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Instead of "Looked"!!
yeji bubble update
I have my eyes closed in the last photo but my makeup looked so good so I’m sending it
an rp guide to making drafts more fun and less stressful
if you’re like me you tend to stockpile replies like you’re preparing for the apocalypse, and there are times when i look at that large number (across multiple blogs whoops) and wonder WHAT THE FUCK HAVE I DONE I WILL NEVER DO ALL OF THESE.
BUT FEAR NOT. i have compiled a list of tips i’ve gathered over my 13+ years of rping that have made chugging out responses as stress free and fun as possible. take them or leave them, i hope you find some use in it!
1. never ever EVER EVER give yourself a “due-date” DON’T DO IT. PLEASE DON’T. I MEAN IT. you can set a goal, that’s awesome. say, ‘hey! i want to get x amount of drafts done today’, but don’t ever tell yourself you HAVE to. this is a hobby, for FUN. when you go into your drafts with a due-date, you go into your drafts with initial stress and if you don’t meet your self-determined quota you’re going to feel bad and you should never feel bad when you write for fun. when you sit down to do drafts just tell yourself, i’m gonna work on these today and see where i get. as long as the only concrete goal you give yourself is to try, then you’re already on the right track!
2. first thoughts, jot them down! when you go to draft your posts/like it/save it/whatever you do to keep track of your drafts, you should try to jot down a few “first thoughts” before you do so. this is just something i do personally, it’s always helped me out. when i get a reply from my partner, before i go to draft it, i make some bullet points where i would respond; my muses initial internal reaction, possible dialogue, and my muses initial external response. even if you come back to it a week later and take a gander at the reply in your drafts, you can gloss over what you wrote down to try and bring some inspiration back for the reply. you can change your mind, keep it the same, whatever. it just helps brings you back to how you first responded to the reply and spark some creativity.
3. respond in the order you want to, not the order received this isn’t a job at the local diner, you don’t have to rotate drafts like FIFO (first in first out.) your reply isn’t going to ‘spoil’ the longer you have it in your drafts. if one draft jumps out at you more than the other, DO THAT ONE. your rp partner will (they should) understand muses can be fickle and you have preferences. when you force yourself to do a draft, it tends to come out less than stellar, or not like you wanted, and you’ll just frustrate yourself further.
4. when you DO decide to sit down and write drafts, get comfy! listen to music? like white noise? need some generic background noise? put that shit on! even if you’re responding mobile in class (shame on you) or at home naked in your bedroom, try to make yourself as comfortable as possible. me? i prefer silence or soft ambient music in the privacy of my room, but that’s just a preference. i tend to write better when i feel the most comfortable.
5. TALK TO YOUR RP PARTNERS!!!! trust me i doubt they are going to mind if you head into their im/skype/inbox/whatever and ask questions you have as they come along. if there’s something in their reply you want clarified to help you in yours, ASK! even if there’s no question, i highly encourage you talk to who you’re writing with, especially for longer, more plotted threads; it’s no secret that you tend to write better with people you know/get along with. ask them to chat about their muse in that specific setting, maybe talk over a couple possibilities in the near future, get some inspiration just by chatting. i understand for some of us, talking with others we don’t know is a daunting task, but just try to remember we’re all here for the same reason; we want to write, and have fun, and be creative. the worst thing someone can say to you when you ask for feedback or input is ‘no’, and tbh if they say that then i think you’ve dodged a bullet lmfao
6. PRAISE YOURSELF for the love of god don’t be ashamed to say HEY I DID ONE DRAFT TODAY GO ME. even if its one out of 100, you still DID IT and that’s AWESOME! the more you congratulate yourself and the more you believe in what you create, the easier creating more will be.
7. don’t be afraid to back out of some things this one is the hardest for me to follow, because i love everyone i write with and i tend to not want to let go of threads. but if there’s that one draft you constantly look at every time you try to get some done and it just makes you sad because you’re not sure, you’re never sure how to respond, maybe it’s time to move along. that feeling effects your overall mood and tends to make writing for other drafts more difficult. DO NOT FEEL BAD WHEN YOU DO THIS, DON’T YOU DARE. think of it more as…putting it aside for the time being. you can always revisit that particular plot/scenario at a later date, and your rp partner will understand. if they don’t, if they pressure you to keep a draft that only proceeds to upset you when you go into your drafts, you do not need to write with them. repeat after me, my lovely creative nuggets, you do not owe anyone anything. you don’t. i repeat, THIS IS FOR FUN. this is a hobby. you are not getting paid and unless your rp partner is paying you by the word, do not let them control what you reply to and when.
