ochre star
$LAYYYTER
ojovivo

blake kathryn
Xuebing Du
The Bowery Presents
One Nice Bug Per Day
Misplaced Lens Cap
EXPECTATIONS
Keni

pixel skylines
Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON
occasionally subtle
sheepfilms
Cosimo Galluzzi

#extradirty

Origami Around
Stranger Things
Today's Document
TVSTRANGERTHINGS
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seen from Honduras

seen from Honduras

seen from United States
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seen from United States
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@exalok
ochre star
Messing around in boats
okay which one of you put this in the heart chamber guys im serious
speaking of characteristics of old-growth forests, the cycles of great old trees living and dying create effects on the landscape that cannot be fully replicated once destroyed.
there are multiple ways for a tree to die, each with their own impacts on the ecosystem. Many trees die standing, becoming starkly bare pillars of standing deadwood with increasingly fewer branches and more sharply whitened surfaces as the bark falls off and the branches break, the smaller branches first and then the larger ones. Standing deadwood is vital for housing lots and lots of bird species and it also has an undeniable sexiness and charisma
Trees broken by wind, snapping off at some point up the trunk, are often hollow in the middle from heart rot fungi. I don't think the fungi actually kill the tree, since the center of the tree (the heartwood) is dead anyways, but they do structurally weaken it.
One of the most dramatic tree deaths is windthrow. This happens to large trees that are solid all the way through and not easily broken by the forces of wind; instead, the roots are wrenched violently out of the ground, creating a bowl-shaped hole in the ground with a huge mound of twisted tree roots standing 5 or 6 feet tall next to it.
The death of a tree by windthrow feels very sad, because the tree seemed to be thriving up until that point, but the effect on the ecosystem is very fascinating. The hole in the ground where the root ball was torn up creates a shaded, sheltered area, sometimes filling with water to become a small pool. The root ball itself, right next to it, becomes a tall pile of soil and decomposing wood.
When walking in the forest, I often notice strange mounds rising from the layer of leaf litter, covered in lush carpets of moss, like bustling moss metropolises rising out of lowlands that only have scattered moss towns. Elevated from the forest floor, the moss-hills do not become covered with leaf litter. In some cases, these distinctive moss-hills are still visibly connected to the fallen trunk of a windthrown tree; in other cases, the tree trunk has almost completely decayed, and only the mound created by the root ball remains.
I read once in an article that the creation of humps and valleys by the windthrown tree roots is characteristic of old growth forests. That is, the forest has existed so long, with trees living majestically and dying violently in it, that the ground is no longer a smooth plane, but humpy and bumpy and pitted and pooled from centuries of trees dying by windthrow.
My observations seem to agree that these windthrown-tree-humps have unique ecology, particularly in terms of their thriving moss colonies that remain even after the tree that originally died has rotted away. They would create a million little variations on light and moisture level, gathering leaf litter in some places and keeping it away from others. Variations create multiplying amounts of biodiversity due to the increased amount of niches to fill.
Not to mention that hills and valleys increase the total surface area of the forest floor, creating more forest per forest.
Then you've also got nurse stumps that go on to create a new tree or feed those around it with their still living roots, and the holes in the canopy allotted by a huge tree falling and blocking others from quickly coming up and allowing different sunlight loving species to move into the area. Fungus and lichen that only thrive on wood thats several centuries old, and the things that eat them or symbiotic plants theyd enable. The exposed seedbank that may go back centuries every time a tree falls and flings soil and light with its exposed roots.
AND I SLOWLY OPENED THE COFFIN… QUEEF
Long sword maiden. The sword is also wide but that is irrelevant.
This legitimately gave me the most undignified laugh.
“Commander Arcturus reporting back from Earth, sir.”
“Yes, Commander? Do you recommend initiating contact with them?”
“To be honest, I am torn on the issue.”
“Do explain.”
“As you know, they are mortal flesh containing a consciousness. But sir … their consciousnesses don’t pass on to a different flesh when the flesh dies.”
“Mmm, they return to one great consciousness, do they?”
“Nnnnnno, sir. There is no one great consciousness. They just *die*. They’re just gone.”
“BUH — WHA — well that’s preposterous, where do they get the new consciousness from?”
“They make a new one. A brand new one. Every time a new human is conceived, they build a new consciousness, and every time a human dies, that consciousness is gone forever. … … … Sir?”
“How do they have any kind of body of knowledge, then? … … … Well that seems incredibly inefficient, it would take years for one of them to learn enough to be able to do anything! But if you say this is how they do it … My stars, man, that means they would be *aware* that they had an expiration date! It means they would know the *new consciousnesses they made* would inevitably die!”
“Yes sir. Mortality weighs heavily upon them.”
“To think such a time-limited species could become intelligent and not any of the normal ones on this planet.”
“Ummmmm. All life on that planet is the same way.”
“… … … I am tempted to simply mark it down as the saddest goddamn thing in the entire universe and move on.”
“Thank you, sir, yes, I agree.”
“Why the thank you?”
