dismiss who dismisses you

cassidy | 27

[aronofskie]

Safe (1995) dir. Todd Haynes

[dongkelley]

wasp (andrea arnold, 2003)

[freshmoviequotes]

Paterson (2016)

[memoryslandscape-deactivated202]

“What did they say the first time they were alone together in the same room? What did he say when she had removed her veil and he could see that she was not a voice but a body and therefore finite? What did she say when she discovered that she had left one locked room for another? They talked of love, naturally, though that did not keep them busy forever.”

Margaret Atwood, from “Marrying the Hangman,” True Stories (Simon & Schuster, 1982)

[hillergoodspeed]

based on a true story

[forever90s]

[hey-i-have-those-pants]

I have literally said this before

[andreii-tarkovsky]

I’m sorry I’m not with you tonight. My absence is out of respect for the people of my country and those of other six nations whom have been disrespected by the inhuman law that bans entry of immigrants to the U.S., dividing the world into the “us and our enemies” categories, creates fear. A deceitful justification for aggression and war. These wars prevent democracy and human rights in countries which have themselves been victims of aggression. Filmmakers can turn their cameras to capture shared human qualities break stereotypes of various nationalities and religions. They create empathy between us and others. An empathy which we need today more than ever.

Asghar Farhadi’s oscar acceptance speech.  (via andreii-tarkovsky)

[ghostclvb]

the breakfast club; 1985

[artfilmfan]

[cine-mashit]

Moonlight (2016, Barry Jenkins)

[filmandimage]

1984 | PARIS, TEXAS | Wim Wenders

[lucreciamartel]

American Honey (Andrea Arnold, 2016)

[folms]

Eszter Balint in Jim Jarmusch’s Stranger than Paradise

[quadriceps-deactivated20171230]

what’s the mood for tuesday

[xenosaga]

[seijun-suzuki]

The Killers (dir. Robert Siodmak – 1946)

[riotsnotdiets]

[kit-harington]

[zaddysgirl]

mood