8. don’t be afraid to start NEW things don’t punish yourself. i see it all the time, people joke about having too many drafts and yet they do starter calls, reblogs memes, whathaveyou. THATS OK STOP FEELING BAD ABOUT IT! if you need some creative juices flowing, and your drafts don’t look appealing, then reblog that meme! ask for some starters! as long as you keep writing, inspiration will find you in time, i promise.
9. HAVE FUN. i’ve said it like 89745974 times but i cannot stress it enough. rping is for fun. it should always make you feel better, not worse. if it takes you two days to do 20 drafts, or two weeks to do 1, that’s ok. the more you worry about ‘losing followers’ or interest in your muse, the more stressed youre going to make yourself which in turn makes focusing harder which makes writing harder and then your drafts contiue to sit even longer. it’s a vicious cycle we all fall into sometimes, and that’s ok. just because you’re stressing about it doesn’t mean you’re terrible, we all do. just TRY to recognize the signs when you’re doing it, and pep yourself up. talk to someone. maybe just chat about your muse with a friend if you can. if you get drafts done by the end of the day, great! if you don’t, you don’t, and that’s ok too.
being obsessed with your own oc is so awesome because everything you say is right. no headcanons we die like men
making aus for ocs are so funny cause like. theyre already in a situation… but what if they were in a DIFFERENT situation
Your character doesn't need to be likeable. They need to be legible. The reader needs to understand every decision they make even when it's wrong, even when it's ugly, even when they want to shake them. Likeable is easy and forgettable. Legible is what makes someone stay with you for years. Make the logic of every bad choice visible. The reader doesn't have to agree with it. They just have to follow it.
How People Occupy Space (Body Language)
˙⋆✮ Leaning in slightly when genuinely interested without realizing it
˙⋆✮ The way someone physically turns their body away mid-conversation
˙⋆✮ Crossing arms not out of coldness but because it feels safer
˙⋆✮ That one person who always finds the wall to stand against at parties
˙⋆✮ Mirroring someone's posture when comfortable with them
˙⋆✮ The slow backward step when a conversation goes on too long
˙⋆✮ Tilting the head when something doesn't add up
˙⋆✮ Sitting on the very edge of a chair when ready to leave
˙⋆✮ The way someone's feet point toward whoever they actually like in a group
˙⋆✮ Leaning back and crossing ankles to signal comfort and ownership of space
˙⋆✮ The unconscious open-palm gesture when telling the truth
˙⋆✮ Standing slightly outside the circle and never fully entering it
˙⋆✮ The way someone physically shrinks in a loud argument
˙⋆✮ Turning the whole body to listen rather than just the head
˙⋆✮ That very specific stillness that means someone is about to cry
˙⋆✮ Raising shoulders toward ears when stressed without knowing it
˙⋆✮ The way laughter changes someone's whole skeleton
˙⋆✮ Touching the face when lying or searching for an answer
˙⋆✮ The shift in weight from foot to foot when bored
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Newport doesn’t ask who you are, but what you’re willing to do. One city. No referees. Pick your side, build your name, and remember the code on the streets is unforgiving. Step in. Stack up. The city is watching.
LITERATE • OC • INTERACTIVE • DYSTOPIAN • CITY • COMMUNITIES
the reality of being a writer
Especially the last one!
Enemies to lovers Prompts #2!!!
⟢ "I don't like you." — "You're very warm for someone who doesn't like me." — "It's cold." — "It's July." — "I run cold." — "You're holding my hand." — "For warmth." — "Okay." — "Okay." — "You can keep doing it." — "I know."
⟢ "Stop being nice to me." — "Why." — "Because I don't know what to do with it." — "You could try accepting it." — "That sounds fake." — "Or you could keep glaring at me while I make you tea." — "...the second one."
⟢ "I saved your life." — "I didn't ask you to." — "You were about to die." — "Dramatically." — "What." — "I was going to die very dramatically and you interrupted it."
