the full list of the ten shortlisted Aboriginal artists at the end of this post.)
Some of these artists had been handpicked in Triple J’s Five New Indigenous Artists You Need to Hear segment earlier in 2015. Cool, thanks, Triple J, you are doing so well. Only one out of these five spits some hard-hitting messages – not that you should have to as an Aboriginal artist. But in my experience as a listener and as a guest curator, radio presenters almost only pick songs for their audience that will not in any way confront their privilege – which is why exclusively white radio waves are travelling through our airspace. I am worried for presenters of Aussie radio; the only thing I’m more scared of than finding the wrong feathers under my pillow is messing with someone else’s songlines.
What’s the secret to Triple J airplay? I looked for data that would tell me how many times songs are played, but it turns out that unless you pay for it that information’s limited. But I did find that if you lurk on JPlay you can find out the date a song was last aired. One shortlisted song, the beautiful “1966” by Alice Skye, was last aired in April. If it hasn’t been played in over eight months that’s gammon.
Going deeper, I found that songs by four of these shortlisted artists last aired on 9 July 2015. For those unaware, NAIDOC Week (National Aborigines and Islanders Day Observance Committee) is held the first week of July, which last year was July 5-12. Finally, I remembered that last year a song never played by Triple J before made not only the top 100, but the top 10". I can tell you, I really don’t know how the Aboriginal artists on the shortlist were selected. But I have imagined it: a white middle-age male Triple J director is like, “Sooooo there’s all these Aboriginal artists and we didn’t actually play their songs again. LOL land rights LOL. We should just put ten in the Hottest 100 shortlist again, even if we didn’t play them, because then Aboriginal people can’t say we don’t play them.”
Australian radio, a representation of “Aussie music culture”, is full of white privilege. Why else don’t you hear songs unravelling the colonial myths and telling you the bloody truth of massacres? Of genocide, of our people dead in your custody, families still lost only to reunite at the grave? Your selection to not tune in to these songs is something Frantz Fanon calls cognitive dissonance: that extremely uncomfortable feeling you get when confronted with the truth of colonisation, so much so that you can’t even, and instead of accepting new information your brain pretends it never happened.
PULL QUOTE: This track about murdered and missing Indigenous women from an Anishinaabe producer really clears the room.
As a DJ, I know this experience intimately. Some people love the hype of having a Wiradjuri DJ playing Indigenous music – but when my set starts the audience doesn’t actually want to listen. People walk off the d floor when a song about forced closures by Gamilaraay MC Provocalz comes on. This track about murdered and missing Indigenous women from an Anishinaabe producer really clears the room. When old white people at charity gigs won’t hide their disdain and give me their best filthy Aborigine look. When someone requests “a local Melbourne artist” after I’ve just played Yung Warriors – who are from, you guessed it, Melbourne. Recently I lip-read a mesh-dressed hipster say sideways to her friend, “Like I get it, I know it’s trying to be political, but what is she actually trying to do?” Nothing, bitch, I’m just playing music. You’re the one who is confronted.
This yarn isn’t just about Triple J’s Hottest 100 – it’s about Aussie music culture in general. No radio stations, commercial or alternative, give us the plays unless it’s a designated ‘special’ segment. Why not? Are we not allowed on your wavelength?
PULL QUOTE: If you are a gub and you are reading this, please ask yourself, have you ever tuned in to our stations?
Since the ’70s Aboriginal communities have had a strong history of radio broadcasting, and we do it well. There are over a hundred mob stations across the country – 3KND is based in Melbourne (this Invasion Day they’re doing a countdown of the Top 100 Aboriginal and Torres Strait Islander songs of all-time); Koori Radio in Sydney is home to the Indij Hip Hop Show; and in Brisbane, 98.9FM always has the best guest yarns on ‘Lets Talk’. Not to mention the National Indigenous Radio Service that delivers four channels of national content and news. But who is receiving our transmissions? If you are a gub and you are reading this, please ask yourself, have you ever tuned in to our stations? And if not, why not?
