NAVIGATION !!
domjoyi yozora (30, japan's anointed prince): intro - visage - musings - threads

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NAVIGATION !!
domjoyi yozora (30, japan's anointed prince): intro - visage - musings - threads
open starter to everyone! where: venice palace, at the scala d'oro.
the light spilled down the scala d’oro like molten honey, gilding every step she took. mihrimah ascended slowly, the hem of her gown trailing behind her like the last breath of dusk. the palace was a marvel, yes. gold leaf so polished it seemed to breathe, frescoes that glowed even in the hush of morning. but to her, beauty had always been an unreliable witness. too often it was built atop bones. she moved through the procession of envoys with the serenity of someone both present and elsewhere, her gaze lingering on the frescoes of divine coronations and victories that masked what she already knew: every empire wrote its wars in plaster and paint.
someone nearby murmured, awed, “how beautiful it all is.” mihrimah’s lips curved, a sliver of wickedness stretching at the corners. she leaned slightly toward someone else that stood at her right-- only one step behind--, without bothering to glance at their face first before jesting: “well,” she murmured, “try astral projecting in here. bet it won’t be so pretty, then. ha!” her tone was light and biting, though her words held a somber meaning-- of ghosts and unresolved anger. the chatter continued on, though the air around her stilled for an instant, as if even the gold itself remembered blood. then she straightened, gloved fingers brushing the banister, and continued upward. “they do have formidable stairways, though,” she mused aloud. fingers crossed my brother will slip on the steps. she smiled, wide and warm, “one could get lost in here!”
"An interesting theory," Yozora said, his gaze not on Mihrimah, but critically assessing the ceiling as if calculating its weight. "Though the ugliness you'd find would be less spectral and more... structural. Beneath this gilt lies the memory of the quarry, the strain of the laborers, the sheer, vulgar effort required to force a mountain to become a staircase."
He ascended one step, his movement silent and unnervingly precise. "We call it beauty because it is more palatable than the truth. It is not art but a statement of dominance. Every victory painted here is merely a pretty way to hide the price that was paid."
Finally, his eyes shifted to her. There was no smile, only a flicker of cold recognition for someone who also saw the scaffolding beneath the paint.
"As for getting lost," his voice dropped to a tone that was for her alone. "It is often the most effective way to learn a place's true design. An intended path rarely leads to anything of substance."
location: la sala del mare velato ; evening. open to everyone.
one of the less entertaining things about the sudden deluge of foreign dignitaries and their entourage, was definitely the fact they were now, quite literally, everywhere. like the grains of blasted sand they seeped into the every pore, crack and crevice of palazzo strozzi. she did not exaggerate. they truly were everywhere. she had hoped she would find some respite in the veiled sea, but imagine her distaste when she'd found it already occupied. it had still been early in evening and she was not going to allow the guests to imprison her to her chambers in her own blasted castle! instead, she fashioned her expression into something less outwardly menacing and more... welcoming.
though it had been a herculanean feat.
while she was, technically, the hostess, it did not mean she had to make small talk if she did not deem it necessary. those who ventured to mare velato usually sought out tranquility and solitude. contemplation. the plinking-plonking of the water droplets paired up with the soothing tone of the violins and harps. sometimes, she liked to believe the musicians were commissioned to play to the waters, rather than the people flocking in and out of the chambers. it wouldn't surprise her -- it could have been something far worse, anyway.
still, the tranquility did not last long as the silence that stretched between her and the unwanted companion took an uncomfortable turn, further accentuated by the lull of the music. as the hostess, she had her duties -- unfortunately.
"I trust you are settling in nicely. are you in want of something? perhaps refreshments?" caterina asked, just now turning to look at the occupant of mare velato.
He did not turn immediately, a silhouette of dark hair against the pale marble, his attention seemingly fixed on the rippling surface.
"Your hospitality is acknowledged," Yozora said, the words precise and layered with a formality that felt both impeccable and deeply isolating. "Though it is unnecessary. I require nothing."
Yozora let the silence between them linger, thicker and more profound than the quiet that had existed before. It was punctuated not by the plinking of water, but by its absence in the spaces between, a heavy stillness that seemed to swallow the distant music. He was in no hurry to fill it, his presence itself a statement of self-contained sovereignty. After a measured pause, he finally turned his head just enough to regard her. There was no curiosity in his gaze, only a flat, observational quality, as if she were another feature of the room. Elegant, perhaps, but ultimately part of the scenery he was forced to tolerate.
"Do not let my presence disturb your custom. I sought to reprieve from the... congestion. It seems we were drawn to the same fleeting resource. An unfortunate coincidence for us both."
( mackenyu arata, cis man, he/him, 30 ) Hark! The trumpets are now announcing the arrival of DOMYOJI YOZORA, the PRINCE of JAPAN. It has been said that they are known to be CALCULATIVE and RESOURCEFUL. When asked to describe themselves they said “ THE TOOLS OF A GOD, THE HEART OF A BOY, AND THE MIND OF A MONSTER ” However their RESERVED and ALOOF nature can make for difficult times. Time will tell what their intentions are in attending the Grand Summit.
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