“when teresa of avila was asked what she did in prayer, she replied, ‘i just allow myself to be loved.’” – anthony de mello
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@emptilessemptiness
“when teresa of avila was asked what she did in prayer, she replied, ‘i just allow myself to be loved.’” – anthony de mello
The Garden
“when teresa of avila was asked what she did in prayer, she replied, ‘i just allow myself to be loved.’” – anthony de mello
It’s an ancient story from yesterday evening called “Patterns of Love in Peoples of Diaspora,” called “Loss of the Homeplace and the Defilement of the Beloved,” called “I want to Sing but I Don’t Know Any Songs.”
Li-Young Lee, from “Immigrant Blues”
I consider lyrical repetition an eroticism of the highest order. Saying the same thing in a quiet voice is about as intimate as fucking. Come here come here come here. Please please me. Words as powerful as skin. Tell me everything so I know it’s real. Meaningless notes like kisses on the neck. Come here come here come here.
i’ve been thinking about this a lot in terms of violence. i can’t quite separate violence from eroticism in my own heart, though i can do it logically, so my writing is always a bit dark and quiet, the same way love always has been for me. the repetition, you can’t escape it. repetition builds doom in a story, it’s just foreshadowing. erotics of doom and erotics of violence. this is why i like claudia rankine so much, she uses repetition like a poison needle, or like a slow squeeze, which is both delicious and terrifying. she knows what i mean:
DLP: You use repetition and anaphora as rhetorical and poetic devices in Citizen, especially in Section VI’s “Stop and Frisk.” Could you discuss how these devices emotionally reenact or recreate the experience of prejudice and injustice? CR: Both devices replicate the experience of repeated impact on a body. If you don’t live a life where you have to negotiate a version of the same erasure over and over you can’t know how that feels. Repetition simply says, Here it comes again. Ready?
For a seed to achieve it´s greatest expression, it must come completely undone. The shell cracks, it´s insides come out and everything changes. To someone who doesn´t understand growth, it would look like complete destruction.
Cynthia Occelli
Eating Together
In the steamer is the trout seasoned with slivers of ginger, two sprigs of green onion, and sesame oil. We shall eat it with rice for lunch, brothers, sister, my mother who will taste the sweetest meat of the head, holding it between her fingers deftly, the way my father did weeks ago. Then he lay down to sleep like a snow-covered road winding through pines older than him, without any travelers, and lonely for no one.
By Li-Young Lee.
Iranian women share lunch after planting rice.
Mazandaran Province. Near the village of Zirab. Iran, 2001.
A.Abbas
And the waves tell the firm coast Everything will be fulfilled
Pablo Neruda, Ode to Hope (via allthingsneruda)
poetry as tonic, #20
Starfish - Eleanor Lerman
This is what life does. It lets you walk up to the store to buy breakfast and the paper, on a stiff knee. It lets you choose the way you have your eggs, your coffee. Then it sits a fisherman down beside you at the counter who say, Last night, the channel was full of starfish. And you wonder, is this a message, finally, or just another day? Life lets you take the dog for a walk down to the pond, where whole generations of biological processes are boiling beneath the mud. Reeds speak to you of the natural world: they whisper, they sing. And herons pass by. Are you old enough to appreciate the moment? Too old? There is movement beneath the water, but it may be nothing. There may be nothing going on. And then life suggests that you remember the years you ran around, the years you developed a shocking lifestyle, advocated careless abandon, owned a chilly heart. Upon reflection, you are genuinely surprised to find how quiet you have become. And then life lets you go home to think about all this. Which you do, for quite a long time. Later, you wake up beside your old love, the one who never had any conditions, the one who waited you out. This is life’s way of letting you know that you are lucky. (It won’t give you smart or brave, so you’ll have to settle for lucky.) Because you were born at a good time. Because you were able to listen when people spoke to you. Because you stopped when you should have and started again. So life lets you have a sandwich, and pie for your late night dessert. (Pie for the dog, as well.) And then life sends you back to bed, to dreamland, while outside, the starfish drift through the channel, with smiles on their starry faces as they head out to deep water, to the far and boundless sea.
andromeda, oil on canvas, 50x50cm, 2013
The planet is warming, which is causing glaciers and ice sheets to melt and Earth’s sea levels to rise. As the ocean makes inroads over the next century, people living in low-lying areas will be displaced, leaving them in need of new homes. Don’t let memories of “Waterworld” deter you from checking out these innovative marine dwellings. 10 innovative ideas that let us live on water
Bring me your pain, love. Spread it out like fine rugs, silk sashes, warm eggs, cinnamon and cloves in burlap sacks. Show me the detail, the intricate embroidery on the collar, tiny shell buttons, the hem stitched the way you were taught, pricking just a thread, almost invisible. Unclasp it like jewels, the gold still hot from your body. Empty your basket of figs. Spill your wine. That hard nugget of pain, I would suck it, cradling it on my tongue like the slick seed of a pomegranate. I would lift it tenderly, as a great animal might carry a small one in the private cave of the mouth.
Ellen Bass, “Basket of Figs”
body comparative
These days I keep going by paying attention to the small things that exist only in my presence. If I payed attention to anything else, I wouldn't be able to survive.
I like cooking dinner in a clean kitchen just as the sun is setting. Our kitchen window faces West and for a brief half hour every day, I live in an orange pink cloud in the sky. Here there is always a warm breeze and fresh air rushing through every pore in your body reminding you that you are loved in a way bigger than you can even imagine. There is the smell of garlic and butter and a happy dog at your feet. There is a husband washing the dishes and a wife taking a break from stirring the pot to dance. Unabashedly.
There is too much time for overthinking. My method of combating the voices is to break completely open. The vulnerability is new and scary. My neck is bare and my skin is thin and I have more oceans in me than I thought possible. This time I'm heading for the moon. I am a moth. And for the first time, I'm letting someone support me, hold me, love me. I'm pushing past 24+ years of trauma and I'm authentically and transparently letting go. I see this blinding gold light streaming through my cracks. It's terrifying and exciting.
John Legend - You & I (Nobody In The World)
They are young and old, cis and trans, straight and queer, in sickness and in health, and they come in countless colors, shapes, and sizes. They are women, and for four minutes and 15 seconds, John Legend pays them the basic respect that half the world’s population is routinely denied.
It is not a revolutionary video — at least, it shouldn’t be. Deceptively simple in form and function, You & I uses only a progression of medium shots of individual women. Presented with their totality, the differences fade away, and we are left with the fact that before anything else, women are simply and unignorably people.
That this is hailed as a radical political statement shows the sad state of our culture. But it makes such simple statements all the more important to make.