It’s not just that our songs are too real for your radio waves, that they tell too many difficult truths. When those same truths are sung in our languages, the songs are then tagged as ‘world music’. Like when Gurrumul won an Aria last year for ‘Best World Music Album’ when he’s actually a traditional owner of this country. For the love of Biami, let’s get one thing out of the way: ‘world music’ is not a genre. It’s a label that lazy, anthropologically inclined people use because they cbf acknowledging specific Indigenous nations and the lands artists come from.
It is the exclusion of our music in radio that disrupts songlines and makes me forcibly remove (assimilation pun intended) my ears from Aussie music culture. If Aboriginal musicians and presenters had more access to audiences not restricted by the colonised institution of broadcasting then maybe Aussie music culture would start to notice that there are so many lit Aboriginal musicians right now. I have over five hundred new tracks in a draft playlist waiting to be included in my monthly dose, and every month more music is released, more artists come through. I can’t keep up. If it were my job to nationally broadcast local music on a government-funded radio station, I probs would include more than a handful of mob ay.
The Sovereign 10 of Triple J’s 2015 Hottest 100 (alphabetical order):
Alice Sky – “1966”
Briggs – “The Children Came Back ft. Gurrumul and Dewayne Everettsmith”
Denni – “Blink ft. Aphir” (and “Wolves ft. Kuren”)
East Journey – “Emu ft. Yothu Yindi”
Jimblah – “Treaty ft. Nooky, Ellie Lovegrove, Zachariiah Feilding”
Kuren – “Achillies” and and “It Still Hurts”
Lucky Luke – “1 Day”
Philly – “Dreamchaser” and “Three little Birds” (Like A Version)
Robbie Miller – “The Pain”
Zane Francis – “Acclimate”
Mob on the features:
Golden Features – “No One ft. Thelma Plum”
Nathan Morrison – “Oceans ft. Robbie Miller”
Horrorshow – “Any Other Name ft. Jimblah, Thelma Plum, Urthboy”
You can also vote for songs not on the shortlist if it meets the Triple J guidelines.
Hannah Donnelly is a Wiradjuri writer who experiments with speculative fiction and future imaginings of Indigenous responses to climate change. She is the creator of Sovereign Trax, which aims to foreground the consumption of Indigenous music ‘through our own paradigms that speak to our collective stories, identities and resistance’.
It is truly remarkable the way my stepmum manages to turn every career milestone I'm excited by into a point of potential failure.
I miss you I miss you I miss you
brand new // Vincent Van Gogh
Perfect.
It Was Easier to Give in Than Keep Running
By Anonymous
In first grade, a boy named John— a notorious troublemaker—systematically chased every girl in our class during recess trying to kiss her on the lips. Most gave in eventually. It was easier to give in than keep running. When it was my turn, I turned and faced him, grabbed his glasses off his weasel face, and stomped on them on the hard blacktop. He ran to the principal’s office and cried.
In fifth grade, I was asked to be a boy’s girlfriend over email. It was the first email I ever received. He actually told me he wanted to send me an email, so I went home and made an AOL account. We went to a carnival and he won me a Garfield stuffed animal, and then he gave me a 3 Doors Down CD. A few days later, he broke up with me, and asked for Garfield and the CD back. I said no.
In sixth grade, a girl in my year gave head to an eighth grader in the back of the school bus while playing Truth or Dare.
In the summer after sixth grade, I kissed a boy for the first time at sleep away camp. He was my summer love. During the end-of-the-summer dining hall announcements, where kids usually announced lost sweatshirts and Walkmen, an older girl stepped up to the microphone, tossed her hair behind her shoulders, and proudly stated, “I lost something very precious to me last night. My virginity. If anyone finds it, please let me know.” The dining hall erupted into laughter and cheers. She was barred from ever coming back to the camp again, and wasn’t allowed to say goodbye to anyone.
