Untei SEKINE(関根雲停 Japanese, 1804-1877)
here and here
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Untei SEKINE(関根雲停 Japanese, 1804-1877)
here and here
Moonrise, by Uehara Konen (ca. 1900)
Sakai Hōitsu 酒井法律
Edo period
Sophie Taueber-Arp, Puppet of a stag for the play “König Hirsch”, 1918. Painted wood. Schweizerisches Marionettentheater. Via Museum für Gestaltung Zurich
ruth asawa holding a form-within-form sculpture
1952
photograph by imogen cunningham
More Ruth Asawa
my favorite artist
Harold Fisk, maps of the Mississippi, 1944. From Southern Illionis to Southern Louisiana. Via radicalcartography.net
It's been quite some time since I've seen these posted online. It's always a delight to see them :)
Foreign butterflies
By Duncan, James, 1804-1861 Jardine, William, Sir, 1800-1874 Publication info Edinburgh :Henry G. Bohn,1858. contributor: Smithsonian Libraries BIODIV LIBRARY
Gunta Stölzl, 5 Chöre 1928. Stölzl b.1897 German textile artist, played a fundamental role in the development of the Bauhaus school’s weaving workshop. Bauhaus tapestry
Paul Klee - Landscape with yellow birds, 1923
A book of studies in plant form with some suggestions for their application to design (1896)
Frontispiece detail. Exotic bees. Curiosities of entomology. 1871.
happy bees
George Ehret – Scientist of the Day
George Ehret, a German artist, was born Jan. 30, 1708.
read more…
Gorgeous illustrations
MODELLING A SOLAR STORM
Background: We recently published a paper that examines a striking phenomena: solar eruptions. The paper elegantly models how these eruptions, known as coronal mass ejections, are produced from the ejection of twisted magnetic ropes.
Coronal mass ejections are large-scale eruptions in the solar atmosphere that consist of a giant cloud of solar plasma embedded in a magnetic field. They have the potential to produce solar storms here on Earth that can damage artificial satellites and disrupt ground-based power generation.
Design challenge: I was taken with the figures from the paper, specifically fig 4 (above) showing the evolution and eruption of the twisted flux rope. We asked Tahar Amari, one of the authors, to submit a few of his other visualisations to be considered for the cover. (We loved the rope itself, but on the cover we thought we should show something that was more obviously on the sun.)
Amari sent us several striking images, but in the end we decided on the cover above, as it clearly showed several key elements: the twisted rope is clearly seen in blue (on the left); plus, the whole model can be seen in action, complete with a map of the sun’s more active regions (using a triangular grid). All of these elements combined give a stunningly complete picture of a solar storm.
I asked Amari to send along specifics about his modelling technique. This from Amari:
“This image was produced using a new high performance unstructured mesh based numerical code MESHMHD, which solves the physical equations relevant to the Sun’s atmosphere. With its adaptive refinement scheme, the code solves both the large scale structure of the global Sun as well as the smaller active region scale at the very high resolution of the data provided by the NASA Solar Dynamics Observatory mission.
Rendering of the solution was performed using Ensight software, with several specific issues.
First, it was important to draw only a set of selected field lines of the magnetic field, and not all of them which would fill all the volume, but in particular those who exhibit magnetic ropes (in blue), with variable diameters of the ropes to enlighten the main structures from the background ones.
Also, to show the power of the adaptive mesh refinement computational model, the triangles on the surface of the Sun were not color-filled, but only their edges. For the high resolution cover, those edges had to be drawn with an optimal thickness.”
The final step was to create the warm glow of the sun with just the right orange-yellow colour. Using a very specific color palette, implying a balance of various hues (actually selected by Amari’s 14-year daughter, Myriam!) we were able to create the impression of fire-like light of the Sun, from each active region.
-Kelly Krause
"Cocoon" silk light sculpture by Julian Melchiorri made from silk protein nano optics
Cocoon is a light sculpture that explores the relationship between materials, light and our sensorial perception of them.
Cocoon is made by silk protein nano optics fabricated by Julian while he was working in lab exploring silk protein properties.
Julian firstly synthesized the protein solution directly from worm silk and crafted 2700 nano-prisms per millimetre on its surface thanks to Electron Beam technology. Light is an electromagnetic radiation having a wavelength in a range of 400 nanometres. Each section of this wavelength is perceived by us in colours from blue to green and red. When we look at a light emission we usually perceive a white source due to the smallness of its wavelength that unify all the colours. When a ray of light passing through the material get diffracted by the nano-prisms, the light wavelength is sparse till its real composition get revealed. Cocoon is lighted up by a single 1Watt Led. The light is scattered and diffracted by multiple layers of bio-optics meticulously placed in space to create the desired effect inspired by natural structures and fractal patterns. The 3D printed structural shape derive from a digital transformation of a series of physical shapes previously 3D scanned. Cocoon illustrate the metamorphosis of light, material and shape through multiple technological interventions, questioning the reliability of our sensorial perception of reality.
Watch the video
My Amp Goes To 11: Twitter | Instagram
very impressive study and resulting light sculpture
Plate I. Architecture of wasps. Guide to the study of insects. 1872.
Ahhh Sweden. The country with a national typeface also has a National Association of Swedish Handicraft Societies. Which, in turn has a nice tote bag.
Lovely