FinalGirlGrace

horrorblogger

[snowbairdd]

Hey, pretty girl, time to wake up.

MULHOLLAND DRIVE (2001) dir. David Lynch

[capinejghafa]

BATTLE ROYALE (2000) dir. KINJI FUKASAKU

[angelboudoir]

Mia Wasikowska bts of Crimson Peak

[lucy-harker]

GET OUT (2017) dir. Jordan Peele PEARL (2022) dir. Ti West SMILE 2 (2024) dir. Parker Finn OBSESSION (2026) dir. Curry Barker

[seasonofhorror]

Skeet Ulrich as Billy Loomis

Scream (1996)

[isabelladjanis]

CRIMSON PEAK Guillermo del Toro, 2015

[dailyflicks]

FORBIDDEN FRUITS dir. Meredith Alloway, 2026

[reginasphalanges]

Buffy the Vampire Slayer 3.16 Doppelgangland

[wanna-bee]

SOPHIE THATCHER, HAVANA ROSE LIU & KRISTINE FROSETH in HER PRIVATE HELL (2026)

[six-demon-bag]

DOGS IN HORROR (4/?)

Halloween (1978) dir. John Carpenter Crawl (2019) dir. Alexandre Aja The Spiral Staircase (1946) dir. Robert Siodmak From Beyond (1986) dir. Stuart Gordon The Black Phone (2021) dir. Scott Derrickson Trick 'r Treat (2007) dir. Michael Dougherty The Body Snatcher (1945) dir. Robert Wise Strays (1991) dir. John McPherson The Lost Boys (1987) dir. Joel Schumacher

[vargtimen-deactivated20111216]

[bitchhiker]

the texas chain saw massacre (1974) outtakes

[talesfromthecrypts]

The Lost Boys (1987) dir. Joel Schumaucher

[six-demon-bag]

SHELBY OAKS (2024) dir. Chris Stuckmann

[alysmond]

OBSESSION + Nikki in shadow

[campmiasmas]

"We played with this idea of, is she fully seeing through her own eyes what's happening and doesn't feel in control, or if it's kind of like teleportation where every time that she pops back in, it's from the moment that she popped back in before, which is why whenever she's in the house, she comes out and she's like, 'Wait, where am I?’ So we played with both of them, and now that I've watched the film back, I think that she does both. I think that in the very beginning, whenever she doesn't understand what's going on, she's teleporting, and once she realizes what's going on, Nikki’s a fighter, and so her urge to fight the wish just gets bigger and bigger and bigger, and that’s why she has the grief at the end, because she's watched it happen. She's felt it. She has to deal with it. It wasn't her fault. Her life has completely changed. And she just lets it all go." — Inde Navarrette (x)

[sheryl-lee]

A love only the branch of a willow tree could conjure.

OBSESSION 2026 — dir. Curry Barker