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Oh my god
Madness is of two kinds, and modern psychiatry is aware of only one kind; and because it is not aware of the other kind, its understanding about madness is very lopsided, erroneous, faulty, and harmful too. The first kind of madness that psychiatrists are aware of is falling below the rational mind. When you cannot cope with realities, when they are too much, when they become unbearable, madness is a way of escaping into your own subjective world, so that you can forget the realities that are there. You create your own subjective world, you start living in a kind of imaginary world, you start dreaming even with open eyes, so that you can avoid the realities that have become too much and are unbearable. This is an escape; one falls below the rational mind. This is going back to the animal mind. This is falling into the unconscious. There are other people who manage the same thing in other ways. The alcoholic manages it through alcohol. He drinks too much; he becomes completely unconscious. He forgets the whole world and all its problems and anxieties—the wife, the children, the market, the people. He moves into his unconscious through the help of alcohol. This is a temporary kind of madness which will be gone after a few hours. And whenever there are difficult times in the world, drugs become very important. After the Second World War, drugs became of immense importance all over the world, particularly in the countries which had seen the Second World War, in the countries which became aware that we are sitting on a volcano that can erupt at any moment. We have seen Hiroshima and Nagasaki being burned within seconds—one hundred thousand people burned within five seconds. Now the reality is too much to bear. Hence the new generation, the younger generation, became interested in drugs. Drugs and their impact all around the world, and their influence on the new generation, are rooted in the experience of the Second World War. It is the Second World War that has created hippies, that has created drug-people; because life is so dangerous and death can happen any moment… how to avoid it, how to forget all about it? In times of stress and strain, people start taking drugs. And this has always been so. It is a way of creating a temporary madness. And by madness I mean falling below the rational mind—because it is only the rational mind which can be aware of problems. It knows no solutions; it knows only problems. So if the problems are manageable and you can co-exist with the problems, you remain sane. When you see it is too much, you go insane. Insanity is a built-in process of avoiding problems, realities, anxieties, stress situations. People avoid in many ways. Somebody will become an alcoholic, somebody will take LSD, somebody marijuana. And there are other people who are not so courageous—they will fall ill. They will have cancers, tuberculosis, paralysis; so they can say to the world, ‘What can I do? I am paralyzed. If I cannot face realities, it is not my responsibility. Now I am paralyzed.’ ‘If my business is going to the dogs, what can I do? I have cancer.’ These are ways that people protect their egos—poor ways, pitiable ways, but still they are ways to protect your ego. Rather than dropping the ego, people go on protecting it. Wherever life becomes too much of a tension, all these things will happen. People will have strange illnesses, incurable illnesses—incurable because there is a great support from the inside of the person for the illness, and without his cooperation with the medicine and with the doctor there is no possibility of curing him. Nobody can cure you against you: remember it as a fundamental truth. If there is a deep investment in your cancer, if you want it to be there because that protects you, that gives you a feeling that it is because of the cancer that you are not able to fight in the marketplace, that you are not able to compete, that it is because of the cancer—if it gives you a satisfaction—if this investment is there—nobody can cure you, because you will go on creating it. It is a psychological disease; it is rooted in your psychology. And everybody knows it. Students start feeling ill when the examination comes close. Some students go mad when the examination is just there. And after the examination they are okay again. Each time there is an examination they fall ill—fever, pneumonia, hepatitis, this and that. If you watch you will be surprised—why at the times of examinations do so many students become ill? And suddenly after the examinations everything is okay. That is a trick, a strategy. They can say to their parents, ‘What can I do? I was ill; that’s why I could not pass,’ or, ‘I was ill; that’s why I have come third class. Otherwise the gold medal was certainly mine.’ It is a strategy. If your illness is a strategy, then there is no way to cure it. If your alcoholism is a strategy, then there is no way to cure it, because you want it to be there. You are a creator, you are creating it on your own—maybe not consciously. And so is madness; that is the last resort. When everything fails, even cancer fails, alcohol fails, marijuana fails, paralysis fails, when everything fails, then the last resort is to go mad. That’s why madness happens more in the Western countries than in the Eastern, because life is still not so stressful. People are poor, but life is not so stressful. People are so poor, they cannot afford so much stress. People are so poor, they cannot afford psychiatry, psychoanalysis. Madness is a luxury. Only rich countries can afford it. This is one kind of madness that psychologists are aware of: falling below the rational mind, moving into the unconscious, dropping the small conscious that you had. It was not very much in the first place; only one-tenth part of your mind is conscious. You are just like an iceberg—one-tenth above the surface, nine-tenths below the surface. Nine-tenths of your mind is unconscious. Madness means dropping that one-tenth that was conscious so the whole iceberg goes underneath the surface. But there is another kind of madness—that too has to be called madness because of a certain similarity—that is going beyond the rational mind. One is falling below the rational mind; the other is falling above the rational mind, falling upwards. In both cases the rational mind is lost: in one you become unconscious, in the other you become superconscious. In both cases the ordinary mind is lost. In one you become totally unconscious, a certain integrity arises in you. And you can watch: in mad people there is a certain integrity, a certain consistency—they are one. You can rely on a madman. He is not two, he is utterly one. He is very consistent because he has only one mind, that is the unconscious. The duality has disappeared. And you will find a certain innocence also in a madman. He is like a child. He is not cunning, he cannot be. In fact, he had to become mad because he could not be cunning. He could not cope in a cunning world. You will find a certain simplicity, purity, in a madman. If you have watched mad people you will fall in love with them. They have a kind of togetherness. They are not divided, they are not split; they are one. Of course, they are one against reality, they are one in their dream world, they are one in their illusions, but they are one. I have heard about a man who worked for many years in a drama company and his role was always Abraham Lincoln. After many years working as Abraham Lincoln, talking as Abraham Lincoln, wearing the clothes of Abraham Lincoln, slowly, slowly the man went mad. He started thinking that he WAS Abraham Lincoln. At first his family and friends thought that he was joking, kidding, but slowly, slowly it became clear to them that he was not joking. He had fallen into that trap. He believed it; because not only in the drama—outside the drama he would wear the same clothes. He would have the same walking stick; he would walk the way Abraham Lincoln used to walk. He would stutter the way Abraham Lincoln used to stutter. He remained Abraham Lincoln twenty-four hours a day. Friends persuaded him, tried to convince him that, ‘What are you doing?’ But he was so convinced, he said, ‘What are you saying? I am Abraham Lincoln!’ Finally, seeing there was no way, they took him to a psychiatrist. He tried all that he knew, but the man was utterly convinced. Mad people are very together. You cannot create doubt in them—doubt is part of the rational mind. Whatsoever they believe, they believe fanatically, so all mad people are fanatics and all fanatics are mad people. Remember that. A fanatic is one who believes, ‘Only I am right, and everybody else is wrong.’ The fanatic is one who believes, ‘Whosoever believes in what I say is right, and whosoever thinks that I am wrong is wrong.’ There is no possibility of any communication with a fanatic; you cannot communicate. He thinks only in two ways: either you are a friend or an enemy. Whosoever believes the way you believe is the friend, and whosoever does not believe the way you believe is the enemy. That’s why I call Morarji Desai a fanatic. He thinks the whole country has to believe the way he believes—that I have to believe in his ideology, only then can I be allowed to exist in this country. The fanatic can never be a democrat; the fanatic is always a fascist. The fanatic is mad. So all efforts failed. And the man was so convinced about his being Abraham Lincoln that slowly, slowly, day in, day out as the psychiatrist was trying, even the psychiatrist started being doubtful—maybe he is. He also looked like Abraham Lincoln. For years he had been acting, and when you act something for years, you become it. The lie repeated again and again becomes a truth. When the psychiatrist also started becoming suspicious, that ‘Who knows? You may be right. We all may be wrong; that is also a possibility,’ he tried one thing. There is now a machine in America; it is called a lie detector. It is used in the courts. He brought a lie detector; it detects whether people are lying or not. It is a simple device. The person is not aware that he is standing or sitting on the lie detector; it is hidden underneath. It is something like a cardiogram, it goes on making a graph of his heartbeats. When he is speaking the truth there is a harmony in the graph, and whenever he speaks a lie the harmony is broken. So first a few questions have to be asked about which he cannot lie, about which there is no possibility of lying, so we know the graph is going harmoniously. The man was asked, ‘Look at the clock. What does the clock say?’ And he said, ‘Fifteen to ten.’ A letter was given to him and he was told, ‘Read this letter,’ and he read the letter. Now the graph was there going on harmoniously. And a few more questions to be absolutely certain—‘How many people are present in the room?’ He said ‘Seven.’ ‘What color is the curtain?’ He said ‘Green.’ Things like that, about which he could not lie, there was no possibility. And then he was asked, ‘Are you Abraham Lincoln?’ He was getting tired. Every day for years people had been persuading him that he was not. So just to get rid of the whole thing, he said, ‘No, I am not,’ but the lie detector said that he was lying! The conviction had gone so deep that he was only lying just to convince people, to get rid of these foolish people. He said, ‘No, I am not,’ but he knew he was. Madness has a consistency, a togetherness. There is no doubt in it; it is utter belief. And the same is the case with the other madness. A man goes above reason, beyond reason, becomes utterly conscious, superconscious. In the first madness, the one part that was conscious becomes dissolved into the nine parts that were unconscious. In this other madness, the nine parts that were not conscious start moving upwards and all come to the light, above the surface. The whole mind becomes conscious. That is the meaning of the word ‘Buddha,’ becoming absolutely conscious. Now this man will also look mad, because he will be consistent, utterly consistent. He will be together, more together than any madman can ever be. He will be absolutely integrated. He will be an individual, literally an individual—it means indivisible. He will not have any split at all. So both look alike: the madman believes, and the Buddha trusts. And trust and belief look alike. The madman is one, utterly unconscious; the Buddha is also one, utterly conscious. And oneness looks alike. The madman has dropped reason, reasoning, mind; Buddha has also dropped reasoning, rationality, mind. That is similar; and yet they are poles apart. One has fallen below humanity, and the other has risen above humanity. Modern psychology will remain incomplete unless it starts studying Buddhas. It will remain incomplete, its vision will remain incomplete, partial; and a partial vision is very dangerous. A partial truth is very dangerous, more dangerous than a lie, because it gives you the feeling that you are right. Modern psychology has to take a quantum leap. It has to become the psychology of the Buddhas. It will have to go deep into Sufism, into Hasidism, into Zen, into Tantra, into Yoga, into Tao. Only then will it really be psychology. The word ‘psychology’ means the science of the soul. It is not yet psychology; it is not yet the science of the soul. These are the two possibilities: you can go below yourself, you can go above yourself. Become mad like Buddha, Bahaudin, Mohammed, Christ. Become mad like me. And that madness has immense beauty, because all that is beautiful is born out of that madness, and all that is poetic flows out of that madness. The greatest experiences of life, the greatest ecstasies of life, are born out of that madness. Initiating you into sannyas, I am really initiating you into that kind of madness. This place belongs to mad people.
Osho (via alittlebitoftruthcan)
Pink Floyd September 22, 1987 Exhibition Stadium Toronto, Ontario, Canada
Download: FLAC/MP3
Digitized from master cassette audience recording made with Sony WA-55 stereo cassette-corder & 2 SONY mics, from Section 44, Row 6, Seat 14.