⟢ "You're smiling." — "I'm not." — "You are." — "My face does things without my permission." — "What kind of things." — "Involuntary things. When you're being—" — "Being what." — "Don't make me say it." — "I'm going to make you say it." — "...funny. When you're being funny." — "Interesting." — "Shut up."
⟢ "I thought about you." — "In a bad way." — "Obviously in a bad way." — "Good." — "Not exclusively in a bad way." — "...oh." — "Don't make it weird." — "I'm not making it weird." — "You're smiling." — "I'm allowed to smile."
⟢ "Why do you keep showing up." — "Why do you keep letting me in." — "..." — "Yeah. That's what I thought."
⟢ "I don't want to fight anymore." — "We're not fighting." — "We're always fighting." — "Maybe I'm tired of it too." — "What does that mean." — "I think you know what it means." — "Say it." — "Not yet." — "Then when." — "When you stop looking at me like you're waiting for me to disappoint you."
⟢ "You're different when no one's watching." — "So are you." — "I know. I think that's the problem." — "Why is that a problem." — "Because I like who you are when no one's watching and I don't know what to do about that."
TIPS FOR WRITING GRIEF (AGAIN)!!!
⟢ ⟢ ⟢ LONG POST!!! ⟢ ⟢ ⟢
⋆˙⟡ Grief is not sad all the time and that will mess your character up more than the sadness does. There are going to be hours where your grieving character forgets. Where they're laughing at something stupid on their phone or annoyed about traffic or genuinely hungry and thinking about what they want for lunch and then it comes back and the forgetting makes it WORSE. The return of it after a moment of normal is its own specific violence. It feels like betrayal. Or it feels like proof that you're not grieving right, that you didn't love them enough to remember every second. Writers keep their grieving characters sad in every scene because it reads as respectful and consistent and it is WRONG. The grief that ambushes you in the cereal aisle is realer than the grief you perform at the funeral.
⋆˙⟡ THE STUFF!!! nobody talks about the stuff. Someone dies and suddenly there is a BODY and there are OBJECTS and both of these things require immediate logistical decisions that do not pause for your feelings. What do you do with their half-finished cup of tea. Their reading glasses on the nightstand. Their voicemails still on your phone. Their shampoo in the shower that you cannot bring yourself to use but also cannot throw away so it just. Sits there. Getting lower somehow. Did someone use it. Did you use it without noticing???? the material reality of someone's absence is brutal and specific and most grief writing floats above it in abstraction like feelings are the main event. The feelings ARE happening inside a body that is standing in a house full of objects and that matters. SO WRITE THE OBJECTS.
⋆˙⟡ Grief makes people act completely out of character and everyone around them handles that badly. Your character might get mean. Might get inappropriately funny. Might make a terrible financial decision or sleep with someone they shouldn't or stop showering or clean the entire house at 3am for the fourth time this week. Drief does not make people into better, softer, wiser versions of themselves on any reliable schedule. Sometimes it makes them into someone they don't recognize and that is terrifying on top of everything else. Snd the people around them (friends, family, whoever) they want the grief to be legible. They want it to look like grief is supposed to look so they know what to do. When it doesn't look right they get uncomfortable and then they get scarce and then your grieving character is also somehow dealing with the secondary loss of people who couldn't handle it. which is its own thing.
⋆˙⟡ Someone died and your character didn't like them very much. Or loved them and also resented them. Or is relieved and then immediately guilty about the relief. Or is grieving someone who hurt them, someone with whom things were unfinished in a way that can never be finished now, someone who they had been estranged from, someone who they were about to reconcile with, someone who they had been slowly losing for years before the actual death so the death was almost anticlimactic except that it closes the door in a way that slow losing doesn't. Grief for a complicated person is complicated. You grieve who you wished they were alongside who they actually were. You grieve the relationship you deserved and didn't get. None of this is clean. None of this resolves. Stop writing grief like the person who died was beloved and simple. MOST PEOPLE ARE NOT SIMPLE.
⋆˙⟡ The body keeps doing its thing and that's horrifying. You know what happens the week someone close to you dies? you get hungry. You get tired. You wake up at the normal time. Your body does not know. It has not been informed. It wants breakfast and it wants to stretch and at some point it is going to want things you feel like you have no right to want right now. The physical continuation of your own life in the immediate aftermath of loss is one of the stranger things a human being has to experience and almost nobody writes it. Your character needs to eat. They need to sleep. Their back hurts. They have a headache that won't quit because they've been crying and dehydrated for four days. They are a body doing body things in the middle of the worst thing that has ever happened to them and those two realities exist at the same time with no resolution.
