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IX.II.IIXIXII |https://www.instagram.com/quotesxcodes/|

[paolo-streito-1264]

Alfred Eisenstaedt. Woman with children describe the paintings at the Toledo Museum of Art, Ohio, 1939.

[yasamasancisi]

[paolo-streito-1264]

Italy, 1960s, typical image of a still fragile post-war economy.

[egelim]

[feral-ballad]

Victoria Chang, from The Trees Witness Everything; “Love Letters”

[Text ID: “If you don’t forgive / yourself, / tomorrow will still / arrive. So you / might as well forgive / yourself.”]

[theworldatwar]

German soldiers use a house, adapted to encompass their trench to keep watch for any sign of enemy troop movements - exact location unknown, Aug 1914

[gitmesem]

[dimensionstomorrow-deactivated2]

Georg Baselitz

[mehmetglsc]

[1st-1]

[vikikollerova]

IX/21

with Anna

[paolo-streito-1264]

Vivian Maier, 1953.

[paolo-streito-1264]

Sabine Weiss. Marchande de frites. Paris, 1952.

[gifmovie]

[addicted-to-black]

[semioticapocalypse]

909BLN@Flickr. Vanish into waves. 2015

[::SemAp FB || SemAp::]

[elegyforadream]