I can see you getting to 280 😂 look how much you’ve gained since this time last year…👀
Hey Anon, it isn't that much of a change, is it?
OMG you're so sexy. Both weights- but you now!!!
sheepfilms
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Keni
The Bowery Presents
Lint Roller? I Barely Know Her

blake kathryn
KIROKAZE
Phantogram Three

oozey mess
let's talk about Bridgerton tea, my ask is open
Claire Keane

Love Begins
Fieri Frames

PR's Tumblrdome
occasionally subtle
art blog(derogatory)
One Nice Bug Per Day

izzy's playlists!
Sade Olutola
almost home

seen from Poland

seen from Italy
seen from United Kingdom

seen from Türkiye

seen from Türkiye

seen from Brazil

seen from Saudi Arabia
seen from United States
seen from United States
seen from Angola
seen from United States

seen from United Kingdom
seen from Azerbaijan

seen from United States

seen from Australia
seen from United States

seen from Germany

seen from Türkiye

seen from Türkiye

seen from Türkiye
@fermillyerfaces
I can see you getting to 280 😂 look how much you’ve gained since this time last year…👀
Hey Anon, it isn't that much of a change, is it?
OMG you're so sexy. Both weights- but you now!!!
“Viktorianska Viskningar”. Julia Hafstrom by Andreas Öhlund & Maria Therese for Elle Sweden March 2017
Edward Quinn, Sophia Loren in her room, Carlton Hotel, Cannes 1955
Wopart
‘Once Upon a Time…’ Torraine Futurum by Alexander Saladrigas for Flaunt Magazine April 2018
As a woman of color, and also a lesbian, the photographer Laura Aguilar belongs to, as she puts it, a “hidden subculture” within another subculture, a marginalized community within another marginalized community. Her work is an exploration of this precarious double identity, with her own unconventional body often serving as subject and symbol.
cecil beaton at home, reddish house
James Drougas at Unoppressive Non-Imperialist Bargain Books, Greenwich Village, Manhattan, 2017
Elizaveta Porodina
He knew it was the end. So did you. Look at the picture! There’s as much pain in your face as there is in his! You haven’t changed, in spite of our marriage and your innermost feelings, you’re still the same. That’s why you stopped seeing him. (Victim, 1961)
Dirk Bogarde in the British film Victim (Basil Dearden, 1961), the first English language film to say the word “homosexual”. The American Motion Picture Production Code refused its seal of approval, and the film could not be seen in the US for several years.
Chinese Oculist Poster, ca. 1930
https://t.co/GJrhpdMKX6