[sic] is such a callout
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@editorbigpants
[sic] is such a callout
Is it feminist or was there just like… a woman in it
did she actually have internal motivation and agency or was she just like….strong
Did she actually have genuine flaws or was she just … snippy with people and they calld her “a bitch”
Did she actually have a genuine tragic backstory and/or deep dark secret, or was was she like … infertile
my writing ability currently feels on par with that of like…. a seven year old. i’m just writing one sentence. then another sentence. subject verb object, dependent clause period. do any of them relate? unclear. that is for god to decide. i certainly can’t.
the url makes this so much funnier
by Lana Gramlich
i read something interesting in my Romantic Lit textbook today.
nowadays, we regard the gothic genre as a highbrow staple of classic literature. but in the 18th century, men looked down on it, because it was mainly popular among women. i think we can draw a comparison between the historical attitudes toward gothic lit & modern day attitudes toward romance novels, chicklit, romcoms, etc.
men have ALWAYS ridiculed things that teenage girls and women enjoy.
basically, a lot of male critics thought it was girly (and thus bad)
ESPECIALLY bc many gothic writers were women.
Art criticism is notorious for this kind of shit. It still happens today in more traditionally “literary” genres, as well.
And it is one of many reasons we need to stop mindlessly parroting the phrase “purple prose” without understanding what it means. Nine out of ten times, critics use it as shorthand to mean “this was written by a woman.” Take care when self-describing this way; you’re almost certainly not making the impression you think you’re making.
If a critic offering you personal feedback says you “write purple prose,” do not lie back and accept that nonsense. Ask them to identify exactly what they mean. (They may mean you’re struggling to wield a very lofty style, which is a legitimate criticism. But they are also likely to be leveraging casual literary sexism against you, you frivolous woman, you.)
Them: “Forget about that long-winded, pretentious bullshit – just have fun and write whatever is in your heart!”
Me: “Okay.”
Me: *writes long-winded, pretentious bullshit*
Writing novels, writing scripts, writing poetry, and writing short stories are all completely different skills and if you’re not good at one of them yet and you’re good at another don’t beat yourself up about it. You wouldn’t call an oil painter stupid because he can’t make a bronze sculpture. He’s an oil painter. He’s never made a sculpture before. Give him a minute to figure it out.
So if you’ve only ever written short stories don’t beat yourself up because your one act play is crap. You’re learning how to walk again. Let yourself fall flat on your face a couple of times.
a writing advice post: don’t describe characters’ eye colors, people don’t usually notice that in real life
me: anyway this character has pale blue eyes and this one has brownish-black and this one has sea green and you’re not my mother, you can’t make me stop
The trick is actually when you describe eye colours.
If a character is standing a good distance away from the character describing them, then unless they have massive and/or unusually vivid eyes (in which case, carry on) then no, they’re eye colour isn’t gonna be what jumps out about them.
So save it for later.
It can actually be a really moving experience to notice something pretty about another person’s eyes, the first time you’re close enough to. One of the major downsides of the ‘list format’ of description, where you just dump stuff like hair colour, eye colour, skin tone, height, built, etc in one big block, is that you lose a lot of the little human moments where people are honestly liable to pick up details about one another.
If you just tell me that, say, a character’s eyes have flecks of green in them, that’s boring. If your POV character notices the flecks of green in someone’s eyes because they’re sitting together on a couch and laughing and the light hit them just right and oh, so-and-so actually has unfairly pretty hazel eyes?
That’s a Moment™.
Yes! Also be aware of your POV. A third-person POV will call for different descriptive approaches than a first-person POV. Remember that descriptions of any kind should fit the narrative pacing, should be appropriate for the situation and vantage point of your focal character, should not valuate character appearances for audiences (unless that’s the narrator’s intention), and shouldn’t pull us out of the narrator’s voice (including their language) in order to paint a picture.
Eye descriptions catch a lot of grief because they’re popular in romance novels (which catch a lot of grief on their own) and are often handled poorly – usually because they neglect to consider one of the above factors.
every writing tip article and their mother: dont ever use adverbs ever!
me, shoveling more adverbs onto the page because i do what i want: just you fucking try and stop me
May I add something, because I will never shut up about this book (Writing Tools by Roy Peter Clark):
Finally, some good fucking advice
Oh sure, everyone laughed at the dowdy high school English teachers and their woefully unfunny and predictable Alfred J. Prufrock jokes, but then one day you catch yourself wearing a toasty little quote-unquote “vintage” getup one might casually call a sweater vest and unironically dropping lines from Bartleby the Scrivener and, well, we would all prefer not to, wouldn’t we
Gold wreath of a Thracian aristocrat (ca. 4th century BCE) from Golyamata Mogila (Bulgaria)
Every year I look forward to the Lyttle Lytton contest, where people submit the worst opening lines to a fake novel that, god willing, will never actually be written. My favorites from this year:
AND my personal favorite:
With the right author and a little tonal magic, some of these would make hilarious short stories!
