Nadya Tolokonnikova (Pussy Riot) in her performance installation POLICE STATE - June 5 — June 21 2025, MOCA
Color Me Curious

oozey mess

@theartofmadeline
No title available
RMH
"I'm Dorothy Gale from Kansas"
ojovivo

Product Placement
let's talk about Bridgerton tea, my ask is open

if i look back, i am lost
untitled
Fai_Ryy
occasionally subtle
Claire Keane
No title available
EXPECTATIONS
d e v o n
Monterey Bay Aquarium
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH
seen from United States

seen from Malaysia
seen from United States
seen from United States
seen from Chile

seen from Ukraine

seen from Germany

seen from Austria
seen from Switzerland
seen from Pakistan

seen from Brazil

seen from United Kingdom

seen from United Kingdom

seen from United States

seen from Saudi Arabia
seen from Iraq

seen from Congo - Brazzaville
seen from United States

seen from Singapore

seen from Belarus
@einflaneur
Nadya Tolokonnikova (Pussy Riot) in her performance installation POLICE STATE - June 5 — June 21 2025, MOCA
"To me, you have to declare yourself a Chicano in order to be a Chicano. That makes a Chicano a Mexican-American with a defiant political attitude that centers on his or her right to self-definition. I'm a Chicano because I say I am." --Cheech Marin
The new--and first of its kind--publication on Chicano Photography, Chicano Camera Culture: A Photographic History, 1966-2026 is a welcomed contribution to our shared visual history. As a self proclaimed Chicano myself, who has spent a lifetime exploring photography, this publication marks a new milestone. This is my first experience engaging with a monograph that specifically celebrates sixty years and over 45 artists--who have expressed, documented, probed, and wondered what it means to be a Chicano, and an American, in these United States. There is much to discover.
Edited by the formidable curator/writer Elizabeth Ferrer, whose introductory essay "Bringing Forth a History" builds the context and creates the space for the ensuing essays from noted Latinx art scholars and historians, Chicano Camera Culture lays a foundation for future research and study of Chicano Photography. Finally, a bold history, too often marginalized and ignored, is reclaimed.
For those in the Los Angeles area, the exhibition is currently at The Cheech Marin Center for Chicano Art & Culture (a/k/a "The Cheech") until September 6th. For those in other parts, I recommend seeking out this publication. For my fellow Chicanos, I say ¡Órale!—Lane Nevares
credits left to right: ©Thalia Gochez, ©Yolanda Vasquez Petrocelli, ©Arlene Mejorado, ©Ada Trillo, ©William Camargo
Les gamins du Canal Saint-Martin, Paris, 1952.
Meadows, Untitled, 2007
Levitation, 2026 - by Yulia Boldinova, Russian
Bernard Chevalier
Helena Giorgiou
Chris Steele-Perkins (British, 1947 – 2025)
Glasgow, 1975
Barcelona, ca. 1956 - by Ramón Masats (1931 - 2024), Spanish
Leonard Cohen | Nashville, TN | 1968
Photo: Tony Vaccaro
Lee Friedlander, New Orleans, Louisiana, 1961
Abandoned cottage in the military range on the drive down to Stack Rocks in Pembrokeshire, Castlemartin, Wales , 2017 - by Lee Acaster, English
Gong Li par Marc Riboud, Chine, 1983
STIG EKLUND - 2023
Irving Penn, Street in Rabat, Morocco, 1951 via Marie Franck
Mississippi Highway patrolmen arresting Anthony Quin, 5, son of Mrs. Aylene Quin, during a voting rights protest in Jackson, Miss.; when Quinn refused to give up his small American flag, patrolman went berserk and wrenched it out of his hands, June 17, 1965, Jackson, Miss., Photo by Matt Herron, 1965