autumn in New York City

JVL

blake kathryn
Today's Document

祝日 / Permanent Vacation

Andulka

tannertan36

No title available
taylor price
"I'm Dorothy Gale from Kansas"
Sade Olutola
🪼

if i look back, i am lost
noise dept.
Misplaced Lens Cap

Kaledo Art
AnasAbdin

titsay

No title available

@theartofmadeline
Mike Driver
seen from Czechia

seen from Mexico

seen from Romania
seen from United States
seen from Italy

seen from Germany

seen from Malaysia

seen from New Zealand
seen from Bangladesh
seen from Bangladesh
seen from United States
seen from Bangladesh
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@ebertram
autumn in New York City
Are these our gojis?
During one of Birds of Prey’s fight sequences, Harley Quinn (Margot Robbie) identifies a teammate’s vulnerability and provides a critical assist — by lending her a hair tie. This small act of sisterhood is as familiar in an everyday context as it is surprising in the DC Extended Universe. It’s one of the many ways that Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) differs from its superhero movie forebears: It not only stars women, it was made by them, too. “There’s more women in front [of] and behind the camera than any movie I’d worked on, which is pretty incredible,” says Robbie, who also produced the film. “It was partly a conscious decision, but it also always felt like the organic, right choice to make.”
—Entertainment Weekly: How the R-rated, women-powered Birds of Prey flips the bird — and the script — in high-flying style
“I burned so long and so quiet, you must have wondered if I loved you back. I did, I did, I do.”
— Annelyse Gelman, from “The Pillowcase” in Everyone I Love is a Stranger to Someone (via alonesomes)
If I hadn’t been Fox Books and you hadn’t been The Shop Around the Corner, and you and I had just, well, met.. Yeah. I would have asked for your number, and I wouldn’t have been able to wait twenty-four hours before calling you and saying, “Hey, how about… oh, how about some coffee or, you know, drinks or dinner or a movie… for as long as we both shall live?” You’ve Got Mail (1998) dir. Nora Ephron
“This is not where our story ends, he writes. This is only where it changes.”
— The Starless Sea by Erin Morgenstern
Very important footage. Be sure you turn the sound on.
“Be with me…” “I’ll come back, sweetheart. I promise.”
"You taught me how temporary fingerprints will stain permanently with invisible ink"
— Cynthia Chapman
by: avogado6
BECOMING JANE (2007) dir. Julian Jarrold
+ bonus
what city slickers don’t understand is that weird noises always come from the forest and we just ignore it
if you go out to investigate and get got then that is on you, ignore it and go back to sleep like a rational person
In that dream, you wandered far into a wicked, wasting garden.
why would they ever delete this scene
he’s trying his best