Source: Master Cassette> CD Spin Doctor (iMac G5)> MacFlac
Total time – 148:08
Disk 1
Echoes (18:53) Signs of Life (4:39) Learning to Fly (5:25) Yet Another Movie/ Round & Round (7:27) A New Machine (Part 1)/ Terminal Frost/ A New Machine (part 2) (8:29) Sorrow (10:20) Dogs of War (7:56) Intro/ On the Turning Away (9:19) One of These Days (7:14)
Disc 2
Time (5:38) On The Run (4:22) Wish You Were Here (5:13) Welcome to the Machine (8:26) Us and Them (7:40) Money (7:18) Another Brick in the Wall (part 2) (5:32) Intro/ Comfortably Numb/ Encore Applause (10:21) One Slip (6:27) Run Like Hell/ End Applause (7:27)
Tag yourself I’m the “Overdressed and Underappreciated”. Artist : http://www.mattadrian.com/
This is the same guy that does the guide to troubled birds.
OH MY GOD. LLLLLUUUUUKKKKKEEEEEEEEEEEEEEEE
why did i try weed omg ima die i feel like a a dvd player
this is genuinely the funniest thing i’ve ever seen i’m losing it
Grateful Dead 06/07/70 Fillmore West San Francisco, CA
Download: FLAC/MP3
Set One: Acoustic t01.Dont Ease Me in t02.Silver Threads And Golden Needles t03.Friend Of The Devil t04.Candyman t05.Cold Jordan t06.Swing Low Sweet Chariot t07.Cumberland Blues t08.Me And My Uncle t09.New Speedway Boogie
Set Two: Electric t10.Cryptical t11.Drums t12.The Other One t13.Cryptical t14.Drums t15.The Main Ten t16.Sugar Magnolia t17.Louie Louie t18.It’s A Mans World t19.Mama Tried t20.Sitting On Top Of The World t21.Cosmic Charlie t22.Casey Jones t23.Good Lovin t24.Drums t25.Jam-Good Lovin
Band Line up: Pigpen Jerry Garcia Bob Weir Phil Lesh Mickey Hart Bill The Drummer
Shnid: 132325
7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100’s) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby)
Analog to Digital Transfer(Dick’s Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997)
DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:January 2015
this a 16 bit 48KHz file set formatted for music servers
1968/69 NYE Winterland ticket
Bob Dylan Olympia Stadion Munich, West Germany 3 June 1984
Download: FLAC/MP3
Sources 2 & 3 are new.
01 – Highway 61 Revisited 02 – Jokerman 03 – All Along The Watchtower 04 – Just Like A Woman 05 – Maggie’s Farm 06 – I And I 07 – License To Kill
Greg Sutton: 08 – Got My Mojo Working (McKinley Morganfield)
09 – It Ain’t Me, Babe 10 – It’s Alright, Ma (I’m Only Bleeding) 11 – Don’t Think Twice, It’s All Right 12 – It’s All Over Now, Baby Blue 13 – Masters Of War 14 – Ballad Of A Thin Man 15 – When You Gonna Wake Up 16 – Every Grain Of Sand 17 – Like A Rolling Stone
(encore)
18 – Girl From The North Country 19 – The Lonesome Death Of Hattie Carroll 20 – Blowin’ In The Wind 21 – I Shall Be Released 22 – Tombstone Blues 23 – Why Do I Have To Choose? (Willie Nelson) 24 – Forever Young
Concert #5 of the 1984 Europe Tour. Bob Dylan (vocal & guitar), Mick Taylor (guitar), Ian MacLagan (keyboards), Greg Sutton (bass), Colin Allen (drums).
9-11, 18, 19 Bob Dylan solo (vocal & guitar). 4, 9, 19 Bob Dylan harmonica. 20-21 Joan Baez (shared vocal & guitar). 20-24 Carlos Santana (guitar).
Note. 20 broadcast by VDR-TV, West Germany, 4 June 1984.
BobTalk:
– Thank you. Greg Sutton’s gonna sing for you now. He just wrote on the way over to the football stadium, called I Got My Mojo Working.
Source 1: No LB # that I could Find
20 mono TV recording. Stereo audience recording, 100 minutes.
Jokerman Has Just Left The Stadium Manufacturer / Catalog No. Sound Bites / SB 001 (Disc 001/002)
CDA>WAVELAB>FLAC
Information: source: Olympia Stadion, Munich, West Germany June 3, 1984 Bonus: Minestadio, Barcelona, Spain June 28, 1984 Source 2: LB-1514 Source: “Taped by Legendary Taper D, remastered in the Improved Air Remaster series.”
