🐌💌
thats my delivery snail on his way to u with a forehead kiss and reassurance that everything is going to be okay!

Andulka
Today's Document

Love Begins
trying on a metaphor
YOU ARE THE REASON

if i look back, i am lost
Jules of Nature
h
noise dept.
No title available
One Nice Bug Per Day
PUT YOUR BEARD IN MY MOUTH

shark vs the universe
Noah Kahan
Sweet Seals For You, Always
No title available
tumblr dot com
he wasn't even looking at me and he found me
taylor price
art blog(derogatory)
seen from United States

seen from Australia
seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from Malaysia
seen from Singapore
seen from Australia
seen from China
seen from Türkiye
seen from Germany
seen from Guatemala
seen from United States
seen from United States
seen from Malaysia
seen from Germany

seen from United States
seen from Ecuador

seen from Russia
@embrasant
🐌💌
thats my delivery snail on his way to u with a forehead kiss and reassurance that everything is going to be okay!
all the florals for my show 🌟🌟🌟
wiblingen abbey library in ulm, germany
[via]
First time drawing moles how'd I do?
Big Fig + Small Fig Progress
Various Notes & Letters
Found/Collected Between July 2022-August 2023
(Texas, Seattle, and New York)
Sue Zhao
Blueberry collection
this month is my only sweetheart
Paul Cox, paysages
Pour beaucoup, Paul Cox est une figure tutélaire des arts graphiques contemporains, revigorant régulièrement des pans entiers de la discipline. Ses séries d’affiches, ses livres jeunesse ou livres d’artiste, marquent la création graphique depuis une vingtaine d’années.
Mais si Paul Cox pratique le graphisme, c’est à la manière de Schwitters ou Rodtchenko, expérimentant insatiablement et exécutant des va-et-vient constants avec les autres territoires de l’art. Graphisme, illustration, volume, livre, installations, scénographie… toutes ces activités reposent sur les bases qu’il explore quotidiennement en peinture et en dessin : proportions, angles, précision, valeurs, couleurs, méthode, etc.
Le paysage constitue un réservoir inépuisable de formes pour son travail. Il concentre ses préoccupations esthétiques et sensibles, mais devient aussi le sujet d’une forme d’exercice d’apprentissage qui nourrit l’ensemble de son œuvre.
(Images issues de Désordres.)
I find I always like a little bit of chaos. It helps me think.