
if i look back, i am lost

ellievsbear
macklin celebrini has autism
d e v o n

Jar Jar Binks Fan Club
EXPECTATIONS
taylor price
ojovivo
YOU ARE THE REASON
Jules of Nature
I'd rather be in outer space 🛸

★

titsay

Product Placement
he wasn't even looking at me and he found me
Not today Justin

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🩵 avery cochrane 🩵

Andulka
2025 on Tumblr: Trends That Defined the Year
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@fkaknights
My 'everything Giorno' Bluesky account: fka knights (the handle name is 'singingkookabura' because it was originally my account for music)
Although I'm afraid that I'm slightly unsure what to do with it and for this reason, I have little activity on it.
I only that know I need a place where I can express in some capacity my fondness for Giorno, so I started a Bluesky account, along with this Tumblr account.
In my head, I question this decision: another social media account? Yes, I'm skeptical and hesitant, but my need for a semi-public space where I can express my fondness feels more pressing. And if I'll be more stinting and 'behaved' on it, maybe, it won't be a problem.
I might put some personal work there in the near future, perhaps some drawings and fics. I'm currently occupied by work and personal things, which delay and kinda obstruct my intention of doing something creative as regards Giorno and JoJo.
(What's funny is I have time to read fanfics, but I have no time to write or draw. Yes because I can read in-between work tasks and while commuting, but I need more physical and mental preparation for writing and drawing.)
Giorno Giovanna's Tattoos: Sepia and Skin-Toned Floral and Nature-Themed Tattoos
Giorno's Leaning for Nature-Themed, Earthy-Toned Tattoos
It has been my headcanon that Giorno will also be a tattoo enthusiast, and as one, will create or collect his tattoo ideas and designs.
They will be nature-themed, naturally. At least, that's the most obvious theme he will embrace. His favorite flowers and animals, insects and reptiles included, mythical beasts and flora, maybe. Most likely, he will explore creative theme, design, or pattern possibilities.
One thing he will probably prefer is the use of sepia and skin tone, along with fine lines and fine shading in the tattoo, instead of the usual black or chromatic inks, as he will favor some subtlety and blending. This tattoo style or technique is being presently done in the form called sepia and skin-toned floral tattoos that have a softer, classic, second-skin effect through the use of the soft beige, flushed peach, warm sepia, and earthy brown tones.
Skin-toned tattoos are usually applied on large areas of the skin, like the arm sleeves, spans of the chest, spans of the shoulders, and the thigh and shin sleeves.
Flowerets on the chest
A posy across the forearm
A giraffe with a blossom on the inside of the forearm
A tortoise enwrapped by garlands across the upper arm
A festoon and a kingfisher along the lower torso, pubic, and hip areas
I imagine Giorno will place his tattoos in more inconspicuous and intimate areas. He will greatly favor secret places over conspicuous, openly visible places. This choice is intuitive for someone indrawn and on the sensual side like Giorno.
He will also be fond of smaller and micro-tattoos.
Like these swimming tortoises behind the upper arm.
And this lizard above the ankle. The white dots are nice highlights or accents that makes the tattoo pop off.
This sepia-toned octopus behind the ear is perfect for Giorno.
Possible Drawback and Viability of Skin-Toned Tattoos
A major drawback of this type of tattoo is that it will likely fade in a few years, which will require a more frequent retouching. But, maybe, for Giorno, this isn't a drawback but an upside. It will give him a canvas anew for another tattoo idea, either an entirely new idea or a variation of the existing one.
Another potential problem is it might appear faded when it settles on the skin. But based on the examples I found on Instagram, where the tattoo artist herself posts video reels of her process, it seems viable, with an outcome that looks vivid, warm, and alive on the skin. The tattoo artist is Karolina Szymanska, and she posts plenty of her designs. I enjoin you to visit her Instagram because her work is exquisite. The best of skin-toned and botanical tattoos being created presently. I can imagine Giorno commissioning her to make his tattoos; a full leg sleeve, a belly belt, a side torso jammer, maybe, a tramp stamp—all these unfurling on his body will look gorgeous and exude both masculinity and femininity.