Source 3: LB-1784
Converted by: Fendert Conversion: Tape>?x>CDR>Wav>FLAC Quality: Very Good / Audience
This is the 5th Show of Bob Dylan’s 1984 tour with former Rolling Stones guitarist Mick Taylor. The songs are starting to have a little life in them but still they are far from what they will become in the coming weeks. Taylor still is feeling his way around them but vocally Bob is starting to groove. Compare “Every Grain of Sand,” “I and I,” “License to Kill” and “Masters of War” compared with later versions (or with Real Live if that’s all you have) and see how far Taylor will take these songs. We get a couple of gems on this one. Again we get “Why Do I Have to Choose” (the only cover on the tour) and Dylan really sings great on it this night and Mick Taylor’s slide is just about perfect. Also, Joan Baez joins Bob for a great version of “Blowing in the Wind” and “I Shall Be Released.” “Forever Young” is a great treat here also. Right now is the 20th Anniversary of those shows and I thought it would be cool to release each show to STG on the date of the actual show plus 20 years. So, here is the fifth show and we’ll see if I can keep up with the rest of the tour. Enjoy.
Santana report: Plays the lead on “Why Do I Have to Choose” beginning at 2:46 and even though his tone does not fit the song, at least he doesn’t hit any wrong notes this time. This guy is bad. These shows really highlight how BAD Santana was, playing in the wrong key, at the wrong time, bad tone and playing a part which did NOT fit into the song. What was Bob thinking with this guy? No artwork, enjoy!
BOB DYLAN GONE TO THE FINEST SCHOOLS The University Tour – October/November 2004
Download: MP3@320
I no longer seem to have the lossless files. They may be on a CD somewhere, if I find them I’ll post the. If anyone happens to have them I’d love to get a copy – Mat
CD 1 THE GRAND BALLROOM, SAN FRANSISCO, CALIFORNIA ñ Oct. 13, 2004 1. Intro 2. Rainy Day Women # 12 & 35 3. Watching The River Flow 4. No More One More Time 5. Cat’s In The Well SANTA CLARA UNIVERSITY, CALIFORNIA ñ Oct. 14, 2004 6. Blues Instrumental 7. Drifter`s Escape 8. I`ll Be Your Baby Tonight 9. Tweedle Dee & Tweedle Dum 10. Girl Of The North Country UNIVERSITY OF CALIFORNIA, BERKELEY, CALIFORNIA ñ Oct. 17, 2004 11. If You See Her, Say Hello 12. You Ain’t Going Nowhere 13. Blind Willie McTell 14. It Ain`t Me, Babe UNIVERSITY OF CALIFORNIA, DAVIS, CALIFORNIA ñ Oct. 18, 2004 15. To Be Alone With You 16. Senır (Tales Of Yankee Power) 17. Man In The Long Black Coat
