I spent the month before my wedding (it was last saturday!) working on this huge angelgotchi tapestry to display at our reception! Really pleased with how it came out <3

tannertan36

Janaina Medeiros
Cosimo Galluzzi
Peter Solarz

JBB: An Artblog!
d e v o n

Discoholic 🪩
Keni

pixel skylines

ellievsbear
Alisa U Zemlji Chuda
wallacepolsom
No title available
Game of Thrones Daily
Show & Tell
Stranger Things
"I'm Dorothy Gale from Kansas"
Acquired Stardust

Kiana Khansmith
occasionally subtle

seen from Australia

seen from Australia

seen from Japan
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from United Kingdom

seen from United States

seen from United States
seen from United States
seen from Switzerland
seen from United States

seen from United States

seen from Netherlands
seen from United States
seen from United States
@florianbaumgartner
I spent the month before my wedding (it was last saturday!) working on this huge angelgotchi tapestry to display at our reception! Really pleased with how it came out <3
Lambert’s Bridge no. 77, also know as the snake bridge, on the Macclesfield Canal. location: Astbury Congleton, England
Wicked City, 1987.
3 lines + one dot
Every time I see this post I think about that study that was done on how cats recognize visual imagery. They weren't sure if they track by color? shape? outline? movement? So they did an experiment where they showed cats clips of birds or rodents, visually altered in various ways -- light-inverted? color swapped? upside down? stills? mocap? slowed down, sped up, stretched or warped? And they found that cats could continue to recognize videos of animals even when they were just a skeletal ball-and-socket model, so long as they still moved like the animal.
Cats can recognize animals by only their structure and their motion. I wonder if a cat would be able to see a cat in this, too?
Reverie Collins (Revi)
Sivan Karim
artist: quentin monge
Monica Rohan
Monica Rohan (Australian, 1990), Rush, 2014. Oil on board, 50 x 35 cm
artist: angela mckay
artist: ana clerici
Downfall.
Easily one of my personal favourites, which says a lot for e because usually I hate everything. Took my time with this one due to playing much more with colour contrasts than line work sometimes really pays off.
NVM - Illustration
Light Catcher, oil on linen, 2012 by Hélène Béland