““There are ways of dying that don’t end in funerals. Types of death you can’t smell.””
— Haruki Murakami, Blind Willow, Sleeping Woman.
Sade Olutola
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Kiana Khansmith
One Nice Bug Per Day

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roma★
Cosmic Funnies
Show & Tell
Not today Justin
almost home
taylor price
d e v o n

tannertan36
we're not kids anymore.

Product Placement
he wasn't even looking at me and he found me
sheepfilms
Jules of Nature
TVSTRANGERTHINGS
Game of Thrones Daily
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@edgeruns-a
““There are ways of dying that don’t end in funerals. Types of death you can’t smell.””
— Haruki Murakami, Blind Willow, Sleeping Woman.
Johnny, watching my dumb ass get hit by a second car while trying to cross the road:
Chungking Express (1994) dir. Wong Kar-wai
MARY OLIVER
‘August’, published in Poetry magazine (1993);
personal pictures and edit
Takeshi Kaneshiro in Fallen Angels (1995) dir. Wong Kar-wai
same thing
KATIE PUKASH
from ‘WHEN THEY TRY TO CUT THE MANIC OUT OF ME THEY REALIZE THAT I AM AN ALWAYS BURNING FIRE’, published in The Rising Phoenix Review (Oct. 2018);
image of a tree struck by lightning, source unknown
The Book of Promethea, Hélène Cixous tr. Betsy Wing
what do u mean “what have i been up to” … i’m out here ruining my own life as always bitch
As I Was Moving Ahead I Saw Brief Glimpses Of Beauty, Jonas Mekas, 2000
Han Hyun Min photographed by Alex Finch during Seoul Fashion Week Spring 2019 at Dongdaemun Design Plaza on October 19, 2018 in Seoul, Korea.
And death comes likes this: word after word, always the words crowding in to see the disaster. The trees are no more than their rings, which cling as if to memory. Death is a horse than runs constantly toward or away from what you think you know. Another and another.word after word. And the sky. And the wind. And mind. A fist opening into a hand, opening like an eye.
— Randy Lundy, from “Prairie Metaphysic,” Field Notes for the Self
Tetsuo’s our friend! If anyone’s gonna kill him, it should be us!
AKIRA (1988) dir. Katsuhiro Otomo
Gail Honeyman, Eleanor Oliphant Is Completely Fine
Alita: Battle Angel (2019) dir. Robert Rodriguez
THE SELF HAS ALWAYS BEEN COMPOSED OF TWO SELVES. YES, THE SELF WHICH IS OBSERVED AND THE SELF WHICH OBSERVES ITSELF.