CD 2 UNIVERSITY OF CALIFORNIA., SANTA BARBARA, CALIFORNIA ñ Oct. 21, 2004 1. I`ll Remember You 2. Just Like A Woman 3. Moonlight SAN DIEGO STATE UNIVERSITY, CALIFORNIA ñ Oct. 22, 2004 4. Tell Me That It Isn’t True 5. Most Likely You Go Your Way And I Go Mine 6. If Dogs Run Free UNIVERSITY OF COLORADO, COLORADO ñ Oct. 24, 2004 7. God Knows 8. Can`t Wait 9. Bye & Bye UNIVERSITY OF IOWA, IOWA ñ Oct. 29, 2004 10. Cold Irons Bound 11. Make You Feel My Love CARTHAGE COLLEGE, KENOSHA, WISCONSIN ñ Oct. 30, 2004 12. Maggie’s Farm 13. Lonesome Day Blues 14. Ballad Of Hollis Brown
CD 3 CARTHAGE COLLEGE, KENOSHA, WISCONSIN ñ Oct. 30, 2004 1. Floater UNIVERSITY OF WISCONSIN, OSHKOSH, WISCONSIN ñ Nov. 2, 2004 2. Absolutely Sweet Marie 3. Positively 4th Street 4. Ring Them Bells 5. This Wheel’s On Fire 6. Masters Of War PURDUE UNIVERSITY, WEST LAFAYETTE, INDIANA ñ Nov. 3, 2004 7. Shooting Star 8. Million Miles 9. A Hard Rain’s A-Gonna Fall MESSIAH COLLEGE, GRANTHAM, PENNSYLVANIA ñ Nov. 6, 2004 10. The Times They Are A-Changin’ 11. It`s Alright, Ma (I’m Only Bleeding) 12. Stuck Inside Of Mobile With The Memphis Blues Again
CD 4 MESSIAH COLLEGE, GRANTHAM, PENNSYLVANIA ñ Nov. 6, 2004 1. Saving Grace 2. Honest With Me 3. MICHIGAN STATE UNIVERSITY, EAST LANSING, MICHIGAN ñ Nov. 9, 2004 4. It`s All Over Now, Baby Blue 5. Desolation Row 6. Under The Red Sky 7. Love Minus Zero/No Limit ROCHESTER INSTITUTE OF TECHNOLOGY, NEW YORK ñ Nov. 13, 2004 8. Visions Of Johanna 9. Po’ Boy 10. High Water (For Charley Patton) BINGHAMTON UNIVERSITY, BINGHAMTON, NEW YORK ñ Nov. 14, 2004 11. Down Along The Cove 12. I Shall Be Released 13. Not Dark Yet
CD 5 BINGHAMTON UNIVERSITY, BINGHAMTON, NEW YORK ñ Nov. 14, 2004 1. I Don’t Believe You 2. Tangled Up In Blue LEIGH UNIVERSITY, BETHLEHEM, PENNSYLVANIA -Nov. 16, 2004 3. Leopard-Skin Pill-Box Hat 4. Seeing The Real You At Last 5. Highway 61 Revisited UNIVERSITY OF RHODE ISLAND, KINGSTON, RHODE ISLAND ñ Nov. 17, 2004 6. Tonight I’ll Be Staying Here With You 7. Love Sick 8. If Not For You 9. Tryin’ To Get To Heaven UNIVERSITY OF NEW HAMPSHIRE, DURHAM, NEW HAMPSHIRE ñ Nov. 18, 2004 10. Just Like Tom Thumb’s Blues 11. Things Have Changed 12. Forever Young 13. Ballad Of A thin Man
CD 6 UNIVERSITY OF NEW HAMPSHIRE, DURHAM, NEW HAMPSHIRE ñ Nov. 18, 2004 1. Boots Of Spanish Leather UNIVERSITY OF MASSACHUSETTS, AMHERST, MASSACHUSETTS ñ Nov. 20, 2004 2. Mr. Tambourine Man 3. Dignity 4. Every Grain Of Sand 5. Standing In The Doorway 6. Summer Days HARVARD UNIVERSITY, CAMBRIDGE, MASSACHUSETTS ñ Nov. 21, 2004 7. Lay, Lady, Lay 8. Don`t Think Twice, It`s All Right 9. John Brown 10. Sugar Baby 11. Like A Rolling Stone 12. Band intro/Jokes 13. All Along The Watchtower
Grateful Dead 5/24/70 Hollywood Festival, Newcastle-Under-Lyme, England
Download: FLAC/MP3
This is a flac encoded & tagged version of shnid: 06481 gd70-05-24.sbd.hanno.6481.sbeok.flac16
SBD MR>C>D>CD + AUD MR>C>D>CD patches
mastered by H.B., 12/01
thanks to Uli for the AUD source (which is also available complete)
The AUD supplies the beginning of the show and the middle part of St. Stephen.