Giorno's Ink and Technique Penchant
A darker brown-black ink is also seemingly used for this type of tattoo, perhaps to bring out the outlines and forms more and to make them last longer. This is shown in Karolina's designs, for example. I imagine Giorno will go for darker and deeper browns, burgundies, and greens, along with the use fine lines and pointillism, to retain a subtler, more graded and blended render. I imagine him going for both smaller or micro-tattoos in concealed, discrete places, and tattoos covering blanket expanses of the body, especially the middle and the sides of the torso, including the belly belt and pubic areas (or womb area), the hip areas, until the the lower back and rear areas, and the inside of the thighs, areas that suggest sensuality.
Difficulty of Researching Online Sources due to AI Slop
The reality is that it's hard to search examples online, as many places, for example Pinterest, are already flooded with unrealistic AI-generated photos. For obvious reasons, I prefer genuine photos of genuine tattoos done on real people. I wish to find more examples of skin-toned tattoos, with not only botanical themes but also animal and mythical themes, so I wish to research a bit more and post another blog on this topic as a continuation. There are so many design ideas and possibilities! So exciting!
Doubts about Tattoos and a Middle Ground
However, quite frankly, I have reservations about the idea of tattoo for a maverick I imagine Giorno as being. And this is a personal reservation or quibble. Tattoo has become popular and mainstream. And despite its edgy appeal and originally unorthodox intentions, the reality is that it is the norm now. For this reason, I'm uncertain whether or not tattoo is something whose current significance will still appeal to Giorno. But maybe, if the tattoo has a special, personal meaning, then it will be something he will go for. A deeply personal tattoo is probably the middle ground. It will still be likely nature-themed, as nature is closest to Giorno's heart. Alternatively, instead of nature-themed tattoos, he may opt for script tattoos whose words hold a special meaning to him. Why not a quote from his favorite obscure book?
Note: The photos are included with a source citation of their web links. They are used for educational and entertainment purposes only. The photos and the ideas contained therein remain with their respective owners.
Hair Braiding Styles for Giorno (in my post-canon fic) - Part 1: Celtic Braiding Styles
Hair Braiding as an Emblem of Giorno's Image
As has been implied by the series, Giorno consciously fashions his public image as a sign of his identity and self-concept. This public image, to Giorno, takes the form of the way he dresses and styles himself—his expression of how he views his present and future self, conjoined. Since he has attained his dream, working as the top leader of a powerful organization (albeit undercover and illegal), he will have to keep modifying his image, as a signifier of both the evolution of his leadership and his exploration of possibilities—of what else he can do. For someone who leads an underground organization that should stay concealed from the public, he—paradoxically—invests in his creation of an image, which not only has to speak true to himself—as a private matter, but also serves to speak to the outside world. Certainly, his image is addressed, first of all, to his subordinates, as his crucial communication tool that asserts his authority and effortless expertise. Then, to the public, wherein he hides in plain sight—as an alluring mystique—both visible and eye-catching, yet endlessly unknown. This paradox is one of the many aspects that make Giorno such an interestingly complex character.
