The Elitist Allure of Joan Didion by Meghan Daum
Daum of The Atlantic profiles Joan Didion.
Link: http://www.theatlantic.com/magazine/archive/2015/09/the-elitist-allure-of-joan-didion/399320/
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The Elitist Allure of Joan Didion by Meghan Daum
Daum of The Atlantic profiles Joan Didion.
Link: http://www.theatlantic.com/magazine/archive/2015/09/the-elitist-allure-of-joan-didion/399320/
A Single Creative Intelligence by Philip French
Observer’s seasoned film critic Philip French evaluates the legacy of Alfred Hitchcock.
Link: http://www.the-tls.co.uk/tls/public/article1129141.ece
The Quiet Alarm by Andreas Elpidorou
Joining a long rank of exponents of boredom, Elpidorou illustrates in vivid detail why such indolent experience may be of value to the improvements of our lives.
Link: http://aeon.co/magazine/philosophy/life-without-boredom-would-be-a-nightmare/
The Key to Rereading by Tim Parks
Parks muses on the benefits of rereading in relation to Riccardo Manzotti’s lock and key theory.
Link: http://www.nybooks.com/blogs/nyrblog/2015/jul/11/rereading-unlocking-the-mind/
Nobel Laureate Andre Gide on What It Really Means to Be Original by Maria Popova
At Brainpickings, Popova extracts a passage from Gide’s journal in which he, by referencing Goethe, contemplates the limits of originality and the contiguous relation between an uncultivated originality and banality.
Link: http://www.brainpickings.org/2015/08/04/andre-gide-originality/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+brainpickings%2Frss+%28Brain+Pickings%29
Solitude and Society by Ralph Waldo Emerson
Link: http://www.theatlantic.com/magazine/archive/1857/12/solitude-and-society/376145/?single_page=true
"Solitude is impracticable, and society fatal."
Illusions by Ralph Waldo Emerson
Link: http://www.theatlantic.com/magazine/archive/1857/11/illusions/376144/?single_page=true
"Great is paint [...] God is the painter; and we rightly accuse the critic who destroys too many illusions. Society does not love its unmaskers."
Chamber of Secrets: The Sorcery of Angela Carter by Marina Warner
Link: http://www.theparisreview.org/blog/2012/10/17/chamber-of-secrets-the-sorcery-of-angela-carter/
"Angela Carter made an inspired, marvelous move, for which so many other writers as well as readers will always be indebted to her: she refused to join in rejecting or denouncing fairy tales, but instead embraced the whole stigmatized genre, its stock characters and well-known plots, and with wonderful verve and invention, perverse grace and wicked fun, soaked them in a new fiery liquor that brought them leaping back to life."
Back to the Future by Seneca
Link: http://www.laphamsquarterly.org/voices-in-time/back-to-the-future.php?page=1
"The present is short, the future is doubtful, the past is certain."
Kenneth Tynan on Under Milk Wood
Link: http://www.theguardian.com/stage/2014/feb/28/kenneth-tynan-dylan-thomas-under-milk-wood-observer
"The truth is that all words intended to be spoken gain from the sight of the speaker..."
The Great Unread by Joseph Luzzi
Link: http://www.theparisreview.org/blog/2014/08/26/the-great-unread/
"The classic that keeps on being read is the book whose situations and themes remain relevant over time—that miracle of interpretive openness that makes us feel as though certain stories, poems, and plays are written with us in mind."
The Selected Letters of Elia Kazan, review: 'a fine, packed volume' by Philip Horne
Link: http://www.telegraph.co.uk/culture/books/bookreviews/11047913/The-Selected-Letters-of-Elia-Kazan-review-a-fine-packed-volume.html
"This major American movie director always hated Hollywood. “This place is poison for an artist,” he wrote in 1936. “It’s immensely pleasurable and almost inevitable to begin believing that this toy make believe is the world.”"
Little People by Jean de la Bruyere
Link: http://www.laphamsquarterly.org/voices-in-time/little-people.php
"Children are neither for the past nor the future, but enjoy the present, which we rarely do."