Both are missing on the SBD
–Setlist–
101-d1t01 – intro 102-d1t02 – Casey Jones 103-d1t03 – China Cat Sunflower -> 104-d1t04 – I Know You Rider 105-d1t05 – Hard to Handle 106-d1t06 – Me & My Uncle 107-d1t07 – Cryptical Envelopment -> 108-d1t08 – Drums -> 109-d1t09 – The Other One -> 110-d1t10 – Cryptical Envelopment -> 111-d1t11 – Attics of My Life 112-d1t12 – Good Lovin’ 113-d1t13 – Cold Rain & Snow 114-d2t01 – Dark Star -> 115-d2t02 – St. Stephen -> 116-d2t03 – Not Fade Away -> 117-d2t04 – Turn on Your Lovelight
I have long said that in order for any comedy to truly succeed as a story, there has to be meat beneath the jokes. There has to be that moment when it is not funny any more.
This. This is that moment.
#honestly even though this is one of the best scripts there ever has been #that is the greatest line #it’s /groundbreaking/ in terms of how it frames vengeance quests; temptation beats; inigo as a comedic figure throughout the movie #you know because this is a happy book (film) that inigo will get his revenge #but will he get JUSTICE #will he get ABSOLUTION #will he get CATHARSIS #those are the things we don’t know #and that line sells it more than any of the previous scene (x)
well now I’m crying
I’M NOT CRYING YOU’RE CRYING
Best movie ever!
Also might be crying. @violetoccurrences!
Black Mountain Boys 64-03-07 Unknown Location (probably The Top of the Tangent, Palo alto, CA)
Download: FLAC/MP3
Set 1? 01 Happy Birthday 02 Nine Pound Hammer 03 Darling Aller Lee 04 Tuning 05 Ocean of Diamonds
–Set 2– 201 – Intro 202 – Sourwood Mountain** 203 – If I Lose 204 – Homestead on the Farm 205 – Pig in a Pen 206 – Once More 207 – Stoney Creek 208 – Two Little Boys 209 – Salty Dog 210 – Rosalie McFall 211 – Teardrops in My Eyes 212 – New River Train 213 – Love Please Come Home*** 214 – Make Me a Pallet on Your Floor 215 – John Hardy outro//
Source 1 (Set 1 Only): shnid: 35142
SBD->Cassette->CDR->TAE->SHN>flac sector aligned more likely line patch from pa system>MR>R>C>CD>DAE>
got this from the late grate tol (rip) removed non canonical headers and fixed sbes>flac this is derived from http://db.etree.org/shninfo_detail.php?shnid=20752
I’d seed the original shn’s but I’ve already seeded these flacs more than once, and don’t have the shn’s anymore rj Hythloday bob loy
Source 2 (Set 2 Only): shnid: 127499
Aud MR > ? > cass
Transferred at 24-bit, 96kHz and edited by Dan McDonald ([email protected]). I got this on cassette in the mid-1990s from someone whom I’ve forgotten the name of. He wrote in very tiny letters on purple post-it notes. If you are that person, please get in touch.
Transferred using the flat transfer method, using my converted Nakamichi BX1. Correct curve applied through DC9 (alpha). No noise reduction. This recording is in dual-channel mono. Gain-normalized to -1.0 dB. Converted to 16/44.1 using triple precision and triangular dithering. It’s a little hissy, but not bad. There was a gap between Sourwood Mountain and If I Lose, so songs could be missing.
Dan’s tape and The Black Mountain Boys:
This tape has been in circulation for years, but this is the first time it has been digitized and circulated.
The Black Mountain Boys formed in the fall of 1963. The original line up included Eric Thompson on guitar. According to a recent aricle by Eric, he states that he left for a stint on the east coast early in 1964. Eric was replaced by Sandy Rothman. In a few periods of banter on Dan’s tape you can hear Jerry/David referring to Sandy. With this information we know this tape was recorded after Eric left in 1964.