In seventh grade, I told my brother I decided when I was older wanted a Hummer. What I really meant was I wanted a Jeep, but I didn’t know a lot about cars. My mother overheard and screamed at me for “wanting a Hummer.”
In the summer after freshman year of high school, I went to sleepaway field hockey camp with many of my close friends. One of them, named Megan, I had been friends with since kindergarten. One night when I was showering, she ripped open the curtain and snapped a photo of me on her disposable camera. I screamed. She laughed. We both laughed when I got out of the shower a few minutes later. After camp was over, her father took the camera to the convenience store to get it developed. When he gave the finished photos back to her, he said, “Your friend [Anonymous] has grown up.”
Sophomore year of high school, one of my best friends Hilary had a party in her basement while her mom was away. We invited some of the guys in our grade and someone’s older brother bought us a handle of vodka. One of the boys who came sat next to me in Spanish class. His name was Thomas. I remember playing a simple game, where we passed the bottle of vodka around in a circle and drank. I remember being happily tipsy and having fun, to suddenly being very drunk. Thomas and I started chanting numbers in Spanish, and he leaned towards me and kissed me. We kissed in the middle of the party, with all of our friends cheering. Then we went into Hilary’s bedroom.
Hilary’s bedroom was in the basement, on the ground floor, with a large window next to her bed. When someone went outside to smoke a cigarette, they realized it was a front row seat to what was happening in the bedroom. It was dark outside, and the light on was in the bedroom. They called everyone outside to watch. I don’t remember getting undressed, but apparently we were both completely naked in Hilary’s bed. A friend of mine told me later she tried to open the door and stop what was happening, but Thomas must have locked it. They said they pounded on the door. I don’t remember hearing them pounding. I don’t remember seeing everyone’s faces outside the window. I remember Thomas holding my head down, and shoving his penis into my mouth. I remember trying to resist, pulling back, but he held his hands firmly on my head, pushing my face up and down. That’s all that I remember.
The next day, my friends and I went out to dinner at one of our favorite local restaurants. I couldn’t eat anything, and it wasn’t because I was hung over. Every time I tried to put food in my mouth, I felt like I was choking. Anytime a flash of the night before appeared in my mind, I felt like vomiting. My friends sat with me in silence. Then they told me a girl named Lindsey, who had briefly dated Thomas freshman year, had stood outside and watched the entire time. Even after everyone else stopped watching. My friends said they didn’t watch.
On Monday, Thomas and I sat next to each other in Spanish. We didn’t speak. We didn’t make eye contact. I went to the girls bathroom and threw up. I hear Lindsey and Thomas live together, now, ten years later.
Junior year of high school, my teacher for Honors Spanish was named Señor Gonzales. Señor Gonzales had all of the girls sit in the front row. Señor Gonzales called on any girl who was wearing a skirt to write on the chalkboard. Señor Gonzales asked a friend of mine, who had broken her finger playing an after school sport, if she broke her finger because “she liked it rough.” Señor Gonzales was a tenured teacher.
Senior year of high school, I got my first real boyfriend. His name was Colin. He was on the lacrosse team with Thomas. He told me that sophomore year, Thomas told everyone on the team what happened that night at Hilary’s. Everyone cheered. Colin said that, even then, he had a crush on me. Even then, he wanted to punch Thomas.
Colin and I lost our virginities to each other. Colin said if I got pregnant, he would make me have the baby. He didn’t believe in abortion. Colin said if I got pregnant, he would make me have a C-section. Colin said that if I didn’t have a C-section, my vagina would be too loose for him to ever enjoy having sex with me again. Colin said that he wouldn’t let our child breastfeed. He said his mother gave him formula, and that he turned out just fine. I didn’t get pregnant.
Junior year of college, I lived in Denmark for the spring semester and studied at the University of Copenhagen. Copenhagen is one of the safest cities in the world. Guns are illegal there. Pepper spray is illegal there. One night, my friends and I went to a concert at a crowded club in a part of the city I didn’t know very well. I brought a tiny purse with money, my apartment key, and my international cell phone. For some reason it made sense at the time to put my purse inside my friend’s purse. Maybe I didn’t feel like carrying it. We were both drinking. My friend left the concert to go home with her boyfriend. One by one, everyone I was there with left the concert, until I was suddenly alone and I realized I didn’t have my purse, or any money for a cab ride home.
