"I'm Dorothy Gale from Kansas"

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PUT YOUR BEARD IN MY MOUTH
occasionally subtle
Fai_Ryy
hello vonnie
Cosimo Galluzzi

@theartofmadeline
YOU ARE THE REASON
$LAYYYTER
Noah Kahan
Jules of Nature
art blog(derogatory)

Discoholic 🪩
we're not kids anymore.

bliss lane
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🩵 avery cochrane 🩵
taylor price
Lint Roller? I Barely Know Her

seen from Pakistan

seen from Italy
seen from Germany
seen from United States
seen from Türkiye

seen from Argentina

seen from Hungary
seen from United Kingdom

seen from Malaysia
seen from Mexico
seen from United States

seen from Türkiye

seen from Malaysia

seen from Malaysia

seen from Malaysia
seen from United States

seen from Finland
seen from United Kingdom

seen from United Kingdom

seen from Germany
@erotomanes
Afghanistan. Kim Landgraf: The photos of Afghanistan were taken by my father in the years 1968 to 1972 when he was living in Kabul with his young family.
Alexander McQueen
Weaving bamboo baskets, Japan, 1906
Master of the Legend of Saint Ursula - Virgin and Child at half-length, with a book (15th century)
Peter Alexander
Fresh as a Daisy
2019
urethane
77" × 50" × 2" (195.6 cm × 127 cm × 5.1 cm), 7 units, overall installed
Léon Bakst (Russian, 1866-1924), Costume Design for Vaslav Nijinsky as the Faun, from "L'Après-Midi d'un Faune", 1912. Graphite, tempera and/or watercolor, and gold paint on illustration board.
A rarely-seen trove of European drawings spanning 500 years will be on view at the Wadsworth Atheneum Museum of Art from January 16–April 27, 2025. Featuring works on paper from the 16thto the late 20th- centuries, Paper, Color, Line is a survey of great European artists showcasing 65 works, some of them on view for the very first time.
Courtesy Alain Truong
Interior of the Opstandingskerk (1955-56) in Amsterdam, the Netherlands, by Marius Duintjer
Spiral study 21. Ballpoint 10x8” A4
Danny Lane. Etruscan Chair, 1984
The Menacing Eye by Jeff Nuttall (in International Times, 01/1968).
“The more you throw black into a color, the more dreamy it gets…Black has depth. It’s like a little egress, you can go into it, and because it keeps continuing to be dark, the mind kicks in, and a lot of things that are going on there become manifest. And you start seeing what you’re afraid of. You start seeing what you love and it becomes like a dream.”
— David Lynch (via babyharleyquinn)
Tim Kent — Apparition (oil on canvas, 2022)