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Maridora nation it’s me
The Allure of the Macabre: Robert Eggers Talks ‘Nosferatu’: Robert Eggers speaks with Script about his journey as a filmmaker and finally making his dream project.
BEAUTIFUL GODDES and Marius I guess
Marius de Romanus and Pandora as noble Romans. From Vampire Chronicles
Refer to the fresco in Villa of the Mysteries in Pompeii
Is Von Franz a Protestant? I know the answer is "it's complicated" because of the occultism, but indulge me
He’s not a Lutheran like the rest of the “German” characters. But yes, it’s kind of complicated because, from his iconography (let’s call it that) he’s a believer in different things: Alchemy, Gnosticism, Hermeticism, Kabbalah and he also performs Solomonic magic, which is why he’s so interested in the Solomonari codex of secrets. I think “occultist”, like both Eggers and Dafoe describe him, it’s the most accurate way to explain Professor Von Franz beliefs.
He’s also very into Renaissance magic (which goes along with his interest in Hermeticism) like Agrippa and Dr. John Dee (Enochian system), which are Count Orlok’s contemporaries. This film has a lot of occult Easter eggs, and mindset, sort of speak. Human Count Orlok was almost like Von Franz’s idol, in a way. He was an accomplished occultist and alchemist in life, but ended up cursed by selling his soul to the Devil and didn’t even got what he was seeking, according to Bill Skarsgård.
So, yes, when Professor Von Franz speaks of “salvation” and “redemption” he’s not exactly talking about Christian terms. “Redemption” is a term from Alchemy, connected to the Philosopher’s Stone. Also, Professor Von Franz is an outsider, marginalized by society, sort of like Ellen; neither of them belong in this time period.
Von Franz is there to help Ellen, first and foremost. And when he meets her, he doesn’t jugde her and recognizes her “sickness” as something supernatural. However, he doesn’t fully understand it, either (“I must to my studies”). He thinks she’s possessed by some demon because she’s hysteric. And in their last scene together, he says “only you can redeem us” and “in heathen times you might have been a great priestess of Isis”. Von Franz believes there’s a whole other world. And Gnosticism also believes in Reincarnation (a core belief in Orlok’s pagan belief system). Putting it simple, Gnostics believe our material world is terrible and death is a doorway to another superior existence, kind of like Orlok’s Zalmoxis blessed kingdom (he can’t access because he’s sort of a oathbreaker who needs to, well, redeem himself). As such, he doesn’t see Ellen’s death the same way other characters (like Sievers and Thomas) do. Her death basically sets her soul (and Orlok’s) free. He ends the film smilling, which is the complete opposite of his predecessors. And those who know will smile alongside him because this is probably the happiest ending in all of Eggers films to date.
'Master, Master, Master, I love you.'
'Yes, well, that's not so unusual. But the question is, Amadeo, why do I love you?'
larger details under cut
“Thy soul is cursed. Thy kin are cursed. Thy world is cursed.”
NOSFERATU (2024); dir. Robert Eggers
WERWULF (2026); dir. Robert Eggers
Actually relentlessly thinking about Lestat and Louis' total acceptance of Claudia's fury and grief as one of the realest acts of love we've seen on this show. So much of this story has been about chasing the idea of her and making her something palatable or twisting her to fit their lives or their memories or making others wear the costume of her, and none of it works, because none of it is her. They render her a slip of life, when she was a full bodied, full spirited woman, and no song or doppelganger can ever truly capture her.
The beat where Claudia knocks Merrick forwards, knocks out her front tooth, and both Louis and Lestat lean forwards, lean into it - - it's a heartstopper, because they know, we know, it's actually her. The killer down in New Orleans who clogged the Mississippi with corpses, the girl who slit one of her fathers' throats, who wore the ring of his mistress, who goaded her other father to Europe and nearly left him in No Man's Land, who ridiculed him long, long before this episode (and in similar terms). This fanged and ruthless woman who they love enough to welcome at her worst. They don't want her filed down, they want the spark in the dark, in her eyes as Louis said two episodes ago.
