The night I met Devendra! <3
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$LAYYYTER
𓃗
Noah Kahan
Fai_Ryy
todays bird

Product Placement
Sade Olutola
"I'm Dorothy Gale from Kansas"

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Mike Driver
cherry valley forever

❣ Chile in a Photography ❣
occasionally subtle

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One Nice Bug Per Day
taylor price

titsay
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tumblr dot com
seen from Kosovo
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seen from Vietnam
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seen from United States
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seen from Malaysia

seen from Singapore
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seen from Malaysia
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@eldesordencerebral
The night I met Devendra! <3
I want to be inside your darkest everything.
Frida Kahlo, from The Diary Of Frida Kahlo: An Intimate Self-Portrait (via violentwavesofemotion)
Art class with the kiddos. #littleartists #artclass #painting #studio905
Art always has a way of reminding me me that there is great beauty and love in this world.
Lone Quixote (via lonequixote)
El Grito 3- my rendition of Ecuadorian painter, Oswaldo Guayasamin's piece. I gravitated toward this painting after hearing today's news. #elgrito #oswaldoguayasamin #thecry #peshawarattack #pakistan
Studio time. #rainynight #studio #painting #gouache #studio905 #brooklynartist #hotchocolate
El Grito III (The Cry III) ~ Oswaldo Guayasamin
The creations of Guayasamín always move something deep in my existence — always taking me back hundreds of years back. Above all, his images remind me how much there is still to be done for our pueblos.
Mural Depicts Malala As Rosie The Riveter, Two Icons Who Know No Limits
Tatyana Fazlalizadeh’s: "Stop Telling Women To Smile"
Style Icon: This Peruvian Lady
Remembering #Paula by Isabel Allende. Life, Death, Growth -1991. #Quote
The people united will never be defeated #blacklivesmatter #nojusticenopeace #ericgarner #michaelbrown
#wecantbreathe #blacklivesmatter #nojusticenopeace
Happened about 10 minutes ago…
http://www.cnn.com/2014/12/11/politics/walkout-planned-for-congress/index.html
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
amazing.
Mother Nature - Olaf Hajek
(previous)
More?
Women in Africa and the Diaspora: “Wangechi Mutu”
Considered by many to be one of the most important contemporary African artists of recent years, Wangechi Mutu is a Kenyan-born, New-York based artist known for her elaborate collaged works on pieces of Mylar and sculptures. Her work boldly explores the contradictions of female and cultural identity, race, colonialism, and sexual identity just to name a few. Constructing collages using fragments from fashion and travel magazines, pornography, African art books, images drawn from science fiction as well as hand-drawn and painted elements, Mutu’s work is filled with provocative juxtapositions of the female body. With these collages, she draws the viewer into conversations about the eroticization of women’s body, particularly African women. Mutu observers that, “Females carry the marks, language and nuance of their culture more than the male. Anything that is desired or despised is always placed in the female body.”
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