Exit Gently

This space should take on a performativity of its own as a vessel that enacts, that seems to activate itself as a reflector not only of the work but also of the world in that moment.

[garadinervi]

François Morellet, Trames, (screenprint in black on white board), 1965 [The Art Institute of Chicago, Chicago, IL. © François Morellet]

[finalthought]

[diamondregime]

[garadinervi]

Vasilij Kandinskij, Etude pour Point et ligne sur plan, 1925 [Centre Pompidou, Paris. Photo: © Georges Meguerditchian/Centre Pompidou]

[bbblaughrefs]

[flyngdream]

[aimer-imaginer-penser]

tumblr_oh9azyFHkb1szm6mzo1_500

[ex-i-gent]

[pixel8or]

[searchsystem]

Lisa Keiffer & David Genco / Kalenner / Printed Matter / 2018

[ex-i-gent]

“The world is overloaded of signs and information, representative of things that nobody completely understands, because they are in turn nothing but signs representative of other signs. The real thing remains hidden. Nobody can ever see it.”

— Peter Zumthor (via inthenoosphere)

[ex-i-gent]

“Let us be eager to leave what is familiar for what is true.”

— Fran Chan (via psych-facts)

[knotiiii]

Indicative/ altered states

mixed media, paper. 135 gsm paper. 210x297mm

[noosphe-re]

“Faced with information overload, we have no alternative but pattern-recognition.”

— Marshall McLuhan, Counterblast

[amalgammaray]

Sebastian Hempel

[optical-disillusion]

[perrfectly]