bands, man

my name is marge and this is a (side) blog about my unhealthy obsession with bands

[thespringsnow]

A portrait of Ezra Koenig by Jess Hallay

[rodrickheffeley]

*hozier starts playing*

me:

[thefalloutkid]

The Last Of The Real Ones, Fall Out Boy

[commongayboy-deactivated2018082]

[teacakes]

her robotic, glacial voice; the blood; the gasps from the crowd; the way her mic hits the ground on beat with the song; its performance at its peak

[kungfuchunks]

iconic

[lilith-apologist]

she gave unhinged women our rights

[brucefromfamilyguy]

i watch this video exactly once a month and it gives me full body asmr

[chrisintegration-deactivated202]

when derrick barry said people died at stonewall this is what he was referring to

[surprisebitch]

they dont do vma performances like this anymore

[perriedward]

9 Years of One Direction (July 23, 2010)

[fairlylocal]

x

[benepla-deactivated20200506]

panic at the disco is the funniest band ever. what if when zayn went solo he took the name One Direction and started putting out his fuckinnnn sex playlist songs as One Direction. alone. and then Harry and all the other ones did nothing ever again

[gaybesaporta]

fall out boy be writing all these threatening lyrics like guys arent you all like four feet tall combined

[8mincapecod]

Ezra Koenig by Ed Miles for DIY Magazine (June 2019)

[vampire-ezra]

Ezra enjoying a drink alone

[mindfulwrath]

panic really does turn you into a complete fucking moron huh

[celtic-pyro-deactivated20230725]

Lost half my brain cells listening to Ballad of the Mona Lisa.

[celtic-pyro-deactivated20230725]

I have vastly misunderstood this post.

[vampire-ezra]

Ezra for The Feed

[trippingeyes]

(coffees for closers) // fall out boy

[joannaeris]

📸: mynameismavis_/instagram

[lovecrumbss]

But i can’t touch what i see…

Harry Styles - Two Ghosts  / Art -  François-Henri Galland

[teamvampireweekend]

Listening through Father of the Bride is a fascinating aural journey. The opener is reminiscent of Kanye West’s “Ultralight Beam” with a country twist (I realize this sounds mad), while closer “Jerusalem, New York, Berlin” sounds a bit like SOPHIE on downers (equally mad, I know). The album is long but has been sequenced beautifully, and none of it feels like fat that could have been cut.

“Why does the world need another chapter of this story? I really wrestled with that, even with the third album, let alone the fourth album,” Koenig says. “And sometimes the answer is: the world doesn’t need another chapter of this story. But somewhere there’s probably a core group of people who are growing up with you at the same rate.”

“If I look too broadly at the music industry or the world, it makes what Vampire Weekend does seem so insignificant,” he continues, “and then I realize that’s why you can’t worry about your place in the larger ecosystem. You just have to focus on telling your own little story. Every album, the tone changes, the vibe changes, the lyrical content changes a bit, and you just have some faith that there are people on a similar journey to you.”

- By Graeme Campbell; photos by Charlie Cummings/Highsnobiety

[routins-bye-deactivated20200724]