sheepfilms
will byers stan first human second
Monterey Bay Aquarium
One Nice Bug Per Day

shark vs the universe
d e v o n
occasionally subtle

roma★
we're not kids anymore.
hello vonnie
almost home
todays bird
Peter Solarz

@theartofmadeline

Origami Around
2025 on Tumblr: Trends That Defined the Year

JVL
h

#extradirty
Alisa U Zemlji Chuda

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@firepettingzoo
No heartbeat. No breathing. No pulse. But Amanda Boley’s insurance company said she still should have obtained preapproval.
The real truth about health care.
MSN
F.O.A.D.
Alain Johannes - Gentle Ghosts
Acidez - In Punk We Thrash (Official Single 2022)
(Destroy Boys)
Thursday, February 2: Venom, “Sons of Satan”
As the opening track on Welcome to Hell, “Sons of Satan” was ostensibly where it all began for Venom. And although “Witching Hour” and “In League with Satan” were eventually the more popular tracks on the debut, this song was an apt introduction to the very specific qualities and peculiar charms of the band. The tune had it all: Cronos’ unhinged barking, Mantas’ rudimentary riff, Abaddon’s Muppet drumming, and an overall air of haplessness. For all of the hype and purported danger and menace, Venom’s first few albums were marked by their cluelessness as musicians and songwriters. “Sons of Satan”, like pretty much everything else they did in the early ‘80s, wasn’t so much written as belched out, and in hindsight the most shocking thing about it was that more than a few actually took the Satanic content remotely seriously. And this is where we caveat all of it by noting that the ridiculousness was also rather lovable- it was a trainwreck, but a highly entertaining disaster. Cronos would later take exception to the belief that Venom’s early material was defined (and charmed) by how much they sucked, but they did suck, and what they had going for them was that not only did they plow ahead anyway, but did so with such gusto.