gay trash

carly rae jepsen

[inthedarktrees]

Sheryl Lee | Twin Peaks: Fire Walk with Me

[emmanuelleriva]

Summertime (1955) dir. David Lean

[redlipstickresurrected]

Kevin Lucbert aka Crusaders (French, b. 1985, Paris, France) - 1: Shortcut, 2013  2: The Red Light, 2012  3: All Gates Open, 2013, Drawings: Pen + Ink on Paper

[kvetchlandia]

Saul Leiter      New York City     1949

[radicalgraff]

“We don’t forgive, we don’t forget”

On September 6, 2020 feminist activists broke into the office of the director of the national commission on human rights in Mexico City. The action was taken in protest against a state that does nothing to prevent the killing and rape of girls and women in Mexico

[radicalurbanista]

even better, they declared the building will be for female victims of violence (x)

[madeofwhitebone]

👁

[tomandharrisongifs]

Request:

Tom Holland defending his partner’s pronouns.

[tomandharrisongifs]

Reminder that cis people can reblog this too!!

[charadreemurrrrrrr-deactivated2]

this is so surreal, is this a set of fake gifs of like tom holland defending an imaginary nonbinary partner in an interview but made to look real? why would you make this. what is going on. what am i looking at here?

[shoutyelf]

what the fuck

[neverendingmidnightsun]

king ❤️

[fionaapplerocks]

Fiona Apple - backstage passes

[paulthebukkit]

[beachdeath]

hi there! im searching for a specifc meme that i remeber u posted a few times. its a reality tv show and its like thats my friend paddington and the other person is like ?? and then the person is like bear. do you know what im talking about? would u mind sending me it? totally understand if not haha. thank you!

YES

[flushed-asian]

oh my god tysm 

[kendothugs]

[obersts2]

[roseydoux]

In a Lonely Place (1950)

[shesnake]

The Handmaiden (2016) dir. Park Chan-wook // Portrait of a Lady on Fire (2019) dir. Céline Sciamma

[snuv]

A mom helping her kids beat a hard level in Super Mario Land, 1990s.

[shantisheaan]

From the outside, 2016. Oil on canvas, 90 x 85 cm. Shanti Shea An.

[grey-wardens-archive-deactivate]

Central to the film is a reclamation of the Orpheus myth, a version of which the three young women read aloud together one night. Sophie registers distress at Orpheus’s fatal, selfish incompetence in looking back at Eurydice when he was told not to, and Marianne suggests he may have done it on purpose, preferring to lose the woman and savor, instead, the romance of his grief, making not “the lover’s choice, but the poet’s.” But it’s Héloïse who removes, for once, the fixation on Orpheus, his failings, and his loss. What if, she says to Marianne with an edge of defiance, it was Eurydice herself who chose art over staying together, who rather than leave the underworld with Orpheus, stopped and called out “Turn around,” preferring to remain down there and be preserved in poetry. A kind of freedom and a kind of permanence, rather than, as eighteenth-century marriage looks to be, an unwilling exchange of one for the other. —  In Portrait of a Lady on Fire, Love is a Work of Art