So as he reinvents his clothing as his continuous creation of his image, he naturally varies and explores, too, his hairstyles. Hair, a person's crowning glory, shouldn't be neglected in creating a complete image. As hair braiding is his signature hairstyle, it will make sense that he will preserve this, albeit with alterations or variations. Hair braiding is an ancient practice, has deep roots in history, dating back to as early as c. 3500 BCE in African and Egyptian traditions, and 28,000 to 25,000 BCE with the Venus of Willendorf in Austria as its earliest known depiction. Evidence of hair braiding as an early tradition was found across many indigenous cultures. Varying styles were extant in India and China since the Bronze Age, then it was also worn by bog bodies in Northern Europe in the Iron Age. The Hindu Upanishads convey that hair braiding was considered a seduction charm or art by women, whereas in Mongolia, wherein hair was believed to house the human soul, unbraided hair meant imminent death. In Africa, where cornrows, box braids, twists, and dreads originated, Yoruba, Wolof, and Himba tribes—among others, practiced elaborate styles and shapes of hair braiding, while Ancient Egyptian people varied hair braiding not only in style but also placement. Celts, Iberians, Germanics, Slavs, and Vikings wore particular symbolic hair braiding styles, while North American indigenous peoples practiced hair braiding in differing styles; for example, the Kiowa tribe wrapped their hair braids with bison fur, called a hair drop. Across all these ancient and indigenous cultures, hair braiding was consistently an indicator of a person's identity, namely tribe, age, marital status—courtship or marriage, social position, wealth, power, or religion. As hair braiding was not easy to do, in many cases, it required several people and several days to complete. In this way, hair braiding served not only as a creative marker of identity, but also as an important cause for communal bonding. Proving its greater and more intricate communicative potency, hair braiding was also used as a secret code for enslaved Africans to relay escape routes.
It's easy to imagine Giorno utilizing the power of hair braiding to convey a message as a leader. Being a bookworm, he'll recognize and respect, most of all, the significant role braiding has played throughout history—its deep-rootedness in history and currency; its ancientness and modernity. Being an aesthete—or an enthusiast of beautiful clothes and adornments, he'll appreciate hair braiding as an art form, with diverse patterns, shapes and techniques, and respective meanings. And being a leader, he'll utilize its power, as a creative emblem, to convey status, attitude, and vision. So he'll likely research on various hair braiding styles and techniques and their meanings, borrow these, and even improvise his own styles. Intentional in his choices, Giorno will also more likely prefer hair braiding styles with a historical significance or a personal meaning to styles limited at aesthetic appeal.
Hair Braiding Styles from the Celtic Tradition
Giorno will especially appreciate the significance of hair braiding for the Celts. According to Celtic tradition, hair braiding not only conveyed a person's identity, status, or vanity, but also life force. Celtic braids and knots, therefore, served to hold, order, and protect a person's life energy.
The following photo presents a hair braid for Celtic male warriors. As a warrior himself fighting a war to protect children and his city, Giorno will likely feel an affinity for this hair braiding style.
The next photo shows a general hair braiding style for Celtic males. Giorno will likely also feel an affinity for this style, especially for its similarity with the braiding for warriors.
The following two hair braids are the Celtic Knot braid and the Celtic Flat braid, respectively. These braiding patterns more evidently present the trinity knot or triquetra, which means eternity (beginninglessness and endlessness)—or the eternal cycles of life, death and rebirth, the triple goddess of maiden, mother and crone, the interconnectedness of earth, sea and sky, and the power of three. I suspect that Giorno will most connect to this significance of the Celtic braid, as it speaks of life energy, a fact closest to Giorno's psyche and Stand ability. The triple knot virtually symbolizes his ability to create and destroy life, and his nearness to life force's eternity.
The next Celtic hair braid was specifically worn during the matrimonial ceremony. As a style for a ceremony that joins two people, it features the knot of eternity, which signifies for both endlessness and interwovenness, the binding of the physical and spiritual, and the binding of souls. What can be a more apt symbol for marriage than the eternal knot? Giorno will most likely appreciate the beauty and meaning of the trinity knot; for always committed, he himself is 'married' to his dream and his chosen beloved.
The next photo is that of the Celtic French hair braid, which has bigger strands and weaves, and smaller ones. As the French braid (as opposed to the Dutch braid), it features the crossing of strands over the middle, so the weaves are hidden or inverted. And while the French is a mixture of the Celtic, Germanic, and Latin roots, the Celtic French braid can still be considered an homage to the Celtic braiding tradition. Giorno will appreciate the more pronounced, longer, and bigger interweaves of this braiding.
