The climax of the red/blue racial coding in the movie Tron, directed by Steven Lisberger in 1982, was an attempt by Disney have a Star Wars Style “triuph”. In all essence the movie reaches climax when the characters Clu, Tron, and Yori defeat Master Control and blue beams are seen all over the world. This part of the movie is known for eradicating “otherness”, homogenization of the virtual environment, and making it safe for all of Hollywood's norms. Norms such as white middle-class people who are youthful, heterosexual, athletic, and patriarchal. Overall the scene in the movie that sealed these social norms into place was Tron and Yori’s kiss, which created a clean version of space that has been preserved for Eurocentric dominance. Some people even consider it a sanctuary of whiteness for the people in the late 20th century. Additionally in the movie The Wizard of Oz produced in 1939 threats inside a fantasy world make it safe for traditional nuclear families. This movie is another example of Disney creating social norms.In the end it was movies like Tron that caused people to look deeper into race presented by Disney. The movie caused viewers to think critically about race because of the social norms displayed in the popular film, like many others.













