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Joyous - Jeanne Rosier Smith , 2026
American , b. 1966 -
Pastel , 42 x 27 in.
makeup by murilo for marina sena
By Heather Roblin, the Daphne and Apollo sterling silver ring set.
in a past life i was a keysmith
disorder.forge
Anita Ekberg's iconic dress in La Dolce Vita, designed by the Fontana sisters
La Dolce Vita (1960) — Federico Fellini
another day, another cafe visit
Lucrezia Panciatichi, 1540 by Agnolo Bronzini (Italian, 1503–1572)
‘angel of the gods’ by greg hildebrandt, 1981
The Sutherland Diamonds
The Sutherland Diamonds, comprising a necklace of twenty large old brilliant-cut diamonds in silver-topped gold collets with two extension lengths and a pair of earrings, are an extraordinary survival amongst British noble jewels: a magnificent and historic collection of diamonds that has been prominently worn at multiple coronations, adapted and reworked over time to suit changing fashions. They might so easily have been broken up were it not for their grandeur, heritage and alleged link with Marie Antoinette. Worn by successive Duchesses of Sutherland from the early Nineteenth Century onwards, the diamonds were the most striking family jewel in the celebrated receptions at Staffordshire House, the grandest town house in London until its sale by the 4th Duke of Sutherland in 1912. Recorded in paintings and film footage of coronations, they were worn by Harriet (1806-1868), wife of the 2nd Duke, and Mistress of the Robes to Queen Victoria, to the Queen’s coronation in 1838 as an enormous upright headband of diamonds. Millicent (1867-1955), wife of the 3rd Duke and Canopy Bearer at the Coronation of Edward VII and Alexandra in 1902 wore the diamonds as a tight choker with a line of diamonds extending down the front, very much in the style of a lavalière of the day. In 1937, Eileen (1891-1943), wife of the 5th Duke, wore them à la mode as a long necklace, or sautoir to the Coronation of George VI and Elizabeth. Tradition links the diamonds to the scandal that contributed to the downfall of Marie Antoinette – the so-called ‘Affair of the Diamond Necklace’. The French queen was implicated in this, one of the grandest jewellery scams in history, and although innocent, her reputation never truly recovered. The connection is unproven, but the size, beauty, and role these diamonds played in royal and aristocratic life in Britain place them among the most remarkable surviving noble jewels.
Currently on view at the Victoria & Albert South Kensington exhibit Marie Antoinette Style (Accession Number: M.10:1 to 3-2022)
Fairy Costume from The Nutcracker
Designed by Pierre Clayette for Opéra national de Paris
1965
Centre national du costume et de la scène (Accession Number: D-ONP-65CN003)
Virgo by Artem Chebokha
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Nafisa Abshir by Gustavo Chams for Paper Magazine July 2026