Nicola Samorì - In principio era la fine (2016)Olio su tavola - 40 x 30 cm
Nicola Samorì (Italian, 1977), In principio era la fine [In the beginning was the end], 2016. Oil on copper, 30 x 20 cm.
trying on a metaphor
tumblr dot com
hello vonnie

No title available
styofa doing anything
sheepfilms
YOU ARE THE REASON
KIROKAZE
Today's Document

titsay
h

JBB: An Artblog!
cherry valley forever

blake kathryn
Not today Justin
TVSTRANGERTHINGS
taylor price
wallacepolsom

ellievsbear
todays bird
seen from United States
seen from Romania

seen from United States

seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States

seen from United States

seen from Australia
seen from Philippines
seen from India

seen from Sri Lanka

seen from Brazil
seen from Germany

seen from United States

seen from Singapore

seen from United States
seen from Italy
@emour
Nicola Samorì - In principio era la fine (2016)Olio su tavola - 40 x 30 cm
Nicola Samorì (Italian, 1977), In principio era la fine [In the beginning was the end], 2016. Oil on copper, 30 x 20 cm.
Esther Solveig as Salome, 1920s
"Don't be a Job Hopper" 1940s Disney WWII propaganda poster
In 1941 Disney animators went on strike after Walt Disney refused to let his workers unionize. The workers were angry about unfair policies on pay and benefits. On the picket line the animators lynched and guillotined an effigy of Walt Disney himself. (lmao i had to re-encode this gif because tumblr blocks it automatically as a banned image???)
The paint flow intro to The Pit And The Pendulum (1961)
Körkarlen (1921) dir. Victor Sjöström
The Phantom of the Opera (1925)
dir. Rupert Julian, Lon Chaney, Ernst Laemmle & Edward Sedgwick
Max Schreck in Nosferatu, eine Symphonie des Grauens (1922)
Abandoned mine in Chewton, Australia.
Emilio Pucci, Freeze Protection Mask, (1963)
This example photographed by Carlo Mollino at his Casa Del Sol in Cervinia, Aosta Valley.
The Smith Act, Rockwell Kent, 1951
"Kent created this print in response to the Smith Act, a federal statute enacted in 1940 that established penalties for political activities deemed subversive by the United States Attorney General. The artist’s early travel books were among those removed from American overseas libraries because of his close association with leftwing organizations, even though the adventure narratives were apolitical."
Have you ever been lost in the woods?
/ Robert Doisneau, The Ghost Train, 1953
Chalk Hill Drive-In (Highway 80 Dallas, Texas), Steve Fitch, 1973
Henri Cartier-Bresson (1908–2004) - Portfolio for 'Three Poems from Les Fleurs du Mal', 1997