The next hair braiding style, the long Dutch braid, may also be considered a descendant of the Celtic braiding tradition. While the Dutch is a mixture of the Celts and Germanics, even Scandinavians (North Germanic), the long Dutch braid can be regarded as a homage to the ancient Celtic braiding tradition. Giorno will not only appreciate its historical rootedness but also the cleaner look it provides, especially for work occasions when hair must be kept out of the face.
Giorno possesses a probing intellect that appreciates the deeper significance of things, whether historical, structural, or spiritual. This is especially reinforced by his deep connection to nature and life forces. For these reasons, Giorno will likely be intimate to the true meaning of hair braiding, as originated by its ancient practitioners. He will understand, as its long-time, non-casual wearer, that hair braiding is an act of connecting, bonding, and communing, and is a sign of care and love.
In the next part of this blog on hair braiding styles for Giorno, I'll survey more styles—Viking, Egyptian, and African. It will be a superficial survey, only a general one in which I merely select and name known hair braiding styles. More specific styles will require a deeper, more extensive study. I can imagine Giorno assigning someone who'll do an extensive research and create a hair braiding catalogue for him.
References
Hair Studies: Braids & Dreads
A Brief History of Hair Braiding
40 + Trendy Long Hairstyles for Men
17 Celtic Braid Hairstyles
Celtic Hair History
Book Recommendations
Hair Story: Untangling the Roots of Black Hair in America (2014)
Encyclopedia of Hair: A Cultural History (2006)
Hair Braiding: A Step-by-Step Guide to Mastering Styles, Techniques, and the Cultural Art of Braiding for All Hair Types (2024)
Indian Blankets and Their Makers (1974)
Disclaimer: All photos are used for educational and entertainment purposes. Their sources are cited in the web article references.
Real Life and Fashion Inspiration for Giorno's Image (in my post-canon fic) - Part 2
Preamble
In the first part of my blog bearing the same title, I spoke of how I imagine Giorno will dress as a boss, more or less already 'settled' in his role, expanding his fashion and style choices. I did say that while he will keep his original lush, Baroque, and sensual style, especially for special occasions, on more regular days and occasions of work, he will dress up with a more relaxed, comfortable, yet elegant style, suggesting confidence and effortless grace.
Giorno's Move to Effortless Grace
As a leader of a powerful organization, he will prefer to balance authority and reasonableness, toughness and quiet levelheadedness, without losing stylishness, elegance, and his natural androgyny. I did say that Armani's aesthetics capture these said qualities, with its soft and fluid tailoring, understatement and subtlety, and deconstruction to create quiet elegance and androgyny. Quiet elegance, coming from soft and fluid tailoring and "greige" palette, matches Giorno's natural introspective disposition, and soft-spoken, quiet cunning.
For this reason, I do see Giorno being in his element in these pieces. Ensembles with thigh to knee/calf-length coats will highlight his long, lean frame. These pieces come from the Fall Winter 2025/2026 collection.
For casual occasions, the following pieces will bring out his adventurous, rugged spirit. Aerial sunglasses will emphasize the structure and angles of his face.
A black leather jacket will bring out the pallor of his skin.
Casual long-sleeved tops fully or partially tucked in, coupled with a fedora hat, will flesh out his mysterious aura.
Giorno's 'Real Life' Counterpart?
In the first part of my blog, I also did mention a person who resembles Giorno (meaning not completely identical). As Giorno does (based on official illustrations), the guy, photographed below, has a similar eyebrow arc, eye shape, prominent nose, full lips, pronounced cheekbones, angular, rather triangular face shape with a strong jawline. Perhaps the sharpness of the guy's eyes may serve as a soft, subtle touch of the East Asian in Giorno? Just imagine this man's hair blond, long, and braided, and his eyes light green. Here he is, resembling Vampire Giorno, in the following photos, with pale white skin and penetrative, hazy stare.
The scorpion brooch is a nice touch, a great alternative to the ladybug ones.
