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@emaralez
2500 пометок "Нравится"!
Directions, revisited
Some historical facts about the Dry Devil
Maybe someone will find this useful for their creative work.
Before we start, I want to apologize in advance for any mistakes — English is not my native language. I will also be using Czech names without English adaptation (except for the game ones), since I don’t feel confident enough to adapt them properly. So, let’s begin.
— The father of the Dry Devil was Sezema II of Kunštát and Jevišovice, and his mother’s name was Eliška. Her origin is still debated among historians, but it is certain that she came from a very wealthy family, as indicated by her dowry. It is quite possible that she belonged to the Lords of Lipá, which would make the Dry Devil and Hans Capon relatively close relatives.
— His father, Sezema, was the burgrave of the royal castle of Vranov, meaning he was a respected and high-ranking figure. He was probably about 30 years older than his wife.
— The Dry Devil had an older brother, Jindřich of Kunštát and Jevišovice (a namesake of our Henry). Like his brother, he had a rather grim nickname — Zajímač. This nickname suggests that during the Margrave Wars he made a living by capturing people for ransom. Jindřich was executed in Brno in 1409. According to another version, he died on the way to his execution, as the transport took place in winter.
— The Dry Devil was married to Anežka z Deblína. His sons are mentioned in the records of 1390, but after that they disappear from the sources. Anežka died in 1398, and the sons are absent from the documents related to her inheritance, which suggests they died sometime between 1390 and 1398.
— The lands Hynek was supposed to inherit from his late wife were taken by Jobst. So his rather aggressive reaction to Jobst in KCD 2 (if you ask around in Suchdol, you can hear that Hynek tried to punch him) is actually quite fitting. Especially considering that Hynek had also fought against Jobst during the Margrave Wars. In short — they were definitely not friends.
— After 1401, Hynek lived at Rabštejn Castle. This is not the Rabštejn we see in the game — his castle was located near the village of Dukovany. Today, only a small fragment of Rabštejn's castle walls and foundations has survived. The place itself is very beautiful — Czech nature is amazing.
— Rabštejn was granted to Hynek by Margrave Prokop, most likely as a reward for the bold capture of Znojmo.
— By Prokop’s appointment, Hynek served as governor of Znojmo from 1401 to 1405. It’s a pity that at Semine’s wedding in the game you can’t ask Jurko (who is from Znojmo) what he thinks about the new governor.
— The close friendship with Jan Žižka shown in the game is not really accurate. In reality, Hynek’s closest ally was more likely Jan Sokol of Lamberk.
— The most important event in the Dry Devil’s life happened after the events of KCD 2. A combined Austro-Hungarian army of up to 20,000 men, led by Sigismund and Duke Albrecht IV, laid siege to Znojmo. Meanwhile, the garrison of the Dry Devil and the reinforcements led by Jan Sokol probably numbered only a few hundred. Despite the overwhelming numerical superiority, the besieging army was defeated — largely due to a devastating outbreak of dysentery and the aggressive sorties carried out by Hynek and Sokol, which destroyed much of the enemy’s siege equipment. Albrecht IV died of the disease. Ironically, many years later his son, Albrecht V, would take part in the campaign against Jevišovice in 1421, when the town was burned and the family castle destroyed.
— While the Dry Devil was away, Znojmo was taken by Jobst. The townspeople, exhausted by Hynek’s rule, opened the gates to him.
— The Dry Devil was deeply in debt — basically to all of Moravia. Seriously, he even owed money to King Wenceslas IV. Though not for long — Wenceslas had him imprisoned for it.
— After a prolonged illness, the Dry Devil died in 1408 at Rabštejn Castle.
— And if you were ever curious what his handwriting looked like — here it is. Big thanks to @emaralez for finding it.
References:
Miroslav Plaček, Peter Futák: Páni z Kunštátu. Rod erbu vrchních pruhů na cestě k trůnu.
Miroslav Plaček: Jevišovické hrady do konce 15. století.
Peter Futák: Páni z Kunštátu jako organizátoři bojových družin a pozdější husité.
Question: What IS Time Travel in Krynn?
I think that one of the most interesting things about re-reading Dragonlance Legends recently is how the books appear to solve their time travel paradox problem in a very elegant way. Like, nothing is explicitly confirmed (and I imagine that inconsistencies pop up throughout later books as the writers changer their minds about things), but it plants seeds to suggest that time travel is an illusion.
Perhaps the characters think that they travel through time, but really they've travelled directly to the Abyss which has temporarily re-ordered itself to accurately replay events from a specific point in the past timeline. They are like actors that have cast themselves in the roles of historical figures in a very realistic play. And wait a minute this is starting to sound like the King in Yellow again - the story that drives people mad for experiencing it, and makes them unable to tell the difference between reality and fiction.
Anyways, the evidence:
Tasslehoff's exploration of the Abyss Tasslehoff watches the Cataclysm happen from within the Temple at Istar, and then suddenly he's in the Abyss. He concludes that this is because Takhisis took the temple (and would later use it as the base for her temple at Neraka). On the one hand, it is true that Takhisis just sometimes grabs large buildings that won't be missed and transports them into the Abyss. The place where Istar once stood is called the Blood Sea, and the place where the temple stood is a giant hole in the seabed. But when Tasslehoff later described the Abyss he mentions that it's "like every place he's ever been" which would include a lot of things that can't have been physically removed. Seems implied that the Abyss simply is a deconstructed collection of everyone and everything that ever was lost to time. An eldritch vault of every instance of time that ever existed before the present. The temple was no longer needed for the performance of the Cataclysm, so it was removed from context like a prop put into storage.
