Safe (1995) dir. Todd Haynes
todays bird
Keni
let's talk about Bridgerton tea, my ask is open
🪼

Product Placement
tumblr dot com

Kiana Khansmith
RMH
Xuebing Du

Andulka

izzy's playlists!

ellievsbear

pixel skylines
No title available
Peter Solarz
Show & Tell

#extradirty
KIROKAZE
I'd rather be in outer space 🛸
he wasn't even looking at me and he found me
seen from Netherlands

seen from China
seen from United States
seen from United States
seen from Malaysia
seen from United States
seen from Portugal

seen from United States
seen from United States

seen from United States
seen from United States

seen from Germany
seen from United States
seen from United Kingdom

seen from Maldives
seen from Greece
seen from Slovenia
seen from Canada
seen from United Kingdom
seen from Canada
@fathersky
Safe (1995) dir. Todd Haynes
wasp (andrea arnold, 2003)
Paterson (2016)
“What did they say the first time they were alone together in the same room? What did he say when she had removed her veil and he could see that she was not a voice but a body and therefore finite? What did she say when she discovered that she had left one locked room for another? They talked of love, naturally, though that did not keep them busy forever.”
Margaret Atwood, from “Marrying the Hangman,” True Stories (Simon & Schuster, 1982)
based on a true story
I have literally said this before
I’m sorry I’m not with you tonight. My absence is out of respect for the people of my country and those of other six nations whom have been disrespected by the inhuman law that bans entry of immigrants to the U.S., dividing the world into the “us and our enemies” categories, creates fear. A deceitful justification for aggression and war. These wars prevent democracy and human rights in countries which have themselves been victims of aggression. Filmmakers can turn their cameras to capture shared human qualities break stereotypes of various nationalities and religions. They create empathy between us and others. An empathy which we need today more than ever.
Asghar Farhadi’s oscar acceptance speech. (via andreii-tarkovsky)
the breakfast club; 1985
Moonlight (2016, Barry Jenkins)
1984 | PARIS, TEXAS | Wim Wenders
American Honey (Andrea Arnold, 2016)
Eszter Balint in Jim Jarmusch’s Stranger than Paradise
what’s the mood for tuesday
The Killers (dir. Robert Siodmak – 1946)
mood