Colors Must Stay
My only reservation about this collection is its 'greige' quality itself, which is the signature of Armani. The uniform gray tones of these pieces made me miss colors—earth tones—deep, warm, and rich! Giorno's love for lush and bright colors shouldn't be lost. So for that, a different fashion house is needed. Will Giorno go for typical ultra-luxury brands like Versace, Gucci, Dior or Tom Ford? Or will he go for unconventional, reasonably priced brand choices?
Work Cited
Giorgio Armani Fall Winter 2025/2026 collection
Ethically-Made, Avant-Garde Fashion Inspiration for Giorno (in my post-canon fic)
Giorno's Social and Ecological Advocacy
Giorno's dream is not only to rid Naples of drugs, but rather is broader, deeper, and encompassing. What underlies his dream is a social consciousness that seeks to better society. He chooses the ideal approach: protect children, who are innocent and most vulnerable. For, after all, a city or a country that is safe for children is a healthy one. It's the best marker that a place is habitable and a true home.
As the mafia don, I imagine him initiating projects and directives that will make Naples a more just society. Certainly, it won't be easy because, after all, Naples is ridden with corruption and he's working as the leader of a criminal organization. He will have to do things with plenty of indirection and compromise—much will be unsavory ones. Nevertheless, I imagine that he will support causes, in any way possible, that help create a healthier city and society—and this includes causes that help create a more balanced ecosystem and preserve nature and biodiversity. As someone with a Stand ability that creates life, this cause must be the most intimate to him. His psyche is, after all, a close kin of the natural life.
Giorno's Support for Sustainable Fashion and Garments
I believe that all these will translate to the way he will dress and style himself, especially as he matures into his work as the don. As an androgyne with a keen sense for the lavish, he will keep his sexy, luxurious fashion sense, his silks, velvet, ruffles, and gilding, especially in special occasions. Yet, I can see him expanding to the slow, conscious, and ethical fashion, in which materials are ethically sourced and upcycled, workers are treated and paid fairly, and clothes are made to last and in special-order pieces.
I've done a bit of research on ethical fashion and found a few brands and pieces Giorno (realistically) may wear.
One brand I found is Geoffrey B. Small, an Italian fashion line, specializing in handmade, luxury, and durable clothing made to last for decades. It has a special collection by Takeuchi Iwao, a Japanese designer who espouses minimalist aesthetics and maximum comfort. I can see Giorno going for tailored, stylish suits that are comfortable and give off a relaxed demeanor. Here are some pieces he might wear, which come from Takeuchi Iwao's collection.
Another ethical brand I found is Story mfg., a London-based fashion brand, specializing in slow-made and vegan clothing that use natural dyes (like indigo, earth minerals and bark), organic materials, and artisan-led craftsmanship. Its clothes are whimsical yet rugged and casual, which can channel and balance Giorno's original lavish style and the relaxed demeanor he wishes to approach his role from time to time. The brand also views their clothesmaking process similar to winemaking, a process which may take months and years—something that a true-blue Italian like Giorno will approve of. Here are some of the pieces Giorno might wear, which come from their Fall/Winter 2023 collection and Fall/Winter 2022 collection.
The pieces are examples of clothing Giorno might wear—ethically made from start to finish, excessively durable, unconventional, whimsical, androgynous, and comfortable. As a don who will mature in his role, I imagine him becoming increasingly casual and effortless. After all, it's an expression of confidence and sprezzatura.
Works Cited
Geoffrey B. Small
Story mfg Fall/Winter 2022
Story mfg Fall/Winter 2023
Note: I'm not promoting the mentioned fashion brands or persuading anyone to buy their pieces. They're cited as examples of brands with an ethical claim, as ethical clothing is something Giorno's character will likely embrace. Hence, I'm borrowing photos of their pieces (with proper citation) for educational purposes.