In another recent article, Sandy tells of he and Jerry going on a road trip in the spring and early summer of ’64 visiting various notable bluegrass artists. He may have been at the Union Grove Fiddler’s Convention over Easter weekend to at least listen to Doc Watson. A short time later he met David Grisman at a Bill Monore show in Pennsylvania. Jerry’s ultimate goal was to be hired to play in Bill Monroe’s band. I guess we should say, fortunately that didn’t work out and after the letdown the pair wound their way back west. Sandy states that upon their return to the Bay Area in the summer, the bluegrass scene had shifted and Jerry may have been unable to hook up with accomplished players and form a new band.Then again not being able to land job with Monroe, maybe he was ready to move on. It is also at this point that Jerry reconnected with Bob and met Pigpen. And it wasn’t long after they formed Mother McCrees Uptown Jug Champions. This little bit of history forces us to conclude Dan’s tape had to have been recorded during the late winter of 1964.
To this point there have been three fragments of shows performed by The Black Mountain Boys in general circulation. The first (17914) is dated 3/06/64. This source seems to include the entire first set of a show. However, Eric Thompson is on guitar. Sandy clearly has stated that he and Eric did not play together in the band. Therefore, it is almost certain this source should be dated in late 63 to very early in 64.
A second undated source from 1964 (35145) includes 4 tracks, 3 songs and some banter. This is a portion of the same recording as is on Dan’s tape. The recording on this source is of poorer quality than Dan’s and at this point we can religate it to the dustbin.
The third source (35142) is dated 3/07/64. There is nothing in the banter to suggest who is on guitar, but if you compare Sandy’s voice on Homestead on the Farm from Dan’s tape with the lead vocalist on Nine Pound Hammer from this source, there is little doubt that it is Sandy singing. While this source probably was recorded at the 3/7 show, there is nothing in the listening that can serve to confrim that. Howeve, we do know that this recording was pulled from the middle of a set and does not include any material found on Dan’s tape. The recording is sonically similar to Dan’s and may well be from the same master. Wihout evidence to the contrary, I think the listed 3/7 date is correct.
The songlist is as follows:
01 ..//..//Happy Birthday (Noah?)// 02 Nine Pound Hammer 03 Darling Aller Lee 04 Tuning 05 Ocean of Diamonds//
Dan’s tape dated 3/07/64 starts with a minute and a half of stage banter/tuning followed by a short selection of Sourwood Mountain. Dan states that there was a gap between Sourwood Mountain and the third track, If I Lose. From the banter at the beginning of the tape, it is clear the intial banter/tuning > Sourwood Mountain is the beginning of a second set.The band then introduces themselves in a joking manner in the banter following If I Lose. Makes sense they may reintoduce themsleves in this manner for the second set. What follows on Dan’s tape goes through to the end of the set where Jerry states they will be back in 20 minutes. That would have to be a third set.
Track listings for the show put the songs from the circulating 3/7 show (35142) after the songs on Dan’s 3/7 tape. I can find no evidence to support or dispute these listings. If the published track listings are accurate, that would mean these songs are from the third set.
Maybe 50 years old, but the sound is remarkable! enjoy!
Bill Proctor
TDIH: 3/23/1974 Cow Palace Daly City CA. The Wall of Sound officially debuts today. Also this is the first Scarlet and Cassidy 💀⚡️🔊
Bob Dylan 1989-06-06 Glasgow, Scotland
Download: FLAC/MP3
LB-4623
Taper: Not identified. Source: Audio disks from a low-gen source > (dBpowerAMP set to compression level 6) flac.
1 Subterranean Homesick Blues 2 Congratulations 3 Stuck Inside Of Mobile With The Memphis Blues Again 4 Ballad Of A Thin Man 5 Just Like A Woman 6 All Along The Watchtower 7 Barbara Allen (acoustic) 8 Mr. Tambourine Man (acoustic) 9 It Ain’t Me, Babe (acoustic) 10 Silvio 11 I Shall Be Released 12 Like A Rolling Stone 13 The Times They Are A-Changin’ (acoustic) 14 Knockin’ On Heaven’s Door (acoustic->electric) 15 Maggie’s Farm
The back of a 1991 Toons tee
Scotland Fog
photos by Skyler Brown
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