[simoneashley]

Modern day Loustat Jacob Anderson and Sam Reid for Entertainment Weekly

[carmillaswifeaurora]

i wasn't expecting to see modern day!loustat and possessive!louis on my dash after an 11 hour shift but oh boy am i pleased...

[quiet-compassion]

It’s hilarious to me that so much of the TVL promo has been like “What if Lestat was the coolest guy in the world?” And then this new teaser is like “I mean, he’s not. But could you imagine?”

[basilosu]

i forgive you

[for-hunger]

at age (almost) 32 i am now in a deeply messy on and off lesbian-type situationship with a microcelebrity demon twink who i don't really even Like exactly but who just keeps pulling me back in. how did this happen

[rylandsgrace]

You've been alive and undead for 265 years. You witnessed the French Revolution, the electric light, the atomic bomb. Why music? Why now? We’re doing a rewrite.

[guropervert]

man forcemasc could be so good but ur all doing it in the most boringggg ass way. it ain’t even forcemasc its like. little nudge masc. and it’s always oddly empowering thats NOT what it should be likeeee… forcemasc should be about toxic masculinity. it should be like dog fighting rings. injecting a girl with something that’ll make her basically rabid and watching her rut and bite and claw at a sex doll you provided her , tearing at its throat. denying her baths because those are gay and beating her when she refuses to be violent till he learns how the hierarchy works and finally fights to be on top. conditioning an extreme fear of submission and weakness in him and insisting he was weaker when he was pretending to be a girl , until he views anything weak as feminine and anything feminine as weak. appealing to his new thirst for dominance and power by giving him jobs , bc to work is strong and masculine and he doesn’t wanna be the opposite does he ? sure hes collared and muzzled and viewed as a gross violent dangerous animalistic man by everyone around him now but at least he isn’t one of the dainty little girls and effeminate faggots scowling in disgust as they pass by him. nevermind that theyre “more free” than he is, not restricted by a leash. he could still rip them to shreds in seconds. if his master loosens the leash a little. then he’ll show them whos the real winner.

[girlknots]

[homoidiotic]

“T-Fags” is a photography book exploring fag identity for trans men, trans masculine and non-binary people, by @el_hardwick & @orionisaacs_

[femme--deer-deactivated20260430]

Picture from the Photographer Kalynn Youngblood, in her series Staged Portraiture and Documenting daily Black Life.

This is all I need in my life.

[transfagsinlove]

@transgressrrr for @boundleatherzine

[aggot]

[pauloesska]

Le Samouraï (1967) dir. Jean-Pierre Melville

[for-hunger]

ok i have 1) almost finished my grad school apps 2) gotten a full time job 3) fucked my boyfriend calm

so hopefully that means i'll be pushing out the 2 drafted chapters i have of nothing but surrender pretty soon

[wardengrill]

NOIRVEMBER ¬ neon noir

out of the past

murder, my sweet

double indemnity

sweet smell of success

mildred pierce

the postman always rings twice

sunset boulevard

angels with dirty faces

the maltese falcon

the lady from shanghai

shadow of a doubt

[m4rms]

Eat you whole

[capacity2]

People were less depressed decades ago bc everything was just prettier like the average 70s car was a work of art sure the serial killers were gonna get you but at least life was sexy before your untimely demise. And there was disco and real oakmoss in perfume need I say more. We have nothing left

[capacity2]

If you’ve ever wondered whether or not you have good taste or a soul let this be the confirmation you need to know that you have nothing. You are empty. FUCK YOU !!!!

[limeshade]

Yes, sometimes I feel like I’m tracking myself down. I want to run—run away from myself! But I can’t! I can’t escape from myself! I must take the path that it’s driving me down, and run and run down endless streets!

Peter Lorre as Hans Beckert

M (1931) Directed by Fritz Lang Written by Fritz Lang, Thea von Harbou