Beatle Peaks
One Nice Bug Per Day
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Today's Document

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PUT YOUR BEARD IN MY MOUTH

blake kathryn

❣ Chile in a Photography ❣
Mike Driver
RMH

Janaina Medeiros

JBB: An Artblog!
🪼
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almost home

祝日 / Permanent Vacation
he wasn't even looking at me and he found me
Jules of Nature

Origami Around
DEAR READER

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@eppysboys
Beatle Peaks
Brian ✨
let him move his bang so he can read that again 💫
Brian Epstein, early 60s
Beatles in Colour → Ringo in PATTERNS For @therealsaintscully
What am I supposed to be?
What am I supposed to do?
"Brian’s other companion was Rita Harris, a NEMS employee. She’d been at Great Charlotte Street several months when a deep friendship dropped into place at the company’s annual staff dinner-dance, Christmas 1959. He seems to have confided in her from the start: “He was not a very happy person. He was so lonely. He said no one was really happy but that one should aim to be reasonably content. He admitted he was a homosexual and talked about it frequently: it used to make him very depressed. He hated himself for it, and never remembered being any other way.”
The intimacy of Brian’s revelations—his need to confide, and hers to listen—stirred something. Love developed on both sides, though it wasn’t consummated. He spoke to Rita of his private life using the record-business term “new releases”—he once wrote saying, “The New Release has stopped selling. Trouble is that having sold quite well for quite a time, it’s difficult to clear away bad stock.” (This sounds like a longish relationship—Brian had precious few of these.)
Through staff appointments, Brian kept friends close by. Ray Standing, another Great Charlotte Street employee, saw a pattern: “I think there were nine blokes working at Nems at one time and only three of us were straight. The Walton Road shop was OK because that was his dad’s store, but when Brian opened up in town that’s when they started to flock in, so to speak. - Tune In, Mark Lewisohn
Can someone tell me what the hell he's holding in that picture
"Get the fries Paul, you'll need the energy for the coming days..."
beatles electroniques (1969), dir. jud yalkut & nam june paik [watch]
"BEATLES ELECTRONIQUES was shot in black-and-white from live broadcasts of the Beatles while Paik electromagnetically improvised distortions on the receiver, and also from videotaped material produced during a series of experiments with filming off the monitor of a Sony videotape recorder. The film is three minutes long and is accompanied by an electronic soundtrack by composer Ken Werner, called 'Four Loops,' derived from four electronically altered loops of Beatles sound material. The result is an eerie portrait of the Beatles not as pop stars but rather as entities that exist solely in the world of electronic media." — gene youngblood
"THE WHITE ALBUM" HAD BEEN RELEASED JUST ONE MONTH PRIOR -- SCHOOL OF '68.
PIC(S) INFO: Mega spotlight on John Lennon of English rock band THE BEATLES, speaking in support of the students and sacked staff at the Guildford School of Art sit-in/protest, when he and Yoko Ono visited the exhibition of staff work at a London gallery in Picadilly on December 30, 1968. 📸: John Walmsley.
EXTRA INFO: The photographer, John Walmsley, was a photography student at Guildford School of Art and photographed the student sit-in of 1968.
Source: www.redeye.org.uk/events/protest-guildford-school-art-sit-1968-and-life-documentary-photographer
john lenny
PAUL McCARTNEY — "Now what can be done for you? You broke it in two, y'know?" . . paulie if he was a disco elysium npc!! i don't know how to draw babies yet, so mary looks a little strange sorry!! :((
To klaus for his birthday 🥳🎂
lil art dump
hello ..
THE BEATLES FANART
George, Paul, Ringo and John
Evolution of John