Game of Thrones Daily
cherry valley forever
Discoholic đȘ©
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@theartofmadeline
đ©” avery cochrane đ©”
Lint Roller? I Barely Know Her
Doug Jones
EXPECTATIONS
h
almost home
titsay
Today's Document
sheepfilms
Cookie Run:Kingdom Official!
gracie abrams
đ
I'd rather be in outer space đž
untitled
Kiana Khansmith
seen from Philippines
seen from United States
seen from Nepal
seen from United States
seen from Malaysia
seen from Pakistan
seen from Kyrgyzstan
seen from Albania
seen from Colombia
seen from Philippines
seen from United States
seen from Germany
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@elamigolucho
Josema y yo adoramos a Superman. Ha sido un personaje no solo importante, si no casi trascendental en nuestras vidas, en nuestro desarrollo como personas e incluso en nuestra relación. Este cómic pretende explicar una de las razones por las que nos gusta tanto. El espectacular dibujo de esta historia es de Jsm, al cuål podéis encontrar aqui.
English version available here.
Charles Burnsâ reworking of the John Romita Jr. Spider-Man story from the old Marvel Try-Out Book. Iâve arranged them side-by-side for comparison.
The Burns pages originally appeared in two issues of the Kitchen Sink anthology, Buzz. If you compare the two stories, you can see that Burns has re-ordered the pages in order to make his story work.Â
Hill 203!
Jack Davis
Two-Fisted Tales #7 (November / December 1951)
EC Comics (Russ Cochran Reprints)
Una pĂĄgina memorable de Jack Davis
R.I.P. Jack Davis (91)
Parte del legado de Jack Davis
Tales From the Crypt covers by Jack Davis, 1954-1955.
Parte del legado de Jack Davis
the cover to The Amazing Spider-Man (1963) #357 by Mark Bagley and P. Craig Russell
Revistas que me devuelven a los 13 años. #clubdecĂłmicsdechapinero Â
Truth and fiction! The mad scientist Cuthbert Calculus in HergĂ©âs Tintin cartoons was based on Auguste Piccard, professor of physics at the University of Brussels. Piccard invented the bathyscaphe - it took him 3,150 meter below the surface of the sea -, and developed a pressurized cabin that, suspended under a balloon, brought him to the record altitude of 23,000 meter. He thus became the first man to reach the upper atmosphere.
Original Art - Moon Knight #013 Pg 01 (1981) by Bill Sienkiewicz
Nalguitas
Sweet Superman spot illustrations by Joe Shuster, from the George Lowtherâs Adventures of Superman, 1942.
âCorto Maltese in Havanaâ⊠by John Paul Leon.
Stunning!
Cubano maltés
Clue (1985)
a classic tbhÂ
¿Usted votó por Peñalosa?
Ghost Rider #15 cover by Mark Texeira
La magia de mis 15 años
American Gods exclusive first look: Meet Shadow, Wednesday, and Mad Sweeney
Starzâs adaptation of Neil Gaimanâs fantasy novel premieres in 2017
First Look!
Esto vieneÂ
Dragon magazine #137 ~ TSR (September, 1988)
Desparche
Marvel Super Heroes: MSL3 Spore of Arthros ~ TSR (1991)
Este lo jugamos.
Greg Irons Light Comitragies 1971
I wanted to visualize exactly when Wonder Woman using weapons of war (like swords and spears) became the dominant image of the character, especially since her early days were so incredibly anti-war.
The answer is that it became common after the âCrisis on Infinite Earthsâ reboot in 1987, and has increased ever since, with dramatic jumps in the last 10 years.
The only reason the percentage of sword and weapons isnât higher since the New 52 era began in 2012 is because there are many more Wonder Woman books being published (including Sensation Comics, Wonder Woman â77, and The Legend of Wonder Woman, all of which have very low sword use â and all of which exist outside of regular continuity).
Wonder Woman writer Greg Rucka suggested that we also look at covers that show her bound or shackled, so we did that too.Â
Rucka thought sword use would increase as bondage decreased over time. Heâs sort of right, but when you look at the whole picture what you see is an odd burst of bondage imagery in the late 1960s and â70s (which may be a backlash to the feminist movement), whereas the sword/weapon imagery is steadily increasing since the 1990s and exploding in the past 10 years.
One interesting thing: Wonder Woman actually had the LEAST amount of bondage on the covers when co-creator William Moulton Marston was alive in the 1940s. (Iâm sure the interiors tell an entirely different story, though.)
I had thought that as Wonder Woman used swords more often, she would use her lasso less. That doesnât appear to be the case:
What you see is a very heavy concentration of lasso use in the 1940s, followed by an extreme absence throughout the 1960s, and then ebbs and flows through today.Â
Data includes all Wonder Woman main titles, Sensation Comics, one-shots and miniseries, Superman/Wonder Woman (New 52), and Wonder Woman â77. Excludes all Justice League and team titles.
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