Hamlet’s concern for truth merits more attention, for it is total and goes far towards accounting for much in his behaviour and for the hold he has taken on the imaginations of audiences and readers alike. Many-sided in his activities and multifarious in his interests, Hamlet is powered, so to speak, by his consuming urge to know and to understand. It remains with him to the end. On his last day on earth, he stops to talk and question ‘curiously’ with the Gravedigger in an effort to glean what he can from one so familiar with death. He does not, as Marlowe’s Doctor Faustus does, sell that urge for an insubstantial mess of diabolical pottage. Hamlet’s love of truth and his respect for facts manifest themselves in his almost infallible capacity for recognizing and rejecting that which is not true. In his first words he refuses to accept the King’s reference to him as ‘my son.’ As the play nears it close he toys with the pretensions of Osric to expose the courtier for the bubble that he is. Moving in a world given over to lies, he is ruthless and unsparing in his readiness to tell others that he sees them for what they are.