[igormag]

Suzanne Valadon (1865–1938), The Bath, 1908.

pastel, 60 x 49 cm

[minimalroomdecor]

[grace--upon--grace]

Kaylyn Weir

[love-personal]

[bled]

[rneditating]

[just-art5]

Luis Egidio Meléndez

[just-art5]

Abraham Rombouts, Portrait of Anna de Looper, 1627 (detail)

[just-art5]

Adriaen Coorte - Still life with wild strawberries, 1705

[just-art5]

Adriaen Coorte - Three peaches on a stone ledge with a Painted Lady butterfly, 1693-95

[thenordroom]

Cozy Scandinavian apartment | floorplan

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[books0977]

The Blue Room (1923). Suzanne Valadon (French, 1865-1938). Oil on canvas. Centre Pompidou - Musée National d'Art Moderne. 

The growing prevalence of female artists has forced a re-examination of the traditional male perception of women as objects of sexual adoration. Titian’s “Venus and the Lute Player” (circa 1565) is revamped in Valadon’s “La Chambre Bleu” (“The Blue Room”), in which the subject is now a clothed model who smokes and reads books.

[itscolossal]

Birds Appear in the Negative Space of Shattered Windowpanes in a New Intervention from Pejac

[whatjanesaw]

Teodor Axentowicz - Cover Illustration for Weekly Illustrated No. 14, Warsaw, 1908

[nevver]

Saturday Night Fever, Leah Frances

[amare-habeo]

A young man’s head sculpture. Italy, 15-th century

[terminusantequem]

[amare-habeo]

Tuomas von Boehm (Finnish, 1916-2000)

Still-life with a Green Glass, 1951

Oil on board, 44 x 54 cm

via  terminusantequem