a mac app called helium that puts Netflix in a tiny floating window on your screen that you can make translucent and also click through, so you can watch tv and surf the web at the same time, it’s great
(That’s more see through than I like but this way it shows up in the picture)
Autistic NY Black teen gets lost running 5K, assaulted by a white man who’s afraid of getting mugged.
For more than two years, Clarise Coleman faithfully attended every track practice and every cross-country meet for her son, Chase.
A few weeks ago, Chase, who is a nearly nonverbal autistic child, was running in a meet in Rochester, New York, with his team from Corcoran High School - was assaulted by a stranger in the middle of a race.
Coleman was waiting for him at a part of the course where runners would come down a hill but he didn’t appear and she went looking for him. She was shouting his name and then she started to meet people who pointed in the direction of her son. One of them said:
“I see a grown man, who is quite tall and fairly heavy … exit the vehicle and give this young man a shove that puts him back 10 feet and flat on his butt. Like, just shoved him across the road. The kid didn’t seem to be doing anything but standing there, obviously had nothing in his hands and weighed all of 130 pounds. This guy was easily twice that.”
This tall white guy was a 57-year-old man named Martin MacDonald who told the police that the reason he attacked the Black kid was he thought Chase was going to mug his wife and take her purse.
“My son is a minor. [MacDonald is] a grown man,” Coleman said she told police. “He put his hands on my son. Of course I want to press charges.”
However the police was deaf and on Oct. 21, Rochester City Court Judge Caroline Morrison sent a letter to the Colemans that shocked them:
She had denied their warrant application, and MacDonald would not be charged for second-degree harassment.
Now the autistic Black boy refused to go to practices and skipped running in his last meet of the season. He turned his running uniform in to his coach, who gently encouraged him to change his mind. Chase refused.
“We just keep telling him, ‘You didn’t do anything wrong. Chase is good. There are mean people and there are nice people and this person was just a mean person,’ ” Coleman said. “We just keep apologizing to him that happened. Especially me. I kept apologizing to him that I couldn’t keep him safe.”
The attack deeply traumatized him and he lost one of the few things that gave him a sense of pride and belonging.
Please, make a shout out to this outrageous accident! The white man still didn’t receive any punishment for ruining life of the Black boy. THIS IS HELL!
Every reblog that includes Martin MacDonald in it is another web page to help make sure that when you google Martin MacDonald’s name, it’s in connection with child abuse and racism.
Music superstar (and big-screen presence) Janelle Monáe gets candid about feminism, her excellent new LP, and why she's down to direct Missy Elliott.
Janelle Monáe has landed. Since 2007, she has been beloved for funky records that map out the world of Cindi Mayweather, her android alter-ego who lives in the year 2719. Now, Monáe’s turning the sonic spaceship around. “This album is more near-future,” says a thoughtful yet lighthearted Monáe of Dirty Computer, over lunch a few months before her two big concerts in NYC. “So, for the first time, I’m like, ‘Okay, I’m here now.’ ” The LP, an amalgam of dancy beats, classic R&B and laid-back neo-soul grooves, has an impressive guest list: Grimes, Pharrell, Stevie Wonder, Zoë Kravitz and Brian Wilson all make cameos. More impressively, though, the new effort launches us into the Moonlight and Hidden Figures star’s reality—her feminism and activism, her self-described pansexuality and what it’s like to be black in America today. Pleased to meet you, Janelle.
I love your super-stylized look. Where do you mine your inspiration?
I love the ’80s. I’ve been pulling from Bowie, Blondie—just when people didn’t give a fuck about their clothes. It was a vibe. It wasn’t about name brands; it wasn’t about designers. Everything you had on was about how you wanted to express yourself. You didn’t let the trends speak over your art.
Prince, who worked on Dirty Computer, seemed to believe that, too.
Prince has been an inspiration to me since I was a little girl. He did, in fact, scare me a lot. I think it was the fact that I had never seen a man express himself like Prince. You just got the sense that this is a free-ass motherfucker, you know? And it inspired my free-ass–motherfucker spirit. And then I got to form a great personal relationship with him. If anybody understood where I was trying to go musically and sonically, it was him. Whatever you needed, he would say, “I’m here.”
Your past few records were set far in the future. Was there a moment in terms of women’s rights that made you think “I need to move to the present”?
It was the whole. It wasn’t just women’s rights; it was also minority rights, poor people’s rights. And if you think about the election—like, Americans voted [Trump] into office, and everything he stands for is so divisive. That right there should be enough to make you feel awake, alive and feel a responsibility.
Was it tough to explore those issues?
I really just had to spend time getting to understand myself: How do I talk about these questions that upset me? How do I talk about the sting of being called a bitch for the first time? How do I talk about the sting of feeling like my existence as a minority could get me shot and killed by police? Speaking to Stevie Wonder was a help. He’s on an interlude on the album. I don’t want to misquote him, but it goes: “Do not let your words of anger get in the way of your expressions of love.” I think this album is rooted in that.
What narratives drive Dirty Computer?
I think the narrative first comes from a young African-American woman living in America through my lens. You take off the makeup, the costumes, the artist—I am the daughter and descendant of working-class parents and grandparents. My grandmother picked cotton in Aberdeen, Mississippi. She helped build this country, and when I think about being a woman, being a minority and being a queer black woman, I think it makes me feel a deeper responsibility to make sure people who are like me feel seen, are heard and feel celebrated.
On Twitter, Missy Elliott wrote, “I wonder what artist would take a chance on me directing a video for them.” And you essentially did this: [Raises hand]
Oh my god. First of all, I grew up idolizing Missy Elliott. She is the master of visuals, so I would be honored to have her do anything. It’s been a long time coming.
When did you first meet?
When I first started my career, I did a showcase here in New York City. I was so nervous. I didn’t look like any of the other artists who were performing that night. My music didn’t sound like them, and I was in this tuxedo and had natural hair. I wasn’t what you would call a “typical” R&B black female artist, and I was really having anxiety about it. I did my thing, and I remember seeing her in the audience. When I came offstage, she was one of the first people to greet me. She told me she loved my performance and thought I had something special. Just the affirmation I got from her right there helped me embrace the things that make me unique.
Who is inspiring you now?
I love Cardi B’s authenticity. I think I’m just inspired by strong women. I’m inspired by the #MeToo movement; I’m inspired by Time’s Up. I’m inspired that black people are telling our stories for ourselves. We’re not letting society or the entertainment industry erase our stories—they’re coming out authentic. I’m inspired to be alive during a time when Black Panther is kicking so much ass at the box office. We’re in an incredible time.
How about this, colonizer does offend a white person, why? Because they’re east european, a people that had nothing to do with colonization or the slave trade
so fuck off with your racism
also, do spaniards count as white? because they committed the most atrocities, and they started the slave trade so…
Idk why they ask if Spaniards count as white? Like yes cracker they do. They colonized indigenous and black people and raped. Theyre just as white as portuguese, british, french, etc who did the same shit. All yall are the descendants of trash, and many of yall continue to be trash.
Janelle Monáe went full mainstream with roles in two Oscar-worthy films. But with Dirty Computer, she recommits to the fringes of society and the industry.
yousharknotpass
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