⋆˙⟡ Anniversaries and dates are only half the ambush. the random Friday is the other half. Everyone knows about the first birthday without them. The first holiday. The one year mark. Those dates are braced for. Your character knows they're coming and steels themselves and sometimes that even works. What nobody warns you about is the random Tuesday in March that isn't any significant date at all except that something small happens: the light is a certain way, a song comes on, they see someone wearing the same jacket, and it is somehow worse than the anniversary was. Grief has terrible aim. it does not respect the calendar you've organized it into. it goes quiet for weeks and then destroys you on an unremarkable Wednesday because you drove past a gas station you used to stop at together. Write the random Tuesday. it's realer than the anniversary scene and it will devastate people who know.
⋆˙⟡ People say insane things to grieving people and the grieving person has to just stand there and take it. They're in a better place. Everything happens for a reason. i know exactly how you feel, when my dog died--and your character cannot say anything because this person means well and grief has a strange etiquette where the bereaved is somehow responsible for managing the comfort of everyone who comes to comfort them. The grieving person ends up performing okayness for the people who came to check on them. Ends up reassuring people. Ends up saying thank you for coming when what they want is for everyone to leave and also for no one to ever leave. This role reversal is so common and so rarely written and it is one of the most exhausting parts of early grief. Your character is drowning and spending energy making sure everyone else feels good about the life jacket they brought.
⋆˙⟡ The person who died keeps getting fixed in time while everyone else moves. This one is strange and i don't see it written enough. Your character ages. Changes. Has experiences. Develops opinions. And the person they lost stays exactly the same age they were, exactly the person they were, forever. Which means the gap between who your character is now and who the person was gets wider as time passes. You become someone they never knew. You have thoughts you can't tell them. You reach an age they never reached. Eventually you outlive them. You are older than they ever got to be. And the version of them in your memory is younger than you now. The relationship you carry continues to evolve even though only one of you is still here to evolve it. That is bizarre and sad and completely human and almost nobody writes it. WHY??? :///
⋆˙⟡ Sometimes grief makes people feel closer to the person they lost than they did when they were alive. This sounds counterintuitive but it is real. You finally understand them. You find the journals, the letters, the things people tell you at the funeral that you never knew. You have time to think about them with a clarity that the busy mess of being in relationship with a living person doesn't allow. You miss them in a way that is also a kind of intimacy. The relationship after death is one-sided and strange and ongoing and real. Some people feel the presence of the dead vividly for years. Some people talk to them. Some people make decisions based on what they think the person would have wanted. it's just the relationship continuing in the only form it still can. And it can be written seriously, without irony, without it being a sign that the character is unwell.
TUMBLR UPDATE
Our poll has officially closed and Tumblr made the cut! Newport will be transitioning our systems over to the Tumblr platform full time, and we have some updates on what will be changing, and about applications moving forward.
Most of our pages will be getting an overhaul, some more so than others to reflect the changes being made as we transition platforms. But here's a running list of changes and additions we will be implementing before we announce a re-open for applications.
We will no longer be accepting reservations for face claims or gang roles. You will need to search the masterlist for taken face claims, names and roles.
Characters will need to have and apply with their own Tumblr blog. We will also be utilizing Tumblr's communities for posting. More information about communities will be on the updated rules page.
Previously only the Riverside Vipers were available to join before launch, with a slower roll out for the others as the population grew and the plot advanced. Upon discussion, we have decided to open all gangs for application before we open. The gangs page will have corresponding available roles listed for each crew.
All gang roles were previously capped, except for crew members. All gang roles will now have caps on the number of characters per role. This is to help with potential heavy skewing of members per gang. Gang roles are first come, first served. Gang leaders will remain NPC's and are not playable.
With these changes, we decided that all previous applicants will have to re-submit a new application. Information about the new application process will be on the updated apply page.
— Newport Admin Team
Took me years to understand that boredom is not the enemy of writing. It is the raw material. Every good idea i have ever had arrived during a walk with no podcast, a train with no phone, a shower where i just stood there. The moment i fill every silence with content i stop generating anything of my own. I am just processing other people's thoughts instead of having mine. The empty space is where the work comes from. Protecting the empty space is the actual job.