Avant-Garde Fashion Inspiration for Giorno (in my post-canon fic)
Giorno on His Identity and Image
I have just begun researching on fashion inspiration for Giorno in my post-canon fic. While I'm certainly steadfast in Giorno retaining his Baroque, Prince-inspired fashion and style sense, I also see him exploring more possibilities. Among the Joestars, Giorno is unique for his conscious fashioning of his appearance or public image as his way of creating an identity and self-image for himself. As his original black hair mysteriously transforms into blond and he finds himself possessing extraordinary powers, it seems he realizes as well that he can consciously create himself, or birth his new self, with the factors and pressures beyond his control as his very material and push for the change. Similar to how a sculptor prunes and chisels into shape a rough rock. Or how a farmer sows seeds and grows a garden on wild earth. It makes sense, then, that as Giorno blooms into adulthood, he will continue consciously fashioning and modifying his identity and public image, including his clothes and hairstyle.
I have been looking at the possible direction for his originally androgynous, Baroque-type of style, particularly in the context of working as the highest leader of the underground mob network. On this matter, it's important to note that while he's installed as the don, he's quite different from his predecessors. While on one hand, he may be considered as flamboyant in style as Diavolo (unstinting with bright colors and laces), on the other hand, he's younger, so perhaps more current and fashion-forward. I feel that this factor should reflect in his later fashion and style choices as he comes of age and becomes an adult.
Giorno's Fashion as Both Avant-Garde and Youthful: Beyond the Romantic
I believe his original avant-garde fashion and style sense must stay. Both his young spirit and rebellious, revolutionary nature dictate this. Yet, he also lives in the present. With these factors considered, I imagine Giorno fusing avant-garde radicality and rebelliousness with youthful vibrancy and currency. While his original style is avant-garde, it also comes across as both classical and romantic, and rather retrospective in vision. So, he will likely switch things up, as he gets settled in his new role, not only to experiment and explore his styles but also to embrace and enjoy his youth. For these reasons, I can imagine Giorno possibly dressing himself with outfits by Comme des Garçons, a Japanese fashion label with anti-fashion and intellectual aesthetics, gender-fluid styles, asymmetrical tailoring, and principles of imperfection, irregularity, and freedom.
Here are a few pieces Giorno will probably wear. Certainly, Giorno's body form, posture, stance, demeanor, personality and just the overall way he 'bears' his clothes will change the way these ensembles look on him. His hair will be blond and braided, of course.
From the Spring Summer 2026 collection:
(This one, admittedly, looks like Prosciutto's garb.)
From the Spring Summer 2016 collection:
More Exciting Fashion-Forward Garments to Come
These are just a few pieces. Definitely, this assortment has room for improvement, and quite frankly, I'm unsure and undecided about these pieces.
One thing I've realized from this thought experiment and idea session is that it isn't easy to look for avant-garde, fashion-forward pieces that fit a specific personality or character.
Works Cited
Comme Des Garçons Homme Plus - Spring Summer 2026
Comme des Garçons Homme Plus - SS16 Collection
Real Life and Fashion Inspiration for Giorno's Image (in my post-canon fic) - Part 1
Giorno as the Physical Image of Dio and Jonathan Joestar
For the post-canon fic I've written, I imagine Giorno resembling (or bearing a likeness but not the same as) this man in the photos. This person is basically Giorno as Haruno, still donning his black hair and black eyebrows—except for the eyes, which have to be light green, of course. I base this comparison solely on Giorno's official illustration, which evinces more evidently his fathers' passed-on attributes. In other words, while his Asian heritage remains and isn't being ignored, Giorno's physical attributes, based on his illustration, seem to manifest more his fathers' ethnicities. On this matter, the difference between genotype and phenotype is helpful. Genotype is the internal genetic makeup inherited from parents that stays unchanged throughout life, whereas phenotype is the observable physical expression of genes that's influenced not only by genotype but also environment. It appears that while Giorno's genotype is certainly the combination of his fathers' and Japanese mother's passed-on genetic traits, his phenotype, however, presents a stronger physical resemblance to his fathers, more especially as he grows older and develops his Stand abilities. For these reasons, Giorno expresses more his inherited British (Joestar, Brando) and Italian (Brando) physical attributes.
