A woman shepherds her herd at the abandoned Park of Palazzo Orsini in Bomarzo, Italy, in 1952.

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A woman shepherds her herd at the abandoned Park of Palazzo Orsini in Bomarzo, Italy, in 1952.
I once knew a man who claimed that, overnight, all the solid shapes of existence had been replaced by cheap substitutes: trees made of poster board, houses built of colored foam, whole landscapes composed of hair-clippings. His own flesh, he said, was now just so much putty. Needless to add, this acquaintance had deserted the cause of appearances and could no longer be depended on to stick to the common story. Alone, he had wandered into a tale of another sort altogether; for him, all things now participated in this nightmare of nonsense. But although his revelations conflicted with the lesser forms of truth, nonetheless he did live in the light of a greater truth: that all is unreal. Within him, this knowledge was vividly present down to his very bones, which had been newly simulated by a compound of mud and dust and ashes.
–Thomas Ligotti, “The Mystics of Muellenberg”
Chateau Versailles.
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12/30/2017
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Óscar Domínguez (Spanish, 1906-1957)
Composition, 1940
Oil on canvas
Liminal Communion, by Andy Kehoe, via andykehoeart.com.
Erechtheion, Acropolis, Athens, c. 5th century BC
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