Mary Oliver, from “Starlings in Winter”, Owls and Other Fantasies: Poems and Essays
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Mary Oliver, from “Starlings in Winter”, Owls and Other Fantasies: Poems and Essays
Demon, by Dorothy Allison, 1987
transcription under cut
[Some there are found in the hands of a demon a demon who tears and takes and makes you something you were not before. No matter the nature of the demon the details of what was done or when or how. No matter, in fact, if you escape. No one escapes.
The Demon is always there. Years later, so far after the fact that there are no facts left no memories that can be trusted — and it is the nature of the demon that trust is the first eaten the possibility of trust, the hope of anything at all— Years later, the demon turns around grins from inside that wounded place.
And Oh! the demon is clever. The demon is beautiful. The demon is much lusted after, much denied and when, in time, he recedes it is only the dream of the demon that grips and tears while only the audience remains, the audience that whispers
"Tell us about the demon." "Tell us how he touched you." "Tell us about his belt, his teeth, his cock." "Tell us about your blood, how hot it was and how it ran down." "Tell us about you, though we know of course, the only notable thing about you is that once a demon wanted you."
"Once."
The audience grows teeth takes up a belt, becomes beautiful The audience looks down sees itself sees the demon.
You see the demon. You are not alone anymore. You have it back— all you wanted. Now all you want is to be free of it.
But didn't I tell you? It does not matter what you want. The demon does not care. The demon does not even notice. The demon is filing its nails bending over waiting.
Like I said, No one escapes.]
kai cheng thom, from her collection a place called no homeland
trauma is not sacred
violence is not special / pain is not holy / suffering does not make angels / abuse defines no one / you are more than the things that hurt you / you are more than the people you have hurt / do not make an altar to your woundedness / do not make a fetish out of mine / a body belongs to no one / a memory is not made to be eaten / does it titillate you to hear about assault / if i told you my story would you swallow it whole / if i confessed my sins would you feed me to the beasts to purge your own / i will show you mine if you show me yours / we have all seen the darkness now give us the dawn / tell me about the joy you keep in the hollow spaces between your bones / tell me again how you laughed when you realized that you were not wholly unlovable / i’ll tell you again how i cried when my best friend told me that i was not a bad person / remember how we used to count the lines on our palms when we were little / how we used to try to read the future for its gifts / how we used to make lists of the things we would dream of when finally we were free / i will make you a list of the things i am grateful for / i will sing you a litany of reasons to be alive / i want to know the songs you wake up for in the morning / i want to marvel at the unbelievable graciousness of your being / i know that i am capable of pouring love like lavender oil into your cupped palms / there is forgiveness like honey pooled in the chambers of our hearts / you are the thing i am most grateful for / all bodies know how to heal themselves given enough time / all demons carry a map of heaven in their scars / beneath the skin of every history of trauma – there is a love poem waiting deep below
Top: The moon seen through a telescope ca. 1920-ca. 1925
Bottom: Lunar view 1900-1930
He didn’t know how precious a normal life could be, how easy it was to drift away from average. You started sleeping until noon, skipped one class, one day of school, lost one job, then another, forgot the way that normal people did things. You lost the language of ordinary life. And then, without meaning to, you crossed into a country from which you couldn’t return. You lived in a state where the ground always seemed to be slipping from beneath your feet, with no way back to someplace solid.
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