Giorno's Charisma as Style and Elegance
The JoJo series suggests that fashion and styling are special expressions of, or clues to, a character's values and chosen roles. This interworking of fashion and character especially flourishes during the era of Vento Aureo, and centrally, through Giorno's character (whose attributes being a fascinating blend of those of Joestar and Brando probably makes the design and fashion expression of his mysterious character more crucial. Also, note that Giorno's mother is overlooked on this matter). Now, Giorno becomes a young boss who needs to assert, more convincingly than previous bosses, his authority and no-nonsense seriousness, yet at the same time, persuade with a dose of charisma. While charisma cannot be present without intellect, real expertise, and power especially in Giorno's line of work, it may also be true that charisma is still more easily recognized by people through attractiveness, taste, and elegance. So while Giorno retains his androgynous, avant-garde, baroque-leaning, Prince-inspired style, I imagine that with increasing frequency, he dresses up with a minimalist yet sophisticated style, comparable to the style in Armani's fashion line, with its tailoring, structure, greige, and sprezzatura or relaxed elegance. Basically, some of Giorno's wardrobe are straight out of the Armani menswear collection. I borrow this Armani webpage as a sort of mood board.
As an important detail of his style, he also develops, I imagine, a liking to switch up his breastpins. So while he still wears his signature ladybug pins, he regularly changes his breastpins designed with various bugs and animals. I imagine that he's especially fond of his scorpion pin. And instead of two pins, he sometimes wears only one pin, on the left side, to exude elegance with more ease, while still preserving his insignia.
Work Cited
Here's part two of 'Real Life and Fashion Inspiration for Giorno.'
I've seen Monica Bellucci faceclaim for Bruno, and that's literally him, and I highly suspect it could've been intentional or at least referenced by Araki (while drawing I mean), as he does mention her in Mista's bio...
But I also put forth Anita Loos as a contender.
Yes, I do see the resemblance, and this makes my heart tingle and dance. 💗💃🌻🌱🪻🐸
Venice: The Dogana and San Giorgio Maggiore, 1834, oil on canvas
Joseph Mallord William Turner, British, 1775-1851
The events of Golden Wind started on March 29th. Time for my annual rewatch.
I'm so emotional about the mere existence of Jodio. He feels like a total fever dream of a Jojo. In the fandom at large, I feel Giorno regularly ranks pretty low when it comes to people naming their favorite Jojo. It makes me see him as his own isolated star, kind of an underdog. Under-appreciated imo. I just feel so grateful that Araki is iterating upon elements of his character, especially in a more realistic way and in a super modern setting. Of course, Jodio is his own character but I get SUPER EMOTIONAL when I think of them having a spiritual kinship. I have a few more meta fanart ideas for Jodio and Giorno in conversation with each other I hope to produce this year. It's the meta for me.
Manga studies from the break :)
I usually don't render studies so much, but this sequence holds a special place in my heart. It's not in the manga!
A friend of mine pointed this out, I hadn't noticed it myself in numerous rewatches, but the sun is out when Bruno catches him, then its dusk after the cut. This implies that Bruno held him for some time before walking off.
(Also he just let mista and narancia just lie where they fell... rip. Brutal. At least Mista had his stands whining over him...)
He didn't have to do this! If you go with the idea Bruno only cares about Giorno for what he can do for him, and he's sad their secret mission might be over, he didn't have to cradle his body like that for a good while.
In the manga Bruno seems grim, but it is passed over rather quickly, stating to Trish the dire situation they are in to lead into her moment to shine The anime puts more emphasis on Bruno's vulnerability in the moment, how he's putting on a brave face. He's still only twenty…
I see it as him comforting Giorno who's in pain, but maybe its a comfort to him as well.
Whenever I'm too tired to draw I draw manga panels on magma! These are from November.
Bruno's are from the Beach boy fight, but I started from the Polpo intro scene, and just began drawing any panel I like chronologically, thus why there are a million Giornos after. I'm currently on the black sabbath fight!
They’re kinda twinning tho….