I started walking in the direction that felt right. I walked for a long time. I had no idea where I was, and didn’t recognize the area. It was almost 4 am. I was on a residential street when a cab pulled up next to me. I asked the driver if he could drive me to an intersection down the street from my apartment.
I don’t have any money, I said.
I really need your help, I said.
I will do it for free, he said.
Sit in the front, he said.
I sat in the front. We drove in silence for some time, until he pulled over on the side of a dark street.
I don’t want to do it for free anymore, he said.
He locked the car doors and reached across the center console and slipped his hand up my skirt. He grabbed my vagina. Hard. I pushed his hand away and unlocked the door. I ran down the street and realized he had taken me a block away from the intersection I wanted. I walked to my apartment and threw rocks at my roommate’s window until she let me inside. She yelled at me for waking her up. I escaped. Nothing happened. I was fine.
The summer after I graduated college I helped Hilary find an internship. She was an art major and wanted something for her resume besides waitressing. We found a posting on Craigslist to be a studio assistant for a painter in the Bronx. It was listed as an unpaid internship. The toll for the George Washington Bridge was twelve dollars, plus gas, but she got the internship anyway. She wanted the experience.
The artist was a 38-year-old Canadian painter named Bradley. Hilary was 22.There was another intern there, an art student from Manhattan named Stella. Bradley needed assistants to help him make bubble wrap paintings. Stella and Hilary would take a syringe and fill the tiny bubbles with different color paints until it formed a mosaic. Bradley always had Hilary stay after Stella left to clean the paintbrushes and syringes. He told Hilary she was beautiful. More beautiful than his wife, who he only married for citizenship. He told Hilary they had a loveless marriage. He told Hilary he wanted to have her beautiful children. They began an affair. He told Hilary has wife knew and didn’t care. He told Hilary he was going to leave his wife soon.
Everyday Hilary drove to the Bronx, cleaned Bradley’s paintbrushes, and had sex on the studio floor. Everyday she went home with no money, and everyday she paid the toll at the George Washington Bridge. She needed the internship for her resume, she said. It was too late to find a new job, she said.
I could go on. I could tell you a lot more. About the whistles on the sidewalk, the kids who sat at the bottom of the stairs in high school to look up our skirts, my friend who was a prostitute in South Carolina, the men who’ve cornered me in parking lots and bars calling me a tease, the unwanted grabbing on the subway, the many times my father has called me fat, the time I traveled to the Philippines and discovered Western men pay preteen locals to spend the week in their hotel, the messages on OKCupid asking to “fart in my mouth.” About how I wasn’t sure if I had been raped because I was drunk and kissed Thomas back. How he raped my mouth and not my vagina, so that must not be rape. How easy it was for me to escape the dark street in Copenhagen, and how that made it not matter since “it could’ve been worse.”
Men have no idea what it takes to be a woman. To grin and bear it and persevere. The constant state of war, navigating the relentless obstacle course of testosterone and misogyny, where they think we are property to be owned and plowed. But we’re not. We are people, just like them. Equals, in fact, or at least that’s the core of what feminism is still trying to achieve. The job is not over. We’ve made great progress. There are female CEOs, though not very many. There are females writing for the New York Times and winning Pulitzer prizes, though not very many. There are female politicians, though not very many. But these advances are only on paper. The job won’t be over until equality permeates the air we breathe, the streets we walk and the homes we live in.
I think back to how easy it was for me, in first grade, to feel fearless and strong in my conviction to stomp on John’s glasses. I felt right in reacting how I did, because John’s behavior was wrong. But his was an elementary learning of the wide boundaries his gender would go on to afford him. For me, it would never again be so easy.
- Anonymous, age 25