On a cold, fretful afternoon in early October, 1872, a hansom cab drew up outside the offices of Lockhart and Shelby, Shipping Agents, in Cheapside. The city wore an air as restless as the winds that swept the sky above it. The street was crowded with carriages; the ring of hooves, the trundle of wheels and the jingle of harness spoke of haste, and business, and fortunes being made. Messenger boys, their faces shiny with speed, flew like shuttles between banking-house and shipping company, insurance agent and Stock Exchange, lawyer and financier – flew almost as swiftly as the buttoned-up leather containers packed with bills that shot through the newly installed pneumatic tubes in the walls of Crouch's Emporium, The Shop That Sells Everything, on the corner of Holborn and Chancery Lane. Artificial winds in metal tubes, and the real wind in the grey sky snapping and flapping the company flags that flew on the important buildings, and the little sportive imitations of win that spun down alleys and courts lifting papers and dust from the ground and letting them fall again – the city was alive with the moving air, and the only stillness in the whole street belonged in the eyes of the girl who stepped out of the hansom.
— The Ruby in the Smoke (Philip Pullman)