The use of the Time Travel Device The gnome Gnimsh builds a dimensional travel device that lands him in the Abyss. Fair enough - the Abyss is another dimension. So, aside from plot convenience, why then is he able to immediately fix and even improve the Time Travel device that Tasslehoff broke? It's well established that the Abyss is a separate dimension that the wizards built portals to access a long time ago, so that part checks out. But if time travel and dimensional travel are indistinguishable, that's a little bit suspicious. Tasslehoff also observed that he had the terrible feeling that Takhisis is the Abyss, and he and Gnimsh were only able to leave using the device because she allowed it.
Time seems to be passing in the present and the "past" at approximately the same rate Raistlin uses a Dragonorb to contact Dalamar, who is back in the present time. He claims that the orb can see into the future, but really? Can it? It's not like he's shown to have tested it in the present time, and this is the last time one of these will ever be used because he breaks it during the attempt. The dragon orb contains a captive green dragon and chromatic dragons are the domain of Takhisis so it's consistent for their powers to include a direct line to the nightmare/dream realm that is the Abyss. Which can accurately display the past and might show potential futures.
The Abyss reacts to what a person expects of it Raistlin has foreknowledge that the reason that Fistandantilus failed was that a dimensional travel device activated while the spell was in progress and caused interference. Events conspire for this to happen to Raistlin as well, so why should he succeed to cross the portal where Fistandantilus failed? Because he was already in the Abyss, and the Abyss responds to how strongly a person believes something to be true. Raistlin wanted to succeed, so he did, and notably he and Crysania enter the Abyss at their present day rather than the time of the Dwarfgate War that they started from. Unfortunately this also backfires because Raistlin strongly believes that he will be powerless in the Abyss, and that Crysania will burn herself out fighting for him with her Cleric powers. So that is exactly what happens. He is his own worst enemy.
The contrivance of the bad end "future" The place that Caramon and Tasslehoff see when they accidentally travel to the future is contrived in the way that their path leads them to the information that they need to understand what needs to be done. Caramon paradoxically finds his own skeleton. They eavesdrop on god Raistlin doing a big evil speech to the last two living beings in the world. Altogether suggesting that in-universe this too is a "play" put on for their benefit. They've tapped into the property of the Abyss that shows potential futures, and once again they've yet to truely leave the Abyss because when and where they can leave is at Takhisis convenience.
Raistlin is the one most actively taking sanity damage from staring into the Abyss because he took the role of Fistandantilus and thus directly assumed the identity of another person with whom he already had an unpleasant set of experiences. The other two were selected by Raistlin to replace other fully realized people from the City of Istar: Crysania in the role of cleric Denubis, and Caramon in the role of the gladiator and former seaman Pheragas. Crysania has optimism that her presence makes the difference, Caramon is somewhat oblivious to having fit into the life of another person, and only Raistlin is really aware of the horror of the situation, but equally unable to escape.
As much as Raistlin hates following a story that he knows will end badly for him, he is also terrified of making so many changes that his knowledge of what will happen next is useless. He thinks that he can cast one pebble into the time stream to move it, when what he really needed was a radical change in personality to throw many pebbles and get out of the negative thought patterns that had only been carved deeper through exposure to Fistandantilus. Because the writers are also probably doing a loose adaptation of Faust, and one does not simply change the ending of Faust such that man figures out how to actually escape a deal with the devil. Although, his twin brother observing the descent into madness from the sidelines does get to come out wiser for having had that experience.
Я отмечаю 14-й год своего блога Tumblr! 🥳
siren
Когда не сдал башню на аттестации МЧС
Tried to figure out how I've been running these things and I came up with this
SO MUCH THIS. it drives me up a fucking WALL when people call male witches wizards
my take on this
Momento Mori (Working Title), 2024, digital painting by myself, Liz Pence
The migraine is getting weird (WIP)
The Eyes of God, 2023, Digital Painting by myself, Liz Pence
The one that saw Darkness once Will never trust in Light. Every sacred thing came to naught And his eyes will not lie to him...
Maxim Rakovsky as Raistlin Majere in The Last Trial
Продолжаю одорировать https://www.instagram.com/p/CTsuMBJtSu5/?utm_medium=tumblr
Мой тупой юмор. Теперь на инсте. И так: это был 1415 год, Константский Собор... Пьер де Айли, избранный глава Собора, жег. И я сейчас говорю не о де Пью, Яне Гусе или даже Иерониме Пражском. Я говорю о седалище императора Сигизмунда Люксембурга! Спасибо Galiskart за визуализацию Молота Еретиков ! ЗЫ: Айли приди порядок наведи. Вы с Жерсоном столько сил потратили, чтобы создать прецендент emeritus, а современные Забареллы не хотят Папу Ратцингера пенсионером признавать! #history #catholicchurch #humor https://www.instagram.com/p/CTCfWdpjtSi/?utm_medium=tumblr
This is the Mirandaola foundry, it dates back to the 16th century.
The Basque Country is full of iron and water, so it was just a matter of time that Basques learned how to use the latter to melt the former. They created a hammer moved by a water mill whose speed they could control - cutting-edge technology at the time, you can see it in action at 03:50 - that made Basque foundries extremely quick and good quality.
You can see in the video how foundries worked in the Middle Ages / Renaissance with blacksmiths dressed as they used to.
Władysław II Jagiełło 👌❤️☘️
While this totally applies to other marginalized groups, I’d like to remind everyone House is specifically talking about an autistic child here.
Remember that.
Veni Vidi fuck it all | ♪♪♪