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DEEP WEB - coming back to KRAFTWERK BERLIN in summer 2019 from WHITEvoid on Vimeo.

DEEP WEB - kinetic audiovisual installation and performance by Christopher Bauder and Robert Henke.

DEEP WEB is a monumental immersive audiovisual installation and live performance created by light artist Christopher Bauder and composer and musician Robert Henke. Presented in enormous pitch dark indoor spaces, DEEP WEB plunges the audience into a ballet of iridescent kinetic light and surround sound. This dramatic three-dimensional sculpture was first presented in 2016 as a preview at CTM Festival Berlin in January and followed by the presentation at the Festival of Lights Lyon in December.

The generative, luminous architectural structure weaves 175 motorized spheres and 12 high power laser systems into a 25 meter wide and 10-meter high super-structure, bringing to life a luminous analogy to the nodes and connections of digital networks. Moving up and down, and choreographed and synchronized to an original multi-channel musical score by Robert Henke, the spheres are illuminated by blasts of colorful laser beams resulting in three-dimensional sculptural light drawings and arrangements in cavernous darkness.

The installation brings together decades of separate research and experimentation by two artists with unique visions and passions for sound and light, and by innovative companies working in these fields. High-end laser system manufacturer LaserAnimation Sollinger provided the technical expertise and development for this very specific spatial laser setup. The high precision motor winch systems with reall-timee feedback and the main control software are provided by Design Studio WHITEvoid in collaboration with Kinetic Lights. This novel combination of computer-controlledd kinetic elements and laser systems allows for setting animated end points to normally infinite laser beams. DEEP WEB uses light as a tangible material to construct three-dimensional vector drawings in thin air.

Artists: Christopher Bauder christopherbauder.com Robert Henke roberthenke.com

Originally Commissioned by: Fête de Lumière Lyon in 2015 fetedeslumieres.lyon.fr

2016 Lyon Production: WHITEvoid whitevoid.com TETRO+A tetro.fr

2016 Berlin Production by: CTM Festival ctm-festival.de Kraftwerk Berlin kraftwerkberlin.de

Technical Support Kinetic Lights kinetic-lights.com LaserAnimation Sollinger laseranimation.com

White Canvas from Cocolab on Vimeo.

An immersive audiovisual installation created by Cocolab. Commissioned by ARCA, presenting at TagCDMX 2016 Music and sound by: Before tigers (BE)

Infinity V2 (Tiles of virtual space ). Teaser 1. from Gabriel Pulecio / LUSTIX on Vimeo.

Developed as a part of ongoing research into light and space, Tiles of Virtual Space is an interactive immersive installation that transforms a finite space into a vast, endless expansion using light and sound.

Infinity is intended as a space for reflection and self awareness. It is founded in an idea of a technology that is not distracting us from where we are but quite the opposite. Infinity reminds us that we are here, in the present moment, and that every step taken in any direction creates new ripples of light in time, building infinite structures of light that only can be seen by looking a bit further away than our own reflection.

Concept, Design, Direction Gabriel Pulecio

Lead Technologist: Daniel Schaeffer

Programing: Daniel Schaeffer Lucas Morgan Gabriel Pulecio

Sound Design / Composer Jeff Dodson

Fabrication: Structure: Youngbuk CNC Milling: Gamma NYC LED Panels: Gabriel Pulecio Studio

Special Thanks: Marcus Metzger Grace Jeon

The Walking Cube v2 from 1024 on Vimeo.

Upgraded version of the Walking Cube more info : 1024architecture.net

MICHELANGELO from Dorijan Kolundzija on Vimeo.

MICHELANGELO Directed by Tomaž Pandur Based upon Miroslav Krleza’s play Michelangelo Buonaroti Dramaturgy by Livija Pandur Stage adaptation by Tomaž Pandur and Livija Pandur Set design by Sven Jonke (NUMEN) Costume design by Danica Dedijer Video art by Dorijan Kolundžija Original music by Primož Hladnik, Boris Benko (Silence) Light design by Andrej Hajdinjak Actors : Livio BADURINA, Michelangelo Alma PRICA Romano NIKOLIĆ Iva MIHALIĆ Ivana BOBAN Kristijan POTOČKI Andrej DOJKIĆ Tomislav KRSTANOVIĆ Adrian PEZDIRC Jure RADNIĆ Ivan OŽEGOVIĆ and Damir MARKOVINA Assistant director: Paolo Tišljarić Assistant dramaturg: Mirna Rustemović Assistant costume design: Tea Bašić, Linda Bilan Stage manager: Roko Grbin Photo by Aljoša Rebolj ( Studio Bomba) A co-production of Croatian National Theater in Zagreb, Mittelfest Festival Italy, Teatro Nuovo Giovanni Udine and Pandur Theaters.

