baptistecothenet
@maschiio
Sade Olutola
d e v o n
2025 on Tumblr: Trends That Defined the Year
dirt enthusiast
Cosmic Funnies
cherry valley forever

★

No title available

blake kathryn

No title available
Peter Solarz
he wasn't even looking at me and he found me
🪼

PR's Tumblrdome
DEAR READER
No title available

pixel skylines
taylor price

oozey mess
Jules of Nature

seen from United States

seen from Netherlands
seen from United States

seen from Türkiye
seen from Canada
seen from United States

seen from United States
seen from United Kingdom
seen from Germany

seen from United States
seen from Greece
seen from United States

seen from Malaysia
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
@feelimperial
baptistecothenet
@maschiio
found myself right here... and it's fuckin' wonderful
Tram depot extension, the Hague, the Netherlands
© picture by Klaas Vermaas
Donald Judd - A good chair is a good chair -
Ikon Gallery / Pinakothek der Moderne 2011
"do you see how there's no sound of any planes? there's a truce! wallah when I heard about the truce I got so happy. but it's temporary, 4 days only. oh god, I wish things get settled in these 4 days and it becomes an eternal truce. wallah life is beautiful like this without the planes. I got so happy, wallah guys I'm so happy "
House Lewin (1929-30) in Berlin, Germany, by Peter Behrens
Although his oeuvre covers only a limited array of people and places Frank Auerbach's (*1931) paintings are most inventive contributions to 20th century art: the thick surfaces of his canvases possess a haptic quality rarely seen in figurative art. They are the result of a process that captures its object in one go but is often foregone by a myriad of attempts that Auerbach deemed not good enough. Himself one of Auerbach's sitters William Feaver, long-term critic of "The Observer", couldn't be better suited to pen a comprehensive monograph on the artist: with "Frank Auerbach", published in 2009 by Rizzoli, Feaver provides an all-encompassing overview of Auerbach's life and work that lays particular emphasis on his influences, work process and the close relationship to the people and places he depicts. Influenced by David Bromberg and Picasso but also old masters like Constable and Rembrandt, Auerbach adopted the intimacy of their subjects, an intimacy that also finds expression in the weekly sessions he devotes to his subjects. Beyond the eloquent and very insightful analysis of Auerbach's life and work William Feaver also includes an extensive catalogue of some 900 works plus a total of 200 color plates showing major paintings from all work phases.
With this very comprehensive and beautifully illustrated monograph Feaver has published the relevant reference work on the British painter has recently been released in an updated edition. Warmly recommended!
Ireland
Villa (1931) in Winsum, the Netherlands, by Egbert Reitsma
"love in simplicity" photographed by Annacarla Granata
Hans Emmenegger - Sunny Meadow (1904)
Helen Frankenthaler - Float, 1977, acrylic on canvas, 152.4 x 121.9 cm
House (1976) built for herself in Curitiba, Brazil, by Maria Nadir Miranda de Carvalho. Photo by Alan Weintraub.