Exhibit Art

[heaveninawildflower]

'Mallows in a Vase' (1895) by Henri Fantin-Latour (1836–1904).

Oil on canvas.

Norton Simon Museum.

Wikimedia.

[oldpaintings]

The Nun of Monza, 1865 by Mosè Bianchi (Italian, 1840--1904)

[oldpaintings]

The Antiquary Shop, 1879 by William Merritt Chase (American, 1849–1916)

[an-elegant-reflection]

George Spencer Watson

[beammeupplease]

Tannenwald, Spruce Forest

Klimt

[beammeupplease]

The Apache's Supper

Louis Legrand

[classicalcanvas]

Cliffs of Varengeville, Gust of Wind (1881) by Claude Monet

[classicalcanvas]

Landscape on the Ile Saint-Martin (1881) by Claude Monet

[classicalcanvas]

The Pond at Montgeron (1876) by Claude Monet

[classicalcanvas]

Meadow with Poplars (1875) by Claude Monet

[classicalcanvas]

Lilac Irises (1917) by Claude Monet

[classicalcanvas]

The Seine at Vetheuil (1879) by Claude Monet

[classicalcanvas]

Frost (1875) by Claude Monet

[classicalcanvas]

The Promenade, Woman with a Parasol (1875) by Claude Monet

[urgetocreate]

Oil on canvas

[venustapolis]

Fantastical ruins with a pastoral scene (Jean-François Depelchin, c. 1800)

[oldartss]

The Butterfly by Robert Fowler (1850 – 1926)

[random-brushstrokes]

Edgar Degas - Sulking (ca. 1870)

Two well-known personalities in the art world, the writer Edmond Duranty and model Emma Dobigny, posed for this early genre scene by Degas, set in an office, possibly a small bank. From the faithfully copied British racing print to the stylishly attired female protagonist, it recalls the work of fellow artist James Tissot. Yet for all the exacting detail, the subject of this picture remains elusive. The model’s elegant visiting dress, curiously worn without a hat, and the informality of her pose may suggest a familial or intimate relationship, but Degas offers faint clue as to the cause of his "sulking." (source)