Trying new styles... I’m so tired zzz #guildwars2 #asura #engineer #engi #holosmith #gw2 #myart
PUT YOUR BEARD IN MY MOUTH
i don't do bad sauce passes

JBB: An Artblog!
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
Game of Thrones Daily
styofa doing anything

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$LAYYYTER

★

祝日 / Permanent Vacation
he wasn't even looking at me and he found me
noise dept.
almost home
Three Goblin Art
trying on a metaphor
todays bird
dirt enthusiast
🪼
cherry valley forever
seen from United States
seen from Saudi Arabia
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seen from United Kingdom
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seen from Malaysia
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seen from France

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@ex-hale
Trying new styles... I’m so tired zzz #guildwars2 #asura #engineer #engi #holosmith #gw2 #myart
little flower dragons! you can get these as stickers here: https://etsy.me/2LKqTrx
Hannah Cardoso - https://www.linkedin.com/in/hannahcardoso/?locale=en_US - https://www.facebook.com/hannahcardoso - https://www.artstation.com/hannahcardoso - https://www.instagram.com/hannahcardoso - https://twitter.com/hannahcardoso - https://www.pinterest.es/hannahcardoso
Aleikats on Tumblr, Instagram and Patreon
See our ‘Artists on Tumblr’ tag
Woke up at 2am and couldn’t fall back asleep so I made a tutorial on the Photoshop techniques I use most frequently. Starting with the sketch:
adjustment layers: specifically the hue/saturation slider in this case, allows you to color correct quickly
lasso tool: for sharp edges!
alpha lock: useful for painting within a pre-defined area (especially useful when painting characters)
x (hotkey) : toggle between foreground + background colors- let’s you easily blend between 2 colors
ctrl/cmd click : quickly change current active layer. Especially useful if you’re burdened with too many layers (or just very disorganized)
clipping mask: similar to alpha lock, but can add details without changing/ painting directly on the previous layer. I often use them to test out + apply gradients.
layer styles: I didn’t use any in this image, but the possibilities for layer styles endless, from simply adding a quick outline (useful for die cut demarcations when making stickers!) to creating more seemingly complex appearances. Here’s a gif of Nick Carver using layer styles (a combo of drop shadows + inner shadows) to quickly make the illusion of snow but with simple strokes.
Here’s the link to the full snow clip! ending on this:
Eeveelutions
tiny songbird gryphons! these will be stickers & charms; i’m opening up a new shop. more info to come soon!
small
Oseoro - http://oseoro.tumblr.com - https://zgul-osr1113.deviantart.com - https://vimeo.com/oseoro - https://www.youtube.com/user/osro1113 - https://www.instagram.com/osro_o
Thought I’d post the final images from this video:
Shiny Mew #vector #mew #shinypokemon #shinymew #pokemon #sketchbookgraphic
Learning Vector
For a friend.
Some tips on painting from B&W to color
As promised! Using this last painting.
1. Tweak your levels
You do not want your darkest darks to be too low on the value scale: you will be colorizing shadows, and likely glazing over them to darken them. To avoid a muddy mess, make sure that the darkest darks on your HSV/HSB (hue-saturation-value) color sliders are at MOST a 9. Photoshop has a Levels feature that lets you do that quickly.
2. Start with a colored base
Sometimes I use a gradient map (which can color lights/mid values/shadows at once), but the idea is the same – you want to color on top of a picture that has NO grey in it. Pick a neutral color that’s closest to your shadows – for example, here I wanted to have a warmer skintone, so I made the shadows cool.
3. Glaze CAREFULLY
Here is an example of what not to do – do not pile adjustments layers on top of one another in hopes that some of them will give you a good result. Lower your opacity and learn what layer modes do! Overlay will hit your lights, Multiply will hit your shadows, and Hard Light (my favourite) will show up exactly like a colored light source would.
Slow down. This is kind of like glazing an oil painting. Pull down your saturation and leave the Jersey Shore orange for the last steps of a painting.
4. Turn on hue jitter
Real skin is transluscent and highly reactive to the environment it is in. If you look at any realist painting, you will see glazes and glazes and glazes of color packed into a single square inch of canvas. You can imitate this by playing with your brush’s HUE JITTER setting, which will make the color you pick jump around the color wheel a little. This is especially helpful when glazing shadows.
5. Use neutrals to unify your painting
Greys are great. Greys are AMAZING when you want skin to pop, and this is why the majority of classical portraiture sports a neutral background. I just went over the whole piece and punched a bit of grey-green into the background and shadows to “kill” the oversaturated color. The painting immediately started to come together.
6. Remember that this is not a coloring book
The great thing about digital painting is that your CANVAS is your palette – and this method allows you to build one. It helps establish major structures so you can focus on color and light, but chances are you will end up repainting large parts of it anyway. Don’t be afraid to!
custom renders by djthed
@250rads