-swoon-

@theartofmadeline
The Stonewall Inn

Discoholic 🪩
Fai_Ryy
Aqua Utopia|海の底で記憶を紡ぐ

titsay
cherry valley forever
I'd rather be in outer space 🛸
Today's Document
Claire Keane
trying on a metaphor
Show & Tell
untitled
occasionally subtle
Mike Driver

#extradirty
Monterey Bay Aquarium
Noah Kahan
Sade Olutola
ojovivo
seen from United States
seen from United Kingdom
seen from Bangladesh
seen from Italy

seen from Malaysia

seen from Türkiye

seen from United States
seen from Bangladesh
seen from Venezuela
seen from United States
seen from Bangladesh
seen from Jordan

seen from Netherlands
seen from Bangladesh

seen from T1
seen from United States
seen from Bangladesh

seen from Australia

seen from Switzerland

seen from United States
@fionamiller
-swoon-
(via Gurney Journey: Part 2: Gamut Masking Method)
"Hello, welcome to the show
Life is suffering
The self is an illusion
Please welcome our next guest, whose face is just a mask covering an unknowable void"
—Simon Amstell
https://www.adam-buxton.co.uk/podcasts/73
“Our tomorrow is the child of our today,” wrote Octavia Butler, who was adept at connecting present, future, and past, in a 2000 essay for Essence. “Through thought and deed, we exert a great deal of influence over this child, even though we can’t control it absolutely. Best to think about it, though. Best to try to shape it into something good. Best to do that for any child.”
Ann Friedman Weekly
The internet arrived in my home as a window, an enchanted portal cut into ordinary domestic space. A window is fixed in place. “I’m going online” meant you were heading to a specific place in the house, along the lines of “I’ll be in my room” or “I’m going to the attic.” To peer into the internet, I had to sit in my parents’ maroon computer chair. To my left, through the non-metaphorical window, I could see telephone wires running down the street, carrying away my messages.
Limiting Not Just Screen Time, But Screen Space - NOEMA
(via Sculptor and former bail bondsman gets his due at BAMPFA)
Mitski - Where's My Phone? (Official Video)
WANT.
(via Love it or hate it, I’ve discovered the formula for the perfect slice of Marmite on toast | The Independent)
(via Takashi Murakami's Art Collection Offers a Glimpse of His Personal Taste)
(via Takashi Murakami expose Yoshitomo Nara et autres grands noms de la céramique)
Here are three ways to do it better.
(via Nude in the Bath (1925; France) by Pierre Bonnard – Artchive)
Inside Ford's Clay Modelling Studio