Owl in trees, Stag among leaves, To the Wild One, Spare us, we plead
noise dept.

Product Placement
Misplaced Lens Cap
occasionally subtle

izzy's playlists!

if i look back, i am lost
untitled
KIROKAZE
"I'm Dorothy Gale from Kansas"

oozey mess

@theartofmadeline
macklin celebrini has autism
Sweet Seals For You, Always

tannertan36
taylor price
The Bowery Presents

blake kathryn
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official daine visual archive
Aqua Utopia|海の底で記憶を紡ぐ
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@facesofdivinity-archive
Owl in trees, Stag among leaves, To the Wild One, Spare us, we plead
All Spirits Prayer
Praise be to The King and The Queen, The Hunter and The Mystic, The Healer and The Hearthtender, The Rebel and The Reveler, The Lover and The Guardian. I pray for your wisdom and justice, your cunning and insight, your healing and hospitality, your motivation and inspiration, your love and protection. Praise be to The Divine, That Which Is Most High, and Sees Over All. I pray for your guidance in all things, Set me upon a kind and righteous path. So may it be.
Ophelia by Photographer Ekaterina Belinskaya
8 27 14
my favorite bby bird
#i’m more than fairly sure that i’ve seen this post tagged ‘jesus and judas’ and really is there anything more accurate than that
Skull Lady | Gerard Smith.
I’ll run to you.
How to roll up your shirt sleeves
Beth Cavener Stichter (featured in Hi-Fructose Vol. 16) caught our attention with her raw sculptural style. The artist forms animals by hollowing out blocks of clay, giving her subjects a raw, unrefined appearance as if they sprang from the material itself. In her latest body of work for her second solo show at Claire Oliver Gallery, “Come Undone,” Cavener Stichter refined her aesthetic, creating animal sculptures that are more stylized with deep grooves and glazed with different shades of gray — a departure from her minimally embellished work from the past. Take a look at a few images from “Come Undone,” which opens September 13 at Claire Oliver in New York City.
The kiss of death.
This astonishing sculpture forms part of Barcelona’s Poblenou Cemetery. The Kiss of Death (El Petó de la Mort in Catalan and El beso de la muerte in Spanish) dates back to 1930. A winged skeleton bestows a kiss on the lips of a handsome young man: is it ecstasy on his face or resignation? Little wonder the sculpture elicits strong and varying responses from whoever gazes upon it.
TRUTH.