Claudia's anger makes her real to them, and no door closes here. The circle's broken. They want her back, they're gonna have her back, and the undercurrent of this episode to me is that Louis and Lestat actually won't be mad about that because they really do fucking love her. They love and miss the worst parts of her, not just the best, and now that's what they'd bring forwards to the point they won't let her rest. They will have her miserable and as a malevolent spirit and they will call her daughter regardless, and none of her fury will ever actually matter so long as they can throw their heads back and laugh and commiserate with one another about her because they do love her, but they love her second to each other.
“Thy soul is cursed. Thy kin are cursed. Thy world is cursed.”
NOSFERATU (2024); dir. Robert Eggers
WERWULF (2026); dir. Robert Eggers
Old priest taking a young boy to an underground cave to be introduced to a Pagan religion connected to Underworld Gods, wolves and ecstatic trances?
Eggers validating my theories for teenage Orlok and Solomonari Romanian folklore in “Werwulf” trailer. Amleth (“The Northman”) also had his initiation to Odin worship when he was a teen. Orlok and Zalmoxis was fated to be the same.
“It is also said that an old Solomonar steals children and takes them to the Solomonărie [Scholomance in German], keeping them locked up for seven years.”
— Ion Taloş; “Solomonarul - în credinţele şi legendele populare româneşti” (1974)
i wonder what they are talking about?
The new Werwulf film is set to come out later on this year, and so I have a question about the contrasts between both Werewolves and Vampires in folklore and the historical misconceptions. You've stated before that the "romantic" viewpoint of vampires is mostly modern and that in folklore, they'd travel in the astral world and strangle their widows. So, are there any misconceptions people have about werewolves that historically are very much different? I love your blog by the way, it's so so informative and a pleasure to read through!
Thank you, kind stranger!
The “astral” vampire you mention it’s called moroi in Romanian folklore, although it has other names in other countries. In Eggers’ “Nosferatu” it’s Orlok’s shadow, basically. Vampires in folklore target and attack their living relatives, yes, not random victims like literary or pop culture vampires (Eggers said he had no interest adapting because Folk Horror is his brand).
I’m very curious to see what folklore Eggers went with in “Werwulf”. One of misconceptions I keep seeing is that werewolves are “created” via deals with the Devil, which it’s not really the case. The most common folktale is boys being born with the curse, and doomed to become werewolves, usually seventh sons. Personally, I think Eggers went with this (he already did the “deal with the Devil twice), but I can be wrong. My country has a rich werewolf folklore, actually, but also very diverse, and sometimes just bizarre and not really horror film appropriate (ex: in some places, it’s believed you can break a werewolf curse by turning their clothes inside out).
Sometimes folklore overlaps worldwide, others it doesn’t. In my country, werewolves are very connected to the idea of “fate”; one can escape it in childhood through certain rituals, otherwise they are doomed. However, witches can break the werewolf curse (we have good and bad witches here), which is something I can see Eggers gravitating towards since he loves witch folklore, as well. In German and French folklore, silver (a pop culture classic) is indeed used against demons and witches, but, in my country, that’s unheard of. A while ago I saw some folks talking about the connection between werewolf folklore and sex, which left me puzzled because werewolves are connected with murder, cannibalism and violence, literal wolves, and I never heard of any sexual werewolf folktale. That’s a modern take.
Esquire First Look: Robert Eggers Reveals Aaron Taylor-Johnson in Werwulf
My first though reading this: so… he’s Count Orlok. No, a very different character but I’m already sensing the parallels with Orlok and Amleth (“The Northman”). Also; talk of trauma. We have three traumatized male characters over here; also connected to death, maybe? Father/uncle; wife/daughters… mother/sister?
Also this film will be a nightmare to discuss; no character has a name except the dog?? What do you mean, Eggers!?
Esquire First Look: Robert Eggers Reveals Aaron Taylor-Johnson in Werwulf
My first though reading this: so… he’s Count Orlok. No, a very different character but I’m already sensing the parallels with Orlok and Amleth (“The Northman”). Also; talk of trauma. We have three traumatized male characters over here; also connected to death, maybe? Father/uncle; wife/daughters… mother/sister?
Also this film will be a nightmare to discuss; no character has a name except the dog?? What do you mean, Eggers!?