We have got to refine our use of the term "purple prose" in hobbyist writing spaces. This term is active among literary industry communities, and before you decide to reclaim it to describe your own style, it's important you understand its current implications.
What "purple prose" does not mean:
lush and descriptive writing
long sentences
words you had to look up in the dictionary
writing that prioritizes the artfulness of prose
writing that is more challenging or stylized than the kind of writing you normally enjoy
What "purple prose" does mean:
writing that is inappropriately ornate for its circumstances, too stylized for its writer to wield effectively, and/or writing that is floundering needlessly under its own weight
Definitions change and jargon isn't static, but be mindful of this as you move through different groups of writers, agents, editors, etc. You wouldn't want to accidentally self-burn in front of an agent when you really just meant to describe your style.
WEEEEE-OOO WEEE-OOOOO THIS IS THE WRITING AMBULANCE. YOUR "STOIC ASIAN" CHARACTER STILL NEEDS TO HAVE A PERSONALITY. AVOIDING DIALOGUE AND BEING ASIAN ARE NOT PERSONALITY TRAITS AND WILL NOT RESULT IN A ~COOL~ CHARACTER, BUT INSTEAD A PASSIONLESS RACIST ARCHETYPE YOUR READERS FEEL NOTHING FOR AND SOON FORGET WEEE-OOOOO WEE-OOOO WEEEEEEE-OOOOOOOO
The good plot twists aren't the ones that are wild left turns out of nowhere, they're the ones that make all the other little things that didn't quite add up before suddenly click
Panel of raised embroidery made of silk, metal wire, metal strips, coral beads, 17th C. [France?] - maker unknown.
Collection of the Cooper Hewitt, Smithsonian Design Museum
☞A Message To Non-Black Authors ☜
Do you find yourself using slang in your fics? Or using the BLM movement as plots in your writing or art?
Please, as a black woman who’s kept quiet for way too long, STOP.
Why You Shouldn’t Abuse AAVE In Your Writing
When you overuse AAVE in your writing (using it flippantly or without credit to its actual meaning), you’re contributing to the devaluing of the black experience. And, to be honest, when a lot of you use it in your writing it sounds very awkward or is often misused.
What is AAVE?
“AAVE is an acronym for African American Vernacular English. Other terms for it in academia are African American Varieties of English, African American English (AAE), Black English (BE) and Black English Vernacular (BEV). [EDIT: since I wrote this post in 2014, a new term has gained a lot of traction with academics: African American Language (AAL), as in the Oxford Handbook of African American Language edited by Sonja Lanehart (2015), or the Corpus of Regional African American Language (CORAAL). I now use either AAE or AAL exclusively, unless I’m specifically talking about an informal, vernacular variety, however “AAVE” has gained traction in social media just as AAL replaced it among academics]
In popular culture, it is largely misunderstood, and thought of as “bad English,” “ebonics” (originally coined in 1973 by someone with good intentions, from “ebony” and “phonics,” but now starting to become a slur), “ghetto talk” (definitely a slur), and the “blaccent” (a portmanteau word of “black” and “accent”) that NPR seems to like using.” (Languagejones.com)
It is explained more here as well: https://waltdisneyconfessionsrage.tumblr.com/post/116538346824/mod-post-some-basic-things-about-aave
What’s The Big Deal?
This language has long been stigmatized and misused.
“We have a long cultural history of assuming that whatever black people in America do is defective. Couple this with what seems to be a natural predilection toward thinking that however other people talk is wrong, and you’ve got a recipe for social and linguistic stigma. For instance, in 1996 the Oakland school board took the sensible step of trying to use AAVE as a bridge to teach AAVE-speaking children how to speak and write Standard American English. They also took the less sensible step of declaring AAVE a completely different language. This was wildly misrepresented in the media, leading to a storm of racist, self-congratulatory “ain’t ain’t a word” pedantry from both white people and older middle-class black people who do not speak the dialect.” (Languagejones.com)
You can’t use our slang then ignore our issues.
Why You Shouldn’t Misuse It (Or Use It At All)
The issue of appropriation of Black cultural expression has been brought to light in recent years. More people have come to understand why a non-Black person wearing cornrows or dreadlocks is problematic, or why blackface and verbalizing the ‘N-word’ in songs is harmful. Appropriation causes harm when it perpetuates stereotypes, turns culture into a commodity, and uses historical traditions as a trend, while the originating group continues to experience discrimination for the very same thing.
Language can act in a similar manner. Within any culture, language is the basis for communicating ideas, and plays a role in shaping people’s sense of community. Yet, in North American pop culture, Black Vernacular English (BVE) is often used by non-Black people for social capital. Due to its social influence, BVE is often misused out of context in an attempt to be relevant, relatable, or for credibility. (Feminuity.org)
This article sums it up very nicely: https://www.huffpost.com/entry/black-slang-white-people-ruined_n_55ccda07e4b064d5910ac8b3
Key Points
The politics of black slang are tricky. Black slang and AAVE (African-American Vernacular English) have long been considered inferior to so-called “standard” English, and the black people who use it seen as uneducated or unintelligent (forcing many to master the art of code-switching). So when suddenly words and phrases that have strong ties to the black community are adopted and warped by non-black people, it can cause some of us to feel indignant, even insulted.”
“…we live in a society that loves black culture — but doesn’t like black people all too much — and what might look like acceptance is just downright thievery.”
“Listen. The idea here isn’t necessarily to say that white people shouldn’t use certain black slang (although by now we should all be clear on the N-word debate)… But the issue is how the etymology of these words gets lost in the sauce… As a general rule, if you have to ask whether or not it’s OK to use a word, if there’s any hesitation, then don’t. But also, we should all be aware of where these words come from and what they mean without attributing arbitrary definitions to them.”
Please Stop Using BLM In Your Writing (or art for that matter)
You drawing characters in BLM merch or supporting BLM is not a problem.
However, when you draw or write about them protesting or rioting or looting, that is a genuine problem. Would you do that in response to the Hong Kong Protests? Would you draw characters protesting against the Terror Bill? Would you draw them with Native peoples trying to advocate for the return of their land? Or, hey, even in the Civil Rights Movement of the 1950s-1960s?
No. Then what makes the Black Lives Matter movement so different?
Is it the fact that this hits so close to home you can’t process it by any other means than fictional?
What about seeing bnha characters rioting is supposed to feel inspiring? What about reading headcanons on how characters would quit their jobs as cops and protect me from tear gas is supposed to be comforting? These people aren’t real. But this issue is, and it’s serious, and it’s not something trendy or excusable to be filtered through a fictional lens. THIS IS REAL. THIS IS HAPPENING.
Take a look at this post to see
A friend on Discord couldn’t have said it better:
Our culture is not for your entertainment. The Black Lives Matter movement is a real, pressing issue. Please, spread information and support your fellow black authors and artists.
FAQ
Does this mean I have to stop using slang/reaction images?
No! Be cautious of how you use it. One article states asking yourself these questions when it comes to AAVE:
Is it being commercialized for financial gain?
Is the usage performative or tokenizing?
Are you in proximity to the culture that originated the terms?
Are you using the language to “level up” or earn yourself credibility?
No one is policing you on saying popular slang, but you need to stay educated on the source of these words and how the overproduction
Do I need to feel guilty or apologize for saying/doing these things?
Of course not! I promise, no one wants an apology or for you to sit around and feel guilty. Educate yourselves. Stay vigilant. That’s all I ask. This is not an attack or me shaming you by any means.
What if I’m black and condone this?
I sincerely ask you to look inside yourself and ask why this genuinely makes you happy. Are you doing it for some sort of validation? Fictional characters aren’t real. When your life is on the line, they aren’t going to magically come save you. When we let things like this get romanticized, it makes it easier to view this situation from a distance rather than how bad it really is and how close to home it’s hitting.
How can I help and/or support the BLM Movement now?
Support black writers and artists!
Be sympathetic towards our issues!
KEEP POSTING ABOUT BLACK LIVES MATTER. USE YOUR PLATFORM. SILENCE IS MOST DEFINITELY VIOLENCE.
This blog contains MANY resources to educate yourself and be active: https://how2helprightnow.tumblr.com/?og=1
Thank you for reading!