“Frankly, I don’t think I could stand to go back. I … made a friend, you see.”
bigs my eyes
bigs my eyes at you
bigs my beautious my gorgeous eyeballs
dunwall's most wanted
Domme pro tip:
Most people take a gag as permission to be loud. Either because they take it as a challenge "try to silence me, I'll show you" or because they think it's going to muffle noise so they're free to be noisy. They'll be unintelligible of course but they will make all types of pretty noises.
On the other hand a blindfold makes most people quiet. They still want to have situational awareness, they still want to track your movements, so they focus on their hearing and stop making sounds that would make it harder to hear you.
Domme pro tip:
Most people use breathing to regulate emotions and manage pain. Deep consistent breaths, in through the nose and out through the mouth. You can take advantage of this by either blocking their nose or mouth or by interrupting their breathing with will timed stimuli. Suddenly your high pain tolerance sub becomes a wimp, your composed and mature sub becomes a panicky baby
Domme pro tip:
Like in horror movies tension is important in scenes. You might think that to make your scene really intense you have to be serious the entire time but what you'll find actually happens is you wind the tension up to a certain point and then can't get it any higher and the scene becomes stale. But if you let yourself relax, loosen up, and make a few well timed jokes breaking the tension a little you can then wind it up again and make it more tense than you could previously.
Domme pro tip:
Expectation is an incredibly powerful tool you can make use of. People like patterns, people like predictability, they like knowing what's going to happen. So make rules and follow them, make patterns and keep to them, be predictable and your sub will feel safe and comfortable with you, they will trust you more if they know what you're going to do and how you're going to react.
And if you know what someone is expecting you can functionally read their mind, better than that you can control their mind, you don't just know the thoughts they're having you put them their. Plus now you have all of these opportunities to create wonderfully strong emotions and reactions by going against their expectation. Don't do this too frequently or you'll ruin both their feeling of safety and the effect this has but keep it in your back pocket and use it with precision.
Domme pro tip:
Your sub wants to impress you, they want you to be proud of them. So when they're approaching their limit if you point that out to them ("OK darling I think that's just about all you can take") they will try to convince you they're not ("no please I can take more for you please") and if you give them an opening to do so ("are you sure?") they will jump at the chance to impress you. Follow this up with praise so they know they did a good job. This will leave them feeling satisfied and proud of themselves in a way that reaching their limit and having to tell you they've had enough won't. If you're careful you can use this to gently push their limits and comfort zone so you can both experience more intense sessions in the future
Now you tell me some:
FINISHED!!! have ganon and link as kronberg's "David and Saul' piece :)
i have literally never played a zelda game btw i think i got possessed by a ghost to do this
I don't want to be overly dramatic and overly negative about the AI translations I've been working with. They are bad, yes, but I don't want to overstate their badness because that would obscure the specific points I'm making. Some AI translations, the best AI translations, are not that bad. Some of them are still bad to the point of being unusable, but others are better. They're not good, but they're mostly serviceable, and it's extremely impressive that a machine can come up with something serviceable, something comparable to the work of a very mediocre human translator.
A client who hires a subpar translator who accepts being underpaid, in order to avoid paying professional rates for a professional, is getting subpar work. A client who uses AI to get work cheap and fast is getting worse than subpar work. But AI is getting better, it might soon be at the point where laymen can't tell the difference, and then, using AI instead of paying a human will mostly be a labour rights issue, and that's a far thornier question. (Note that I'm not talking about using AI translators to read something for yourself, or to communicate in your daily life: I'm talking about AI translation for publication, using AI for something you expect other people to pay money for.)
My actual point about AI translation is that even when it's fairly good, when it makes few errors and conveys the message intelligibly, it lacks something. I'm not talking about heart and soul here, nothing to do with some intangible human quality: I'm talking about specificity. AI works with great averages, and so it automatically irons out nuance. If you write something unusual, AI will assume it's an error, instead of an intentionally unusual statement. This is regression to the mean, and based on the texts I'm working with, it's an Anglophone, American mean. If you say something that's true of 1980s Hungary, it might slightly alter the sentence to "make sense" for 1980s US. Some alterations are factual, these are more serious errors but also easier to edit out. But other things are harder to catch, slight shifts in tone and valence, an erasure of the original, specific, non-American perspective, and the end result is a text that doesn't have anything wrong with it, but is markedly simpler and dumber than it should be. And flattening complex, knotty, peripheral perspectives into something closer to a monoculture is, in the long term, intellectually devastating.
i don't know how i feel about seeing this much of piero's naked skin
can’t believe i forgot to post the single best piece of graffiti ive ever seen