rihmember this iconic moment when rihsus walked the runway (which wasn’t even planned) and she looked better than all the professional models
I think about this a lot.
when she coordinated the shoulder pop AND turned her heels on beat.

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JBB: An Artblog!
Mike Driver

@theartofmadeline
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❣ Chile in a Photography ❣

Kiana Khansmith
styofa doing anything
Show & Tell

roma★
Not today Justin
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let's talk about Bridgerton tea, my ask is open
he wasn't even looking at me and he found me
NASA
cherry valley forever
Today's Document

Origami Around
trying on a metaphor
PUT YOUR BEARD IN MY MOUTH

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@ernie--dingo
rihmember this iconic moment when rihsus walked the runway (which wasn’t even planned) and she looked better than all the professional models
I think about this a lot.
when she coordinated the shoulder pop AND turned her heels on beat.
The Silence Of Munich
The Films of David Lynch:
I had a dream. In fact, it was on the night I met you. In the dream, there was our world, and the world was dark because there weren’t any robins and the robins represented love. And for the longest time, there was this darkness. And all of a sudden, thousands of robins were set free and they flew down and brought this blinding light of love. And it seemed that love would make any difference, and it did. So, I guess it means that there is trouble until the robins come.
Blue Velvet // 1986
https://www.instagram.com/p/BJDi4CsAGE8/
photographs by BEATRICE HELMAN
Tableaux in Pride and Prejudice (2005)
Entering the town of Twin Peaks. Five miles south of the Canadian border, twelve miles west of the state line.
From the April 17, 1970 photo essay — Golden beaches and rich ruins greet travelers to an antique land - TURKEY. The original caption: “The postmaster of Kojakh has lunch beneath a golden medallion of Ataturk, the ever-present national hero. (Bill Ray—The LIFE Picture Collection/Getty Images) #1970s #Turkey
my aesthetic is that one scene in holes where sigourney weaver paints her nails with rattlesnake venom infused nail polish and claws jon voight in the face
Aren’t plants just amazing
And what of my wrath?
Tzu-Chi Yeh (Taiwanese, b. 1957), Fog in Taroko, 2008-09. Oil tempera on linen, 64 x 152.5 cm.