EYEGIENE

me Welcome! You've landed in the delirious realm of Eyegiene -- an electric, virtual, semiotic visual cultural studies gallery archiving materials for Eyegiene: Permutations of Subjectivity in the Televisual Age of Sex and Race, a book in its late stages of development for the University of Texas Press. Also, sometimes appearing here, you can expect retro-flashback postings that resonate with Tex[t]-Mex, my first book, and Talking #BrownTV. Other curious sources of semiotic intrigue here, here, and here.

[caption-journal]

The Black Photographers Who Exposed My Own Brainwashing

An exhibition at The Getty gave me the peculiar feeling of peeking behind a curtain in my own house and discovering new things about a topic

[eyegiene]

James Stuart is railing against boring design with techniques inspired by the spirit of Arabic hardcore music

From reconfigured American flags to decimated collages, James Stuart is a graphic designer, filmmaker and musician whose work has the riotou

[eyegiene]

Photographing the Afterlives and Second Acts of America's Movie Palaces

Matt Lambros is inspired by abandoned theaters—and their potential for revival.

[mannymuc]

The Doors- Third on the bill in San Francisco, behind The Young Rascals and Sopwith Camel in January 1967.

Their first album and first single "Break On Through" were released just this month and the band was still hardly known outside the Los Angeles area.

[cosmonautroger]

[cosmonautroger]

[garadinervi]

Consolidated, Friendly Fa$cism, (Vinyl/LP), NET 033, Nettwerk Europe, 1991 [Covet The Cover]

Artwork (Illustrations and Sleeve Design): William Dickson II

[garadinervi]

Jonida Prifti, Patrizia Vicinelli. Poesia arte azione, Metilene, Pistoia, 2026 [Art: © Patrizia Vicinelli. Courtesy Archivio Patrizia Vicinelli]

Interview with: Nanni Balestrini, Laura Cuccoli, Maurizio Spatola, Daniela Rossi, Niva Lorenzini, Paolo Fresu Afterword: Francesco Muzzioli

[garadinervi]

Jean Robert – Käti Robert-Durrer / Robert & Durrer, Das Leben ein Sport. Jules Decrauzat – Pionier der Fotoreportage, Fotostiftung Schweiz, Winterthur, May 30 – October 11, 2015 [Museum für Gestaltung Zürich. Image Source: Keystone AG, Zürich]

[garadinervi]

Kraftwerk, Computer World, (Vinyl/LP), 1A 062-64370, EMI, 1981 [Covet The Cover]

Inner Sleeve Artwork: Emil Schult Photography: Günter Fröhling

[garadinervi]

Join Us, Feminist Collages NYC [Published online on April 21, 2026]

[garadinervi]

VALIE EXPORT (1940-2026)

♥

(image: VALIE EXPORT, Adjungierte Dislokationen, 1973. Art Basel. © VALIE EXPORT, Bildrecht, Wien. Courtesy of VALIE EXPORT)

↗ VALIE EXPORT Foundation

[garadinervi]

Herman Melville, (1851), Moby Dick, of De witte walvisch, Querido, Amsterdam, 1929 [Delpher, KB – Koninklijke Bibliotheek, nationale bibliotheek, Den Haag]

(via Amsterdam Typography, Newsletter #20, February 28, 2026)

[garadinervi]

Edward W. Said, (1993), Cultura e imperialismo. Letteratura e consenso nel progetto coloniale dell'Occidente, Foreword by Joseph A. Buttigieg, Afterword by Giorgio Baratta, Translation by Stefano Chiarini and Anna Tagliavini, «Orienti» 14, Gamberetti Editrice, Roma, 1998

[garadinervi]

«Translation» – The Journal of Literary Translation, Volume X, Spring 1983, Edited by Helen Wolff, Columbia University, New York, NY, 1983 [Between the Covers, Gloucester City, NJ]

Contributors: Marie Luise Kaschnitz, Günter Eich, Rolf Dieter Brinkmann, Horst Bienek, Günter Kunert, Ingeborg Bachmann, Jorge Luis Borges, Julio Cortázar, and others

[nevver]

Weekend plans, Rob Hann

[nevver]

Make it socially unacceptable to point the tech companies’ cameras at your face, BanRay.eu