Derviche Tourneur from Réno Violo, Artisan de l'Image on Vimeo.

Ibrahim Hassan Animation Stand Egypt SIAL, parc des expos de Villepinte Octobre 2010

The Balance of Dark and Light from Stephen Schuster on Vimeo.

"And I think that’s part of the obsession, is being able to contain it. Because if obsession is not contained, then it becomes erratic, scattered, negative, the positive energy can flip into the negative. I know all too well, ‘cause I spent a lot of time there. "

The Balance of Dark and Light is a micro exploration into the life and work of Ron Pippin who for the last 30 years has made it his one goal - to create.

Director: Stephen Schuster

DP: Guillermo Lecuona

Editor: Kirk M. Smith

Re-Recording Mixer: Tony Crowe

Production Audio: Stewart Schuster

"Bane" and "Bending Time" by HECQ Courtesy of Hymen Records

"Last Minutes" written and composed by Guillermo Silberstein Publisher: Smash Haus Music Group

WOODKID "I Love You" (Quintet Version) Official Video from GEMAsux on Vimeo.

Vorticity (4K) from Mike Olbinski on Vimeo.

Blu-Ray discs available here: mikeolbinski.com/shop/ Song by Kerry Muzzey: "Found" (Available on iTunes (bit.ly/MO_TM3) and Amazon (bit.ly/Found_KM) - please support him!) Follow me: mikeolbinski.com / twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski BTS Footage: youtube.com/user/MikeOlbinski/videos (Subscribe!) ---------------------------

Blood. Sweat. Tears. Joy. That's what this spring was for me. The miles, the grind, the failing, the epic days missed, the lack of sleep, the jubilation, the friendships strengthened, and the time away from my family. And when the chasing was all done...wondering, was worth it all?

Heck yeah it was.

I had three goals this spring: Get a tornado on time-lapse, capture the best footage I possibly could, and chase as much as my schedule would allow. That ended up totalling 18 chase days. 20,000 miles driven. Almost 60,000 time-lapse frames shot. Nine total states. Hours and hours and hours of editing. All between April 15th and June 15th.

And the tornado? Not only did I get one, but I got six more. On April 15th, the very first day out, I saw two tornadoes in the Texas Panhandle. May 9th was Wynnewood and Sulphur in Oklahoma (both in this film), as well as Trinidad on June 13th in Colorado. And while most tornadoes will be obvious in the film, you'll have to use a keen eye to spot the first two, which appear at 2:08 and 2:13. The Wynnewood tornado, which you will see at the very end of the film, was one of the most surreal moments of my life. I was so focused on keeping up with the storm that day, that I barely realized that I had captured what I'd been working so hard to get. I texted my wife a few photos and simply said "Baby I did it". It wasn't until she responded "Babe, it's beautiful. I'm so happy for you" that I completely lost it - live stream going on in the truck, people watching, and tears streaming down my face.

But that's how much this spring meant to me, and how hard I was going. Most of the time exhausted. My typical routine would be to leave Phoenix sometime in late afternoon, drive all night, sleep an hour or two in the truck and then chase the next few days. And then drive home all night again. I did whatever I could to to minimize the time away from my family. Heck, I once even shot a wedding all day, left the venue, and drove all night to chase. I didn't want to miss anything this spring.

What's awesome to me is that some of my best stuff came from marginal days, where it took some effort and crazy luck to get sick storm structures. Those were the surprises - amazing clips worthy of the final product despite the chase day starting out subpar. Combined together with everything else, I think it's some of my best footage to date!

Technical note...this film marks the first time I used my Canon 5DSR and 11-24 for time-lapse, which I bought right before the spring started (Thank you Martin Heck for the help!). I'm not 100% sure of course, but I believe the tornadoes in the film may be some of the first ever captured in 8K resolution. The 50 megapixels that camera offers was huge for being able to zoom into certain shots and still maintain fantastic quality and sharpness. Couldn't be happier with that beast. I also used my trusty 5D3 for the tighter shots, with the 35mm, 50mm or 135mm.

I have to mention Kerry Muzzey here...he has surpassed being kind to me. This is the 3rd or 4th time he's donated a song to one of my projects and I'm forever grateful. His music is powerful, haunting at times, and always, always perfect for the story I want to tell. This year I knew right away that "Found" was the song I would use. Please visit the links above to support his work!

There are a lot of names to thank which are listed at the end of the film. I owe them all so much for helping me this spring. Nowcasting, making me turn around when I was headed to Montana, teaching me about forecasting, helping me choose the right new camera, editing input, and just being good friends. I am very blessed to have some amazing people around me!

Most of all to my wife, Jina. She knows...every year I'm gone longer. I'm sure next year could be worse. But through it all, even when it's really tough, she's always right behind me. Making things work when I'm away. There are never enough words to cover how amazing she is. But she knows and I know - this film wouldn't happen without her.

I think that's about it! Thanks to everyone for the kind words of support all year. I truly hope you enjoy this one! On to Monsoon 3! ---------------------------

Technical Details:

Captured with A CANON 5DSR, CANON 5D3, Canon 11-24mm f/4, 16-35mm, 35mm, 50mm, 135mm Processed using Lightroom, LR Timelapse, After Effects and Premiere Pro

Most clips available in 8K resolution, as well as 4K.

Iceland In Flight from We Are Films on Vimeo.

Filmed by Aaron Craig. wearefilms.com / [email protected]

Square from Toke Blicher Møller on Vimeo.

SQUARE Personal project. Square is an experimental piece, focusing on creating an eerie atmosphere with a scandinavian twist. I also wanted to use natural elements combined with a clean graphic look.

Various techniques were used creating this piece.

Design, Direction and Animation: Toke Blicher Møller Sound Design: Philip Nicolai Flindt

Web: tbmstudio.dk FaceBook: facebook.com/tokeblichermoller/

Iris van Herpen - Stylianos Pangalos from Art Director Management on Vimeo.

One Look, Iris van Herpen Haute Couture FW16, The Anatomy. A film directed by Stylianos Pangalos for Refinery29 and Visionaire.

Produced by ADM.

Edouard Martinet | Insectophile from Sladmore Contemporary on Vimeo.

Take one workshop full of junk and a Frenchman with an eye for detail (not to mention an obsession with bugs) and you will find the most eclectic mix of metal insects this side of a sci-fi novel. This short documentary follows Edouard Martinet's patient and extraordinary process as he creates sculptures that are utterly beautiful, distinctly creepy and somehow completely true to nature. All this despite his medium being piles of bent metal and old rusty bicycles.

Microsculpture from Levon Biss on Vimeo.

Microsculpture- The insect photography of Levon Biss. A groundbreaking photographic exhibition of Science and Art. A special exhibition from 27th May until October 2016 at Oxford University Museum of Natural History. microsculpture.net Microsculpture is a unique visual experience. A 10mm insect is shown as a 3 meter print, revealing minute detail and allowing the viewer to take in the structure of the insect in its entirety. The beautifully lit, high magnification portraiture of Levon Biss captures the microscopic form of these animals in striking high-resolution detail.

黒谷和紙ー Making of Japanese handmade paper of Kyoto Kurotani from POLAR on Vimeo.

Japanese handmade paper of Kyoto Kurotani kurotaniwashi.jp

Film by Kuroyanagi Takashi polar-design.jp/ Music by Kurachi Martha kurachino.tumblr.com/

・・・・・・・・・・・・・・・・・・・・・・・・・・・

(撮影・編集) 畔柳尭史 akasakaegeyama.tumblr.com (音楽) 倉知真麻 kurachino.tumblr.com

(協力) 黒谷和紙共同組合京都工芸